Blonde, beautiful and talented, Marion Davies was the first and funniest screwball comedienne. As star of two of the best comedies ever made, Show People and The Patsy, she combined zany slapstick and exuberant mimicry. Glamorous, witty and kind, both on screen and off, Davies was also famous for her 35-year-long love affair with William Randolph Hearst.
The New Modernists: Folds, Blobs and Boxes, Architecture in the Digital Era approaches the topic of artistic technological advances, and the modern architects who were educated with this new influx of electronic techniques. In this detailed portrait we visit the exhibition entitled Folds, Blobs + Boxes at the Carnegie Museum of Art where ten architect/designers discuss their approaches to digital architecture with curator of the exhibition, Joseph Rosa. By abandoning the traditional notions of aesthetic beauty, scale and proportion, a new freedom has formed amongst these contemporary creators.
Few remember the name, much less the historical achievements, of Dr. Ralph Johnson Bunche. Yet, this African American mediator and United Nations diplomat was the first person of color anywhere in the world to be awarded the Nobel Prize for Peace.
This short documentary features children aged 5 to 12 talking about their experiences with bullying and discrimination because they or their families do not fit into traditional gender and family roles. This film explores the contemporary diversity of families from kids' points of view, while featuring short animated sequences about the history of derogatory slang.
In 1994, the Latin Kings became the Latin King and Queen Nation. They claimed to have abandoned their criminal past and to be following in the footsteps of the Black Panthers and the Young Lