The film is based myths of the ancient Peruvians, recreated Soviet ethnographers Yuri Beryozkin on drawings Indians Mochica. The action takes place 1,500 years ago. Legend tells of two brothers, demigods, brought the sacred frog. Growing up, the brothers went to the human world, giving them a lot of happiness and a refuge from the evil monsters. But one of the monsters Rikuay survived the battle with his brothers. He deceived his younger brother, went to his centipede, which led him to ally Rica - a witch, who asked his younger brother to give people a weapon that start killing people. Only the intervention of the gods, and his older brother saved people from total destruction
The merchant's daughter Constanze, begs her father to ask a lion for a favor. Her father approaches the lion who agrees to his request with one condition: that he send the first person he meets upon his return home to the lion's den. It is Constanze. Against her father's will she goes to the lion and discovers that he is an enchanged prince and that only a woman's love can release him from the spell.
A young nobleman, pursued by Satan since childhood, yields and signs a pact for his soul in exchange for marriage to a woman he loves who is in love with another.
A man’s internal journey over the course of sixty minutes as he wanders through a series of dreamlike and symbolic environments and collages. His physical movements serve as a framework for a stream-of-consciousness exploration of his memories, anxieties, and desires.
Ra which means to Take away in Ancient Tolkappiyam , an apt title for the film which revolves around the lead character Ajay and his quest to find answers to the unsolved mystery in his life. Confused and baffled by the events happening around him, he is unsure if he is awake or still dreaming. With a deep intense meaning to all the occurrences around him, will he be able to break the shackles and come out victorious or succumb to the Devious foul play that is his mind itself is the Plot of the Movie .
In a way of protesting for inhuman living conditions and the shortage of medications caused by the disintegration of Yugoslavia and its sanctions, a doctor in a hospital decides to close his clinic for mental illness. His wish is to return the patients to their homes or give them to someone who is willing to accept them temporarily.
The story follows our hero, nicknamed "Child," who was kidnapped at a young age and fell into the hands of a gang of thieves. When he meets "Rüya" (Tuba Ünsal), who hates children but hosts a children's program on a special TV channel, a series of complicated events unfold for both sides. Our child hero is one of the most successful thieves in the gang. The reason for his theft is that for every 30,000 YTL he steals, the gang returns one child to their family.
Yoso is truly a lost classic, set in the Nara Era (710-794), from Kinugasa Teinosuke the same writer/director who gave us the recognized classic Gate of Hell (Jigokumon, 1952) & the milestone silent surrealist masterpiece A Page of Madness (Kurutta Ippeji, 1926).
The clever but poor farmer Klaus infuriates the rich big Klaus with his mischief. But little Klaus always manages to get out of the most difficult situations and emerge victorious in the end. But one day, big Klaus has a fit and wants to drown little Klaus. Now he once again has to rely on his intuition and his wit ...
Seeking to unlock the mystery of a strange stone statue that looks exactly like their Sergeant, the members of the Keroro Platoon find themselves engaged in a great adventure.
Dazzling and raucous, Ryan Trecartin's first feature-length video takes cues from chat rooms, social networking web sites, YouTube, John Waters, and Pee-wee’s Playhouse, and then turns them upside down and inside out to create an entirely singular video genre. In I-BE AREA, Trecartin intertwines the stories of an incredible ensemble cast to follow a day in the life of I-BE II, the rebellious clone of I-BE.
Animated film featuring the hand of Walter R. Booth drawing a coster and his donah who come to life and dance. The hand then crumples up the paper and dispenses it in the form of confetti. (BFI)
Gaston Velle's 'Les Fleurs Animées' was screened by the Australian-based Corrick Family Entertainers as part of their variety act. In their advertising the Corricks described the detailed, hand-coloured production as 'The finest "Color" Film of the Twentieth Century'. Simple camera tricks create a magic fairy story in this tale of angry flowers exacting revenge on a man who has wantonly destroyed their garden.