Linking several genres in a surprising and successful way, Yang Lin’s fiction feature debut is an Asian ghost story in which documentary scenes show how incongruous today's reality can look in China. Protagonist Fang Lei lives in material wealth and only has to care for her daughter. One night, a young mysterious lover appears and makes passionate love to her.
A dark figure appears in the night, bringing with him a virus that turns people into monsters. Hoping to gather stories to take back with him to the other side, he meets his opposite, a light figure prepared to do battle with the dark man in order to save the human race...
After an extended period directing original screenplays, dos Santos returned to the creative engagement with literature that was the wellspring of his early masterpieces, offering a combinatory adaptation of five stories by the renowned Brazilian novelist João Guimarães Rosa. Openly embracing a mode of magical realism, dos Santos' celebrated film tells the story of a farming family defined by the absence of its father who abruptly abandoned his wife and children, sailing away down the river, including his son who continues to communicate with his father, speaking daily to him from the river bank. While offering an evocative vision of rural Brazil as a timeless land of mystery and solemnity, The Third Bank of the River is also bitingly satiric in the remarkable depiction of religious belief when the family moves to the city and its youngest member, a mesmerizing little girl, is revealed to be a kind of saint, capable of miraculous acts. -Harvard Film Archive
Six people from different backgrounds find themselves fighting for their lives when they are swept up into a fantasy adventure in a theme park, where the dangers are real, the supernatural is the norm, and escape is next to impossible. They must pool their resources and skills in order to survive the jungle setting, if they are ever to return to their own world.
Two kings: Fedot and Amphibrachiy have been adjoining peacefully for many years. But once Amphibrachiy disappeared, and it became difficult for queen to cope with affairs. The state began to fall into decay. Also daughter Alyona absolutely got out of control. So mother decided to marry her. The king Fedot had three sons: Paul-tsarevitch, Peter-tsarevitch and Ivan-tsarevitch, whom everybody considered to be a fool. But he managed to gain Alyona's heart and, having won Kashchei the Immortal, set free the king Amphibrachiy.
Director Richard Quine's 1953 adventure comedy about a magician's efforts to rescue a dancing princess stars Patricia Medina, Paul Henreid, Hans Conried, Laurette Luez and Michael Fox.
Set in the candy-colored world of 1950s suburbia, a reluctant young housewife suspects that the friendly neighborhood dentist is hiding a horrible secret, but is it just the anesthesia at work or is there something more sinister hiding below the surface? Open up and say AHHHHHHHH!
After her parents are killed, a young girl is sent to London to live with her uncle and his family. Her uncle, who is a toymaker, secretly has the power to make his toys come to life, but he also maintains dictatorial control over his family and intends to exercise the same control over the new arrival.
Shaolin temples thousands of years ago were famous for their kung fu schools, and everybody has come to relate these temples with kung fu. Even the best fighters in the world didn't dare challenge the Shaolin students. During the Ching Dynasty, the reigning government had total control of the Shaolin temples and schools. The monk Chi Kong wasn't a real monk. In fact he was evil. He even accepted girls as students. He taught these girls the kung fu style. There were eighteen of them...
A high board fence is shown covered with theatrical posters. The one in the center shows the head and shoulders of a pretty girl. An old farmer and his wife are strolling along, the old gentleman being a little ahead. He looks at the picture of the girl and fancies he sees the eyes winking at him. He puts on his glasses to make sure that he is not dreaming, when the girl leans forward with an expression as if inviting him to have a kiss. (Biograph Catalog)
Val has lost control of her life. Those around her deny the reality of the extraordinary experiences she feels powerless against. Realizing she must stand alone, she has only one remaining option - to find a way to fight back.
The Korean Academy of Film Arts has produced an animation for 3 consecutive years through a collaborative project. Considering the severe reality of Korean animation in that it lacks an industrial infrastructure, "The House" demonstrates the possibilities of Korean animation and the efficiency of collective production. While comparing apartments in the downtown core to the shabby environment of a marginalized district, "The House" portrays the collapse of the spirits dwelling at the house. As such the adventure of Ga-young and the spirits in the house becomes a criticism of modern society: enlightenment via animation. Although this animation may not have the most delicate or original style, the 5 animators that worked on this film unleashed their imaginations, ultimately showcasing the power of a collective process and a pleasure of the collective imagination.