Referring to the Miles Brothers' 1906 titles "A Trip Down Market Street" and "A Trip Down Market Street After the Fire," set in San Francisco before and after a major earthquake, a virtual camera reimagines Market Street of the fictional San Fierro in the classic GTA: San Andreas (2004), imagining a life where disaster is impossible — until a missile attack arrives.
Since 2014, many churches have been damaged in Donbass, as well as in the Zaporizhia and Kherson regions, some have been completely destroyed. But despite the damage and the danger of shelling, services are still being held in some churches today. The documentary by Ekaterina Arkalova tells the story of the restoration of damaged churches, the invincible spirit of Orthodoxy, and the power of human faith and the desire to revive life. The film is based on the stories of churches and people from Avdiivka, Severodonetsk, shelled areas of Donetsk, Svetlodarsk, the village of Kirovo, Belaya Gora, Nikolsky Monastery near Ugledar, as well as stories from soldiers, civilian priests and volunteers of the Maksym Krivonos detachment.
The Sykora family are only four people out of millions of Venezuelans that have recently escaped their collapsing country. They land in the Czech Republic, the country where Grandpa Jan was born, but also a place utterly strange to them. In a matter of months their savings have almost gone and job seeking becomes a nightmare. Again, the dream of just having a normal life starts to vanish. Will the family manage not to crumble along the way?
What does a dance company have in common with robots? Nothing, at first sight. But what if we could transfer to artificial intelligence the heart of the human brain? Empathy, imagination, feelings... and the ability to cooperate? World-renowned artists and scientists explore the different paths artificial intelligence is taking, envisioning a collective use of this intelligence, to shape a positive future for humanity.
Trains opens with a quote from Franz Kafka: “There is plenty of hope. An infinite amount of hope. But not for us.” These words hang like a dark cloud over this found footage documentary, which creates a collective portrait of people in 20th century Europe, capturing their hopes, desires, dramas, and tragedies.
First, there is the Appenzell countryside, and the melting snow that makes the streams overflow. Then the death of his mother, and the need to spend time with his father. On top of that, a global pandemic. Peter Mettler is a rare gem of a filmmaker. Here he (re)constructs the filmed diary of his intimate relationship with the world and the beings that inhabit it, in this work of documentary goldsmithery.
The internet has become more and more sloppy and unhinged, so if you’re feeling batshit crazy….welcome to Jankspace, babes. Let Daniel Felstead and Jenn Leung’s Julia Fox avatar explain it all to you: Ozempic, AI slop, Bryan Johnson, Dress to Impress, Uber drivers, algorithms and Luigi Mangione. In 2001 Rem Koolhaas came up with the term junkspace for the spaces left unaccounted for in the bureaucratic architecture of modernity. Similarly, Jankspace is the grotesque, empty space in the digital network of technocapitalism that we fill with our slimy human bodies. Take a seat and tune in …or let your brain rot into slop itself.
In the winter of 2025, vulture chick came to Ulsan from Mongolia. People feed vultures who have no food, treat injured individuals, and return them to nature. How should vultures, who have lost their homes due to industrial development, live in the future?
Screamityville is an 84 minute tour of some of the creepiest and most creative halloween themed houses. It recreates the experience of driving around on a late October evening in search of your favorite decorated homes in your neighborhood. However, in Screamityville... they could be your favorite, or your worst nightmare. The program is set to a soundtrack of eerie ambiance and spooky sound effects.
Through never-before-seen footage and revealing interviews, André Leon Talley: Style is Forever delves into Talley’s personal and professional challenges and remarkable triumphs — all in the wake of his tragic death in 2020 — exploring how his work laid the foundation for more inclusion and diversity in fashion. The film, executive produced by SCAD President and Founder Paula Wallace, Colman Domingo, and Raúl Domingo, reveals Talley’s candid revelations toward the end of his life, which solidified his renown as an empowering figure and a symbol of resilience.
Student Absenteeism is a growing problem, with some Winnipeg North End schools with rates exceeding 70%. Indigenous and inner city students are disproportionately affected, and a lack of effective provincial action has failed thousands of children. ABSENT documents this failure, while amplifying the voices of educators, parents, youth and community leaders calling for immediate reform.
A unique maritime historical document in which three sailors' wives, aged between 86 and 94, candidly recount their remarkably emancipated lives in the 1950s, 1960s, and 1970s. They raised children, managed the household and finances, bought houses, and made major decisions without consulting their seafaring husbands. They enjoyed, so to speak, unprecedented autonomy in a period when strict gender roles still prevailed.
The film introduces us to Faby and her family, who keep alive the memory of Yosi, a young dreamer from Xalapa who disappeared. His cousin Diego rescues the notes he left written on his wall and turns them into a song. Faby, his mother, hears the music that preserves his memory for the first time.
Amanerado, fairy, zapatão, truck driver, affected, faggot, tomboy, campy. How can we define this "being like that"? The expression that sets us apart, that bothers others, that attracts their attention, that is known as "flamboyant," that makes that external gaze a reality.