As recently as forty years ago, most sections of the Maasai were semi-nomadic and relatively independent of the nation-state. However, political, social and economic changes in East Africa have forced many herders to adopt a sedentary lifestyle. The Chairman and the Lions introduces Frank Kaipai Ikoyo, a charismatic Ilparakuyo Maasai who, at thirty-three, is the leader of a Tanzanian village called Lesoit. Ikoyo was elected to his post at the age of twenty-six in part because he had completed primary school. That someone so young would be accorded such authority would have been without precedent not long ago. Yet this ethnography of Ikoyo's duties as village chairman shows how literacy and insight into the workings of the nation-state are essential for Maasai to combat the many lions, both real and figurative, that beset them: land grabbers, "bush" lawyers, unemployment, out-migration and poverty.
Ngaben: Emotion and Restraint in a Balinese Heart takes an impressionistic look at the ngaben from the perspective of a mourning son, Nyoman Asub, and reveals the intimacy, sadness, and tenderness at the core of this funerary ritual and the feeling and force that underlie an exquisite cultural tradition. Amidst ample cultural and interpretive understandings of the cremation ceremony, the film purposefully provides a personalistic, impressionistic, and poetic glimpse of the process and the complex emotions involved.
Descending from a long line of fishermen on the Yangtze River, Liu Gujun had to redefine his professional activity when the construction of the famous Three Gorges Dam began. His father, who has recently passed away, had to stop fishing the river due the growing pollution that the dam has created and asked his son to start cleaning the river. In the Chinese tradition of respect for the elder, Lui Gujon took the last wishes of his father very seriously. As such, he puts all his energy and invests every penny of his personal wealth into the ambitious project of cleaning up the river. For lack of sufficient grants from the government, Liu even contracts heavy loans to build a small flotilla of cleaning boats.
A terrible flood destroys the home of the AH family in a small village in China's Southern Guangdong province. Life was already a constant struggle for them, but this disaster turns their existence into a nightmare. Over a period of 12-months the filmmaker follows the family during the challenging period of building a new shelter. During this time they will have to confront many obstacles, material and emotional as well as those associated with local and regional governments, which in the end profoundly changes them forever.
This Song GAO directed documentary follows the stories of Feng Haitao, Li Yuchun, and Jin Lian after they graduate from the Sichuan Normal University. As they seek employment in one of China's largest cities, Chengdu, the program makes us question the validity of a college diploma and whether wealth is more important than education. Following each graduate from the moment they receive their diplomas, we track their highs and lows as the pressures of the modern world are thrust upon them. As we become more connected with their lives we start to wonder that even with China's growing influence in the world, are there still enough jobs for China's next generation of graduates?
In this documentary, we follow the twenty-three families strong nomadic Guoshan tribe, a sub-group of Yaos. They follow a thousand year old tradition of selecting a new temporary home every two or three generations, usually distancing themselves from their previous temp-home by several hundreds of miles. Provided now with a substantial piece of land for them to build their own permanent village and farm their own land, the tribe's leader as well as thirty members decide to precede the tribe's move. Although they have a strong sense of community they are used to operating individually for their survival. In this instance, as they learn to become farmers, it has been decided between them to operate under a collective scheme, just as in the early days of China's communist revolution.
There are more than 2,500 pensioners living in a large private retirement home located in a suburb of Canton (Guangzhou), China. As we discover the daily lives of these people, the film focuses on the lives of two elderly ladies: Ms. Kuang and Ms Xie. The documentary reveals how today's urban China can be reflected by the story of these two women, who find themselves away from their families, in a retirement home. Here, in the wake of serious health considerations, they have to build new relationships, define a new rhythm to their daily life and invent new ways to be with others.
The Jin Cheng restaurant in China's Chao region has a reputation for excellence due to its "Chao" specialties. To guarantee the authenticity of "Chao" flavors, the supplying of fish, shellfish and tofu, among others, must come from the original source…where the skills of this ethnic group are still applied in accordance with the ancestral rules and where the quality and freshness of the products is indisputable. Nothing can be properly done if the traditions are not respected. A fascinating documentary on Chinese culture, traditional skills and ethnic belonging.
