Filmmaker Jarreth Merz directs this eye-opening documentary about the 2008 presidential elections in Ghana, chronicling the start-to-finish drama of campaigning in a nation that's long served as a measure of the continent's political stability.
Moto 3: The Movie is the next chapter in the most progressive motocross/off-road film series of all time. The Assignment Moving Picture Co. spared no expense during the film's production, and worked with only the biggest and baddest riders on the planet to capture what critics are calling "next level moto cinematography". Like in the first two Moto The Movie features, The Assignment traveled the globe to search for the source of what pushes our beloveed sport into the future, and the result is a film that will leave you aching to ride!
CRAZY WISDOM explores the arrival of Tibetan Buddhism in America through the story of Chögyam Trungpa, who landed in the U.S. in 1970. Trungpa became renowned for translating ancient Buddhist concepts into language and ideas that Westerners could understand and shattered preconceived notions about how an enlightened teacher should behave. Initially rejected, his teachings are now recognized by western philosophers and spiritual leaders as authentic and profound.
Film deals with the problematic of the water exploitation, contamination and manipulation. The documentary points to the realizations and discoveries that water memorizes and that it is conscious.
There is no place for doubt, sadness and fear in the American army. Still, many soldiers struggle with these feelings. Beer is Cheaper than Therapy portrays what goes on behind the facade of heroism and the 'John Wayne mentality'.
Five broken cameras – and each one has a powerful tale to tell. Embedded in the bullet-ridden remains of digital technology is the story of Emad Burnat, a farmer from the Palestinian village of Bil’in, which famously chose nonviolent resistance when the Israeli army encroached upon its land to make room for Jewish colonists. Emad buys his first camera in 2005 to document the birth of his fourth son, Gibreel. Over the course of the film, he becomes the peaceful archivist of an escalating struggle as olive trees are bulldozed, lives are lost, and a wall is built to segregate burgeoning Israeli settlements.
Their family name alone evokes horror: Himmler, Frank, Goering, Hoess. This film looks at the descendants of the most powerful figures in the Nazi regime: men and women who were left a legacy that indelibly associates them with one of the greatest abominations in history. What is it like to have grown up with a name that immediately raises images of genocide? How do they live with the weight of their ancestors' crimes? Is it possible to move on from the crimes of their ancestors?
Masha Drokova is a rising star in Russia's popular nationalistic youth movement, Nashi. A smart, ambitious teenager who – literally – embraced Vladimir Putin and his promise of a greater Russia, her dedication as an organizer is rewarded with a university scholarship, an apartment, and a job as a spokesperson. But her bright political future falters when she befriends a group of liberal journalists who are critical of the government, including blogger Oleg Kashin, who calls Nashi a "group of hooligans," and she's forced to confront the group's dirty – even violent – tactics.
The conflict between Dole Food Company and Swedish filmmaker Fredrik Gertten unfolds dramatically in the documentary "BIG BOYS GONE BANANAS!" as the corporation attempts to suppress Gertten's earlier film, "BANANAS!"—chronicling Nicaraguan workers' lawsuit against Dole. Initially selected for the 2009 Los Angeles Film Festival, "BANANAS!" was abruptly removed from competition, followed by a negative article in the Los Angeles Business Journal and legal threats from Dole's attorneys. Gertten captures this saga of corporate intimidation, media manipulation, and legal challenges in his documentary, showcasing the struggles documentary filmmakers face and highlighting the threat to freedom of speech posed by powerful corporations protecting their reputations.
A year in the life of CEO, NAACP ambassador, Duke University professor, husband, father, son and Grammy Award winning producer 9th Wonder. The film follows one of soul music’s most dynamic figures from his childhood home to late nights in the studio and everywhere in between. Featuring: Drake, DJ Premier, DJ Green Lantern, J. Cole, Murs, Phonte, Sha Money XL, Young Guru, The Alchemist & more.
Interviews with the junior designers swept into the 24-7 world of "The Eamery" are the heart of this complex picture of a husband-and-wife creative team that define the era of Mid-Century Modernism. Narrated by James Franco, the film draws from a trove of archival material, primarily the stunning films and photographs produced in mind-boggling volume by Charles, Ray, and their staff during the hyper-creative forty years of the Eames Office.
Documentary exploring the deep-seated biases and attitudes about skin color---particularly dark-skinned women, outside of and within the Black American culture.
Khodorkovsky, the richest Russian, challenges President Putin. A fight of the titans begins. Putin warns him. But Khodorkovsky comes back to Russia knowing that he will be imprisoned, once he returns. When I heard about it, I asked myself: why didn't he stay in exile with a couple of billions? Why did he do that? A personal journey to Khodorkovsky.
In Southern India, family disputes are settled by Jamaats—all male bodies which apply Islamic Sharia law to cases without allowing women to be present, even to defend themselves. Recognizing this fundamental inequity, a group of women in 2004 established a women’s Jamaat, which soon became a network of 12,000 members spread over 12 districts. Despite enormous resistance, they have been able to settle more than 8,000 cases to date, ranging from divorce to wife beating to brutal murders and more. Deepa Dhanraj follows several cases, shining a light on how the women’s Jamaat has acquired power through both communal education and the leaders’ persistent, tenacious and compassionate investigation of the crimes. In astonishing scenes we watch the Jamaat meetings, where women often shout over each other about the most difficult facets of their personal lives.
By early in the twentieth century, Nuremberg was regarded as the most anti-Semitic city in Europe. By 1929, Hitler had decided to make Nuremberg the "City of the Party Rallies" and a symbol representing the greatness of the German Empire. Even today, it is possible to see signs in Nuremberg of the megalomaniac proportions that the system was to assume.
In the West, we are often bombarded with dramatic and horrifying images of a violent and war-torn Iraq. This makes it easy to forget that people there do "regular" things... like play basketball. Salaam Dunk follows the American University of Iraq women's basketball team as they discover what it means to be students, athletes and friends. This is a story of triumph in the face of chaos and a testament to the perseverance of a handful of young Iraqi women. It shows us how sports can help build bridges of shared values, and potentially lead us toward a future of understanding within Iraq as well as abroad. Above all, Salaam Dunk is a film about basketball, friendship and the pain of losing those we love. From the joy of the team's first win to the pain of losing their coach forever, the film gives us an intimate glimpse into an Iraq we don't see on the news.
A big fan of The Beatles growing up in the 60s, Seth Swirsky noticed that whenever he heard someone relating a story about themselves and The Beatles, he was "all ears". So, starting in 2005, he sought out and filmed those with never before heard, "Beatles Stories". Written by Mike Pope
Journalism in times of war has become an increasingly lethal and traumatic endeavor for the men and women who face constant threats to their lives and psyches. With the death toll skyrocketing from only two reporters killed in World War I to almost a journalist a week being killed in the last two decades, UNDER FIRE weaves together portraits, battlefield accounts and combat footage to reveal what the reporters see, think and feel. Martyn Burke, documentary filmmaker whose work has brought him to battlefields around the world, and Anthony Feinstein, the psychiatrist who works with journalists to heal the trauma, delve into the experiences of top tier correspondents from AP, New York Times, BBC, and LA Times, among others, bringing a unique understanding and insight into the psychological cost of covering war
We do not know when and how we will die. Death Row inmates do. Werner Herzog embarks on a dialogue with Death Row inmates, asks questions about life and death and looks deep into these individuals, their stories, their crimes.