Dziga Vertov-directed Soviet newsreel covering: Up the Eiffel Tower in Paris / Moscow / Auto race Petrograd – Moscow / Aspects of everyday Soviet life / Peasant from Jaroslavl' visiting Moscow / Ceremonial introduction of a newborn into a workers' collective
Dziga Vertov-directed Soviet newsreel covering: Trial of the Socialist Revolutionaries / Motor race Moscow – Sevastopol' / Barges loaded with grain are sent to the starving in the provinces / The Caucasus and its resorts.
For her latest industrial exposé, Rachel Boynton (Our Brand Is Crisis) gained unprecedented access to Africa's oil companies. The result is a gripping account of the costly personal tolls levied when American corporate interests pursue oil in places like Ghana and the Niger River Delta. Executive produced by Steven Shainberg and Brad Pitt, Big Men investigates the caustic blend of ambition, corruption and greed that threatens to exacerbate Africa’s resource curse.
On the 11th Annual National Day of Silence, Erin Davies was victim to a hate crime in Albany, New York. Because of sporting a rainbow sticker on her VW Beetle, Erin's car was vandalized, left with the words "fag" and "u r gay" placed on the driver's side window and hood of her car. Despite initial shock and embarrassment, Erin decided to embrace what happened by leaving the graffiti on her car. She took her car, now known worldwide as the "fagbug," on a 58-day trip around the United States and Canada. Along the way, Erin discovered other, more serious hate crimes, had people attempt to remove the graffiti, and experimented with having a male drive her car. After driving the fagbug for one year, Erin decided to give her car a makeover.
It's the most mythic of all American emporiums - and the scene of many an ultimate fashion fantasy. Now audiences get a rarified chance to peek behind the backroom doors and into the reality of the fascinating inner workings and fabulous untold stories from Bergdorf Goodman's iconic history in Scatter My Ashes at Bergdorf's.
The film begins with a series of horizontally running ocean tide waves, sometimes with mountains in the background, hand-painted patterns, sometimes step-printed hand-painting, abstractions composed of distorted (jammed) TV shapes in shades of blue with occasional red, refractions of light within the camera lens, sometimes mixed with reflections of water. Increasingly closer images of water, and of light reflected off water, as well as of bursts of fire, intersperse the long shots, the seascapes and all the other interwoven imagery. Eventually a distant volleyball arcs across the sky: this is closely followed by, and interspersed with, silhouettes of a young man and woman in the sea, which leads to some extremely out-of-focus images from a front car window, an opening between soft-focus trees, a clearing. Carved wooden teeth suddenly sweep across the frame. Then the film ends on some soft-focus horizon lines, foregrounded by ocean.
In a freshwater pond, it's "eat or be eaten." A dragonfly larva eats a midge; a water beetle larva eats a damselfly larva. Snail larvae grow. A beetle larva eats one. Up close, we see the eating apparatus of a damselfly larva—with a retractable hook beneath mandibles. Some creatures bite and chew, others suck. A water beetle larva holds on to its prey, injects a poison that turns the victim's insides to soup, and then sucks it dry. We watch one eat a damselfly larvae and then another water beetle larva. Some have ingenious ways to camouflage themselves, like the water scorpion, and to breathe air while hunting under water. Caddisfly larvae hide in debris, then eat.
An educational film, a movie through a microscope, in two parts. Within minutes after the egg drops in the water, fertilization occurs and contractions start. Soon, in a fertilized egg, we see the germinal disc divide into two blastomeres. Divisions continue; contractions re-occur at the cap as it covers the egg. Title cards in French tell us what to watch for. Muscular movements and circulation appear; the heart beats. In part two, we see blood circulation begin as red cells develop on the surface of the yoke. They mass toward the heart. Arteries form, blood flows. The egg hatches and blood flows to new areas.
Henri Storck and Joris Ivens’ landmark of social documentary, blending staged scenes with locals and on-the-spot reportage to depict the 1932 miners’ strike in Belgium’s Borinage—evictions, hunger, and police repression—transforming outrage into a call for solidarity.
A stationary camera looks across Burgundy's river Sâone toward a small military encampment. Four horsemen enter the water in the foreground, each riding his horse as it swims across toward camp or leading it by the bridle as they swim
Dziga Vertov-directed Soviet newsreel covering: Connecting city and country, south and north, summer and winter, peasant women and worker women / Emancipation of women in the USSR