CHA EUN-WOO CONCERT: MEMORIES in cinemas — A Journey of Emotion and Romance We don’t know what genre your life was before this moment—but after today, it becomes a Romantic Fantasy. And in that story, the leads are CHA EUN-WOO… and you. Experience a journey through love, heartbreak, and lingering memories. With deeply emotional acting and heartfelt performances, CHA EUN-WOO amplifies every feeling, while music seamlessly flows through each moment, enhancing the cinematic immersion. Moments when you dreamed, loved, and hurt, within a breathtaking fantasy world—where CHA EUN-WOO delivers the final chapter of your story, written just for you.
A dauntless film director, an enfant terrible in his early days, confrontational with censorship, always pushing the boundaries of freedom of expression, chronicler of the darkest corners of the transition, De la Iglesia will fall into the clutches of drug addiction, being forgotten and sometimes repudiated for more than a decade before eventually shaking off the ostracism to make films once again, that habit he could never kick.
This film is about public space. This film is about the destruction of culture. This film is about fountains that have had enough. In this film, the fountains come to life, they become living beings, each one has its own character and tells a different story. They speak out so that people notice them, perceive them, take care of them. Their rebellion culminates in a protest. What would happen if fountains could speak?
One day, Tetsuro Maeda (Tetsu) leaves home, at the foot of Mount Anboto, makes his way through the forests of the Atxondo Valley and arrives at his restaurant, Txispa. As he works, he recalls his life, since he was born in Tokyo, 40 years ago, until today, when his restaurant boasts a Michelin star. Surrounded by the scents and flavours of Anboto, a mythical mountain for the Basques, Tetsu thinks about his dishes, lending them shape and colour to ensure that those eating them may taste the breathtaking landscape visible from its summit.
Renowned photographers Ken Grant, Alex Hurst and Tom Wood revisit their photos of the seaside town New Brighton, uncovering the untold stories and inspiration behind each frame while exploring the connection between artist and place.
In Buenos Aires, after years of being rented as an evangelical church, the most important movie theater in the San Cristóbal neighborhood gives an interview. What does a movie theater remember about its audience?
In the midst of a dry and harsh landscape in Bangladesh, hope sprouts where you least expect it. ‘A Flower in the Desert’ tells the touching story of a child who, despite poverty and hardship, fights for beauty, dreams and vitality in a world marked by silence and survival.
Almost every Dutch woman encounters it at some point, and some girls and women even encounter it multiple times: the pencil vendor. It sounds so innocent and is often dismissed as a "minor" offense, but this disruptive experience can leave deep and lasting scars on those who experience it. It remains an extremely intimidating experience when you're suddenly confronted on the street by a man who exposes his underwear. Victims of sexual assault speak openly about the consequences of their unsolicited encounter with sexually deviant behavior in men. And what drives a man to do this?
The Holocaust began with the indiscriminate mass shootings by the Einsatzgruppen in the bloodlands of Eastern Europe and was perfected in the gas chambers at Auschwitz. “Bullets And Blueberries” explores the motives, methods and madness of the perpetrators, using never-before-seen images captured by the killers themselves — images that fully capture the banality of evil.
A group of young architects, struggling to preserve the modernist architecture in Ohrid, organize an event in honor of the renowned architect Boris Chipan. However, they encounter numerous obstacles along the way.
Within the time-frame of six years, the director visited Laudonovac, the least populated place in AP Vojvodina. Through conversations with elderly residents, he learns about the specific reasons why people gradually left their hearth, as well as about the former life in this micro-settlement.