In the 1860's American West, a minister and his family are traveling in a covered wagon when they hear a mysterious sound coming from the woods. Believing the sound to be God, they worship it, until they discover the sound is something much more sinister.
After covering up the murder of an undocumented migrant, a U.S. Border Patrol Agent is haunted by the victim’s spirit, forcing him to confront the sins of his past.
Western book writer, Eugenio is going through a difficult phase. He is famous for the novels starring the Jesus Kid, but his sales have been going from bad to worse for some time. The light at the end of the tunnel seems to be a film director's invitation: he wants Eugenio to write a film script. However, to write this script, Eugênio must spend three months isolated in a luxury hotel, without being able to go out or have contact with the world he knows. Based on this premise, Mutarelli builds a scathing critique of the publishing market and the film market — where he has been circulating for years. Bringing to Eugênio much of his own personality, the author shows how the commercial part of culture can be perverse to those who work in it.
One of the 12 Westerns in 12 Months; Travers, a doctor who deserted his military post, searches the frontier for the wife who left him. His quest is thrown off course when he saves Sarah, a woman left for dead after a wagon raid. With the cavalry, the law, and deranged outlaws on their trail, Sarah and Travers set off together to find this missing woman. Heart of the Gun is a psychological thriller and a romance drama wrapped in a gritty Western setting.
Part of the 12 Western feature films to be made in 12 months during 2020, this film tells the story of Texas Red, an African-American man who was hunted by hundreds through the Winter wilderness of Mississippi.
The line between the good guys and the bad guys blurs as ruthless bounty hunters No Name and Dynamite Davenport shoot their way through the Wild West, collecting rewards and making more enemies than friends. With the outlaw John Wilkes Booth on the run and gold hidden in the hills, justice must be served.
A seasoned US Marshal is ambushed while tracking a murderous band of outlaws along the southern border of the United States. Left for dead, the Marshal is saved by a lost Navajo boy with whom he forms an unlikely friendship. It takes all of the Marshal's survival skills to protect them both as they take the young boy back home to Navajo country in Monument Valley.
The film "Los Últimos" takes us into post-apocalyptic not-so-distant future in which there is war over water. This war reaches Latin America and the story follows a young couple trying to escape refugee camp in Bolivia and find better life in the west by the Pacific Ocean.
The story of Henry McBride, a down and out cowboy with a painful past he can't drink away. Living on his last dollar with nowhere to go, he ends up working the last place an old cowboy wants to be: A dude ranch. It is here he meets the owner, Jessie King, a no-nonsense rancher with a deep love for horses. McBride's self-discovery begins when she introduces him to a new way of training a troubled mustang, a horse whose past and temperament mirror his own.
International playboys in NYC get mixed up with a bank robbery and have to evade the police long enough to reach Mexico. long the way, they pick up an orphan boy who says he's running away from an abusive stepfather. Fourth in a series of four.
Old Ma Conway champions statehood for Wyoming, believing the measure would put an end to the territory's lawlessness; but the elderly woman is opposed by cattle buyer and tax assessor Lee Landow and greedy banker Dixon. When Ma offers her opinion in a newspaper article, Landow sends his henchman Ringo to put the fear of God in the woman.
A hardened bounty hunter, a gang of outlaws in his trust and a preacher are forced to work together and battle their way across the old west of the 1870s when the zombie apocalypse begins.
Billy and his pals, on the run from the law again, travel to Sage Valley where Billy is made Sheriff. The local outlaw gang is run by Kansas Ed who closely resembles Billy. Ed captures Billy and changing clothes with him, now plans to run the town as Sheriff.
To fully appreciate the western comedy The Marshal's Daughter, one must be aware that its star, a zaftig, wide-eyed lass named Laurie Anders, was in 1953 a popular TV personality. A regular on The Ken Murray Show, Anders had risen to fame with the Southern-fried catchphrase "Ah love the wi-i-i-ide open spaces!" Striking while the iron was hot, the entrepreneurial Murray produced this inexpensive oater, which cast Anders as Laurie Dawson, the singing daughter of a U.S. marshal (Hoot Gibson). Teaming with her dad to capture outlaw Trigger Gans (Bob Duncan), Laurie briefly disguises herself as a masked bandit. Amidst much stock footage from earlier westerns and a plethora of lame jokes and dreadful puns, The Marshal's Daughter is a treat for trivia buffs, featuring such virile actors as Preston S. Foster, Johnny Mack Brown, Jimmy Wakely and Buddy Baer as "themselves."