This video presents the real-life case of 96-year-old Miss Mary, who was financially exploited and later, sexually assaulted by her grandson. Miss Mary had been living with her grandson and his wife for five years during which financial abuse took place. After the attack and hospitalization, she was placed in a nursing home under the name "Jane Doe" for safety reasons. However, she retained her strength of character, and fully participated in the subsequent trial and prosecution of her grandson.
Six months following the events of her documentary The People of the Kattawapiskak River, Alanis Obomsawin returns to the Cree community of Attawapiskat in northern Ontario, whose severe housing crisis in 2011 made international headlines. While the public outcry resulted in some short-term relief for the most in need, Obomsawin reveals that the crisis persists in the isolated First Nation. Relief homes sent to the community are not equipped to deal with the harsh winter, as overcrowding and homelessness remain daily realities. Despite their ordeals, the residents of Attawapiskat remain strong, united in love and a belief that a better future must be achieved.
Peter Proctor is New Zealand's father of biodynamic agriculture. Peter has been gardening and making compost for over 65 years. "Biodymanics makes organics work." Compost is the fundamental element in all gardening & farming. This master class takes you through the biodynamic compost making process from gathering and assembling your materials to creating the perfect compost heap. Rudolf Steiner believed biodynamic compoast was the foundation of humanity and the vital link between the cosmos and the earth. In Perfect Compost, Peter Proctor walks you through every step to building perfect compost.
A visit to the studio of Ernst Wilhelm Nay, a remarkable, if somewhat solitary German artist, who established his status at age 30, just before the advent of the Nazi takeover. Nay belonged to the persecuted generation of German artists who, just as their work began to blossom, were forced out by Hitler's art dictatorship. Labeling the art "decadent", the Hitler regime called for the removal of Nay's paintings from museum collections and the artist was banned from showcasing his new work. After the end of World War II, Nay returned to painting and worked tirelessly to make up for lost time, producing new pieces year after year and quickly becoming one of Germany's leading painters. Ernst Wilhelm Nay died in 1968 at the age of 65 yet his studio, still intact, offers a retrospective of his work starting from the 1920s. His wife, Elisabeth Nay walks us through the studio, offering insights into her husband's process and creative intent.
"Marking Infinity", Lee Ufan's recent retrospective exhibition at the Guggenheim charts the artist's creation of a visual, conceptual, and theoretical language that has radically expanded the possibilities for sculpture and painting over the past forty years. Deeply versed in modern philosophy, Lee is also an influential writer and is recognized as the key theorist of Mono-ha, an anti-formalist, materials-based art movement that developed in Tokyo in the late 1960s. Active internationally over the last four decades, Lee is acclaimed for an innovative body of Post-Minimalist work that promotes process and the experiential engagement of viewer and site.
Critic Kenneth Frampton is a masterful commentator on the architecture of our time. At the start of his long-spanning career Frampton worked as an architect in London before settling into his writing and teaching, which mainly took place at Columbia University. Over the past fifty years Frampton has certified himself as a prolific and influential contributor towards a progressive interpretation of the role of architecture in modern society. In "Kenneth Frampton: A Critical Voice", architect Stan Allen interviews the renowned critic and questions him about his architectural contemporaries, notable past projects, and published writings.
She was signed in 2006, released her debut album in 2008, and the follow-up in 2011. And the rest, as they say, is history. But Adele Adkins' history is one that deserves investigation, analysis, documentation and review. Using rare archival interviews (during which she speaks candidly about her life and career), live and studio performance footage, and contributions from collaborators and industry insiders, ADELE: THE ONLY WAY IS UP reveals just what it is that has transformed this seemingly ordinary girl from Croydon into the most successful musical icon of the third millennium.
Luis Bunuel, the father of cinematic Surrealism, made his film debut with 'Un Chien Andalou' in 1929 working closely with Salvador Dali. Considered one of the finest and controversial filmmakers with, 'L’Age d’Or' (1930), attacking the church and the middle classes. He won many awards including Best Director at Cannes for 'Los Olvidados' (1950), and the coveted Palme d’Or for 'Viridiana' (1961), which had been banned in his native Spain. His career moved to France with 'The Diary of a Chambermaid' with major stars such as Jeanne Moreau and Catherine Deneuve.