Examines the decade-long struggle of independent music venues and the creative class they support against developers and concert promoter Live Nation. Taking place in Nashville, Tennessee, dubbed “Music City USA”, the story is depicted through the lens of Exit/In, one of the nation’s most historic independent venues. The club’s owner/operator Chris Cobb, the musicians who perform there, and political allies work together to save the club from imminent corporate takeover.
Imaginary Youth follows three teenagers through their final years of high school, before, during, and after the Covid confinement. While pondering about leaving Romania after they finish school, Una – an actress, Habet – a trapper and Stefania – an environmental activist get caught in the midst of the Coronavirus crisis. Personal dramas and dilemmas unfold, as the three try to make sense of growing up and what’s happening around them. Who’s gonna make it?
Shot by raghavngpl, the documentary follows 2 AASHIQZ* (yksdog and raztaan) around the capital, Delhi, where they take you on a visual journey of their songs about love and heartbreak. Fun times.
“Joey Skaggs: Stop BioPEEP is the tenth installment of the oral history series Joey Skaggs Satire and Art Activism, 1960s to the Present and Beyond, a film episodic that the New Jersey Film Festival has shown every episode of. Giuseppe Scaggoli, or as he is better known, Joey Skaggs has used artistic mediums and prank behavior to push pivotal societal issues into questioning. Through news clips, old prank footage, and modern interview excerpts conducted by Joey Skaggs and Judy Drosd, each episodic endeavor is thoroughly documented and hilariously explained. - New Jersey Film Festival
Manly Feelings is a short film by Chris Blom, about the difficulty that many men face while experiencing, expressing, and sharing the difficult emotion of sadness. The film lingers in this place of difficulty through interviews with men, supported by metaphorical imagery.
A cinematic wonder & incredible opportunity to learn about Indigenous ways of knowing. A group of puppeteers are transformed by their experience of "being buffalo" at night under the stars. Amethyst First Rider tells the puppeteers, "You are the buffalo. With each movement of your hands, each connection, you're creating energy & they become a part of you." In 2017 history was made when bison were reintroduced to Banff National Park where they continue to roam free today. The project was part of the historic Buffalo Treaty, with over 40 First Nation signatories, who are part of the movement to bring buffalo back to their ancestral lands. Leroy Little Bear & Amethyst First Rider lead this movement, & since Amethyst is first & foremost an artist, she wanted to celebrate the return of the buffalo through art. She met master puppeteer, Pete Balkwill, who was working with sculptural lantern puppets with his collaborators that lent themselves to night time performances on the land
n 2018, director Marieli Fröhlich initiated a documentary about her mother, the artist Gertie Fröhlich. The director interviews over 20 artists, friends, and former collaborators whose recollections unveil the themes and the controversy surrounding Gertie Fröhlich‘s status as an artist, uncovering her influence on the Post-War Vienna Avant-Garde starting in her early 20s. As the film unfolds, these contradictions come to a head: Is the existence of the most important Austrian post-war gallery, Galerie nächst St. Stephan, indebted to Gertie Fröhlich, or was she merely the good spirit and secretary? Was her retelling of Greek myths an analogy for her vision of a refreshed matriarchal psyche — a position of equal significance to manifestations and deterritorialization of the body by Austria’s feminist artists? - New Jersey Film Festival
A documentary about William (Bill) E. Pannell, one of the most significant figures in Black evangelicalism during the twentieth century. The film consists entirely of Pannell's own words compiled from sermons, speeches, and interviews he gave throughout his life.