Billy Carson is accused of the crimes committed by his dead-ringer, outlaw cousin Jim Slade, and barely escapes a lynching. With the aid of his pal Fuzzy Jones, Billy catches up with his cousin and clears his own name.
Dawson is running rustled cattle across the abandoned Trenton ranch and has given it the reputation of a ghost ranch to keep people away. When Henty Tenton arrives from England to take over the ranch, Dawson tries to get rid of him. But Billy and Fuzzy are on hand to help Henry and it's not long before they have to go into action.
How far would you go to get over your ex? After recent bad relationships with men, best friends Brea, Wendy, and Jessica want answers—so they decide to kidnap their exes and hold them hostage until they get them! After the kidnappers share their story in an internet chat room, they become a worldwide sensation, as millions cheer on their battle of the exes in this screamingly funny comedy of seduction and abduction.
Lash and Fuzzy sent to help John Watson with his stage line arrive to find him murdered. Recognizing the outlaws they trail them to their leader Baxter. But before Baxter can tell who the big boss is he is shot. After getting the stage through to assure the mail contract, Lash now realizes who the boss is.
As a 32nd cousin of the recently deceased Silas Stockton, Fuzzy heads for the reading of the will. The bad guys are after the Stockton estate and plan to kidnap Helen Stockton, the primary heir, and replace her with a stooge. When the henchmen catch her she is with Billy and Fuzzy so they kidnap them also. But the three escape and Billy then heads out to find the culprits.
Robin Hood of the Pecos is a 1941 American film starring Roy Rogers and directed by Joseph Kane. Following the Civil War, the South still faced many dangers not the least of which were the armies of carpetbaggers that descended on impoverished towns, intent on making a fast greenback at the expense of the local populace.
Kirby sends his henchmen to break killer Matt Brawley out of jail. But Brawley has already broken out and they return with Fuzzy instead. Realizing they think he's Brawley, Fuzzy plays the part. He and Bill plan to round up the gang but Fuzzy is in trouble when the real Brawley shows up to expose the hoax.
Glace Bay, Nova Scotia Canada, 1901. Willie MacLean is a 10-year-old boy with a love for horses and liking to school to cape the difficult times his family has. Willie's stern, but benevolent father is a coal miner in a local mine along with his older brother John. But when Willie's father is injured and John is killed in an accident at the mine, Willie is forced to step into his brother's shoes to support his older sister Nelle, and two younger sisters until their father recovers. Willie soon finds work at the mine lonely (aka: the pit) and unfriendly in which he forms a bond with a pit pony horse in order to make it though each day.
A hired assassin accidentally kills a civilian he believed to be his target. The witness of the wrongful murder can't die. This is a problem for the assassin as the witness wants vengeance and will do whatever he can to get it. Even teaming up with the assassin to stop his employers and a mysterious looming threat from the floor above.
Once in a Valentine tells the story of a woman haunted by past trauma who faces her fears and finds unexpected love, risking everything on one suspenseful night
We were both moving to new places. Quinn to Los Angeles, myself to New York. We were on a rare holiday, and with seemingly nothing else to do, we walked up and down the bike path on the North Shore of Oahu. A hand painted sign caught our attention with an inspiring mantra. - Everest
Dr. John Spooks (a puppet) returns home to discover that his lovely wife, Karen (also a puppet), has been brutally attacked. The film savors the couple's final moment together while inviting the audience to surmise the inescapable and unsavory past that brought John and Karen to this point. LIABILITY is an existential, absurdist joy ride that gleefully tests the audience's ability to suspend disbelief effectively. The result is part satire of the crimes-of-passion genre and homage to the banality of movie-making tropes of decades past.