Combining the exultant sweep of epic period drama with the subtle intimacy of biography in a social perspective, this is a tale of materially impoverished childhood, struggling early manhood and an unrequited first love turned into good musical fortune for Carl Nielsen, one of the great composers of the 20th century. Based on the composer's autobiography, the film itself is designed to soar like a symphony.
An emotionally dysfunctional ukulele minstrel lands a gig at a nursing home where he strikes up an unlikely relationship with an ancient jazz chanteuse and awakens from a lifetime of loneliness and inconsequence.
A soldier stationed on an army base and his fiancé, who runs a women's "fat farm" nearby, want to get married but don't have enough money. Three customers of the "fat farm" scheme to get back at their philandering husbands by hiring the soldier and two of his buddies as "escorts" for the weekend. Complications ensue when the husbands show up unexpectedly.
This puzzling experimental film is written and directed by Raymond Rouleau, who uses effects like changing color tones and masks to put across a drama within a dance drama. The set is a sound stage and the actors in this film are dancers on the stage, performing a mime-ballet derived from one particular legend. Both the enacted legend and the actual events affecting the dancers are parallel. The lead dancer Isa (Ludmila Tcherina) is still nursing her wounds after her first love left her to stand alone at the altar. Now one of the dancers wants to expand his relationship with Isa -- and soon after, the cad who jilted her suddenly shows up again. Tragedy follows closely behind.
Composer Gary Stuart (Ray Milland) and his wife, Connie (Jane Wyman), have an argument over her alleged affair with Courtney Craig (Tom Helmore). The Stuarts agree to get divorced, and each tries to move on to a new love: Gary with socialite Deborah Randolph (Karin Booth) and Connie with businessman Frank McGraw (Aldo Ray). However, they start to realize that they still have strong feelings for each other. The Stuarts must make a decision before their divorce is final.
Dee is a naive chorus girl living in a boarding house full of low-paid actors. Dee and Billy are in love and he helps her to move from chorus girl to star. Things run afoul when jealousy, misunderstandings and sleazy men enter the picture.
As Fraulein Leander prepares for opening night, her life is thrown into turmoil by a variety of romantic misadventures. But she manages to show up on stage at the appointed time, scoring a huge success.
Two small-town sisters who've come to New York City for very different reasons find themselves competing for the affections of a brash magazine photographer. Comedy.
Three families, in three different situations, have to deal with a sudden change in their lives, caused by a loss or a re encounter. Three mothers sing their love for their children while facing difficult times. A film about affection on the borders of painful happenings.
An alcoholic theater owner needs to put together a successful musical in order to pay off his mob debt, but problems arise when the wise guys want to cast their friends in the production.
Recorded Live at the Hammersmith Odeon Theatre, London, 8 October 1985. Can the bombast and fury of one of Extreme Metal's founders truly be captured on video? Turn it up and find out! Touring supporting 1985's POSSESSED, this would become one of the last documents of the original lineup, as guitarist Mantas would depart not long after. Songs: 01 - Too Loud (For the Crowd) - 02 - Black Metal - 03 - Nightmare - 04 - Countess Bathory - 05 - The Seven Gates of Hell (Bass Solo) - 06 - Buried Alive - 07 - Don't Burn The Witch - 08 - In Nomine Satanas - 09 - Welcome To Hell - 10 - Warhead (Guitar Solo) - 11 - Schizo - 12 - Satanachist - 13 - Bloodlust - 14 - Witching Hour
Eva and Lola are close friends. While Eva tries to cope with her past creating a fantasy life, Lola does not want to handle with the truth of her real identity. Two friends with different views of the same story.