Child Portrait is a mirror that presents life from multiple perspectives, reflecting the various relationships between the self and others, and the issues that come with different emotions. Painting is not simply a thinlayered medium presenting one's skills, but an art of deep understanding and acceptance. The painting throws out questions, and I walk into the world of the painting with my camera to find answers with the painter across time and space.
The special follows award-winning actor Mackie in his hometown of New Orleans, where he grew up boating and angling and still practices the sport to date, a passion he now shares with his four sons. Throughout the documentary, Mackie is on a personal mission to keep the peace between coastal communities and sharks. Diving fin-first, he comes face-to-face with the ocean’s apex predators, swimming with several enormous sandbar and silky sharks and tagging a formidable 7-foot bull shark.
Thirteen years since the Fukushima Daiichi nuclear accident, the government's plan to decommission the plant is at a crossroads. We take a close look at the efforts to secure Fukushima's future.
Scotland's history is romanticized for centuries of bloody feuds, warfare and forced displacement. In the glens today there is unfinished business, a war over control of the land.
Lebanese director Angie Obeid embarks on a road trip with her father, Mansour, retracing a journey he made 42 years ago. She tries to reach out to the young Mansour, understand the decisions he made when he was her age, and find common ground. The film explores the challenges and opportunities that arise when navigating the boundaries between tradition and modernity, family and individuality, home and the wider world.
Hirohisa Kokusho unearths the history behind his 1986 horror anthology, Nighty Night: Midnight Nightmares, a film that was considered lost until 2023. The film explores the origin and inspirations, behind the scenes production and development trivia, as well as the importance of preserving media so it can have a new life in the digital age.
In the early 1980s, Viviana Gallardo is a teenager growing up in a traditional middle-class family in Costa Rica. Motivated by the context of political revolutions in Central America, Viviana nurtures a strong interest in social justice and becomes involved in radical political organizing. To the surprise of those closest to her, Viviana is accused of participating in a shootout and murdering several police officers. While awaiting trial and unprotected in a cell, she is shot dead by a police officer. Years after her murder, several people close to her allege Viviana's innocence and a conspiracy involving high-ranking power figures to commit the crime.
In her feature-length debut, Marie-Magdalena Kochová uses the character of eighteen-year-old Johanna to explore the phenomenon of “glass children” – children who, because they have a special-needs sibling, are neglected by their family, however unintentionally. They often feel invisible, their problems are always considered less important, and they are often expected to help take care of their disabled brother or sister. Johana is about to graduate from high school, and so she must decide whether to leave home to study, or stay and help her parents. An immensely sensitive account of the nature of sibling love which, for once, puts “the other one” first. Anna Kořínek (kviff.com)
""I collect. I document. I write down my memories. I’m afraid they’ll disappear." This is how Victoria Verseau introduces her intimate documentary diary, in which she returns to Thailand and to the year 2012, when she underwent her transition. She had long awaited this moment, but then came feelings of uncertainty, amplified by the death of a close friend. The conceptual artist adopts an almost archaeological approach to the past and lays bare the process of writing a personal story that is intrinsically linked to the creation of her own identity. In this deeply felt debut she reveals the joyful aspects and also the dark recesses of transition and, bringing other testimonies into play as well, she critically examines what defines women as women."
Chicano first-year college filmmaker Joshua Trujillo carries the burden of three unfinished projects. Despite the setbacks in his career, his countless prayers to God have convinced him that this journey is one of divine purpose. With a bike to traverse the winding landscape toward recognition, Joshua embarks on a quest to craft a picture worthy of advancing his filmography into the limelight.
In a neighbourhood in Bhar Lazrak, Tunis, residents live under the imminent threat of the state, which plans to demolish the area. Built spontaneously during the 2011 revolution by a group of people without state authorisation, the neighbourhood now faces an uncertain fate. One evening, mysterious lights appear in the neighbourhood, breaking the silence of the sleepers.