On November 13, 2015, the German national football team experienced the incredible at the Stade de France in Paris: During the international match against France, explosives detonated directly in front of the stadium goals. During the game, Paris is rocked by a wave of terror. In the end, the attacks in a total of five different locations will cost the lives of 130 people, while 80,000 people in the stadium narrowly escape disaster at the hands of suicide bombers. It will be one of the darkest nights of France and European football.
Large Christian crosses stand at the summits of Swiss mountains, billboards displaying Bible verses occupy public spaces in cities. The filmmakers have never been comfortable with the presence of these religious symbols. In 2009, mountain guide Patrick Bussard sawed down a cross in the Fribourg Alps – and was severely punished by the courts for doing so.
Inspired by Paris, Texas by Wim Wenders and the work of Jonas Mekas, a fragmented video diary unfolds through raw, intimate footage of women in their daily lives—at work, at home, in moments of solitude and connection. Scenes shift between the mundane and the profound, forming a nonlinear tapestry of female experience—desire, limitation, resilience. A voice, both singular and collective, narrates in diary-like reflections, speaking of love, shame, pleasure, and the unspoken rules that shape their bodies and choices. Shot in a cinéma vérité style, the film’s grainy, handheld aesthetic mirrors the imperfection and authenticity of memory, blurring the line between personal and universal. Fleeting moments flicker and dissolve, immersing the viewer in a rhythmic flow of images and emotions. As time loops and fragments, The Land of Wanting More becomes both an intimate confession and a quiet rebellion—an ode to the complexities of womanhood, caught between wanting, waiting, an
The story of the Soto family, merchants from Río Piedras who, since the 1920s, built what we now know as Cabrera and how their effort, resilience, and entrepreneurial vision allowed them to survive the major changes and crises of the urban center.
This 90 minute feature film shows real stories of survival and redemption from the origins of YWAM Port Harcourt, Nigeria with Paul and Rachel Dangtoumda. Viewers will see victims of militant village attacks and occultic rebels transformed forever by faith and forgiveness. Their stories were captured with rugged realism by director, David L Cunningham, with cast and crew in South Africa and Nigeria in late 2025. GO Africa will also have a global premiere on November 6-9 with regional cinematic and streaming releases to follow.
On 13 November 2015, Paris is rocked by terrorist attacks. The football stadium where the German national team is playing is also affected. Documentary featuring Oliver Bierhoff and others.
The Russian NGO Memorial was founded with the aim of examining human rights abuses committed during the Stalinist period. In the course of a show trial carried out in 2021 in Russia, the organisation was "liquidated". This is the chronicle of its dissolution.
The artist Fabian Widukind Penzkofer and his embroideries entitled “Das Personal” (The Staff) have made their way to Lusatia. The excerpt from the audio diary, accompanied by snapshots from Weißwasser and the surrounding area, recounts chance encounters with the locals.
The Upper Sorbian teenagers Annalena, Emma, and Hannah, as well as the Lower Sorbian artist Hella Stoletzki, talk about what being Sorbian means to them.
With the onset of the Russian invasion, Erko resolves to help in Ukraine as a volunteer medic. And yet the longer his mission goes on, the more removed he grows from his family back in Estonia. An Estonian perspective on the war in Ukraine and the burden that volunteers have to shoulder in its shadows.
A documentary work on Senegal's DUNNIART collective, showing the lives and experiences of creatives and artists who share their work with pride and resilience.
The art of votive offerings is fading, and with it, its creators, the retableros. We will witness the work of some of these last artisans, masters of a craft deeply rooted in tradition, religious and social identity in Mexico; they will tell us about their lives, their work, and their future.
The story of the mysterious artist known by the signature “Kâr-ı Üstat Mehmet Siyah Kalem” — the Master Mehmet Siyah Kalem, whose enigmatic works continue to intrigue and fascinate to this day.