Neuroatypical extroverted Australian Andy charms the introverted elite of the “Happiest Country in the World” and talks himself into teaching at Aalto University in Helsinki. His achievements are praised and Andy acts as the spearhead of Finnish educational projects in Africa, refugee camps in the Middle East and even the Nevada desert for the Burning Man festival. At the peak of his career representing Finland in the Netherlands, Andy is attacked. A head injury causes PTSD and the deal is done. Almost everything possible in the Finnish healthcare system goes wrong and Andy falls through the safety nets of the Nordic welfare state into a “black hole.” Andy receives a bewildering number of different F-code diagnoses and eventually ends up in a closed ward, holding the unofficial world record for the most different F-code diagnoses given to one person.
Adapted from Kahlil Joseph’s renowned video art installation, BLKNWS: Terms & Conditions is a distinctive cinematic experience that mirrors the sonic textures of a record album, weaving fiction and history in an immersive journey where the fictionalized figures of W. E. B Du Bois and Marcus Garvey join artists, musicians, Joseph’s family, and even Twitter chats, in a vision for black consciousness.
At the beginning of the 1990s the state of Yugoslavia collapsed, and resistance to the madness of war was strongest in Belgrade, where anti-war actions and movements opposing the Serbian nationalist regime brought together intellectuals, artists, and anti-regime individuals—most notably in a nonpartisan group called the Belgrade Circle. This is a documentary film that portrays the struggle to keep alive the fight for truth and dignity by bravely confronting the crimes committed in the name of the nation.
Dive into a real-time investigation of the shocking daylight robbery at Paris' Louvre Museum. Former thieves, security staff, eyewitnesses and investigators piece together the crime and ongoing chase to recover France's crown jewels before it's too late.
The documentary portrays Erich Finsches, a true Viennese original and Holocaust survivor. Based on over six years of collected material by director Matthias Jaklitsch, who supported Erich on his travels, the film shows him as a positive, humorous, but also argumentative and unique personality in all his humanity. At 97, Erich continues to tirelessly advocate for remembrance of the past, attending memorial ceremonies and schools to spread his message of "Never Again." Instead of a traditional "eyewitness narrative," the film not only documents Erich's life, his youth during Nazi persecution, and his rebuilding of a new life after the war, but also the relationship between the director and the protagonist.
The Stone That Remembers interprets the Durga Mahisas-uramardini statue’s journey from its home, the Singhasari Temple, to the hands of colonizers, and various museums. The film follow the patriarchal displacement of a woman that represents the Durga, exploring the parallels between the fate of the statue and many women today.
Who But When, How is an autobiographical work that traces the director’s return to Israel in the midst of its traumatic moment and horrific acts in Gaza. As his aging father suffers the onset of dementia, Sharim’s poetic meditations on loss are juxtaposed against the conflicted, agonizing histories of Palestine and Israel, and a destabilized future.
In a world of uncertainty, two narrators lend their voice to the dreams, fears, and hopes of Latin American youth. Who has the right to dream and at what cost do we lose our dreams of the future?
How to capture the violence that remains on the walls? How to address absence, more than forty years after the events occurred? Memory that seeks its place amidst the blood and broken glass.
A drift between two cities: Berlin and Quito. A sensitive voice challenges the boundaries of reason through questions born from the everyday: Have you ever thought about how many calculations you make in a day? Prices, distances, inflation, schedules. Do you see your breasts beneath the blue robe? Why did they leave me the necklace but take my underwear? The audiovisual narrative seeks to reach the point where the meaning of hegemonic logic fractures, blending the documentary code with rhetorical elements characteristic of science fiction.
La Tunga Tunga is a murga that is committed to a creative, collaborative, and community-based process, organizing itself to take part in Carnival with the aim of giving voice to collective grievances. In 2025, the national and local government are questioning cultural practices and artistic collectives. In this context, they are defunding culture and, in particular, the neighborhood carnival parades (corsos). La Tunga Tunga resists through humor and dance, asserting celebration as a right and public spaces as territories of struggle.
Paula is a 20-year-old girl who has received comments about her body since she was a child. As she has grown up, these comments, combined with other factors, have caused her to develop an eating disorder. Marcos A. Miró and Ines Socias have decided to tell her story. In the documentary, we listen to Paula to better understand this disorder and teach society that it is not just about “stopping eating.” Throughout the documentary, we observe overcoming, accepting, and living with an eating disorder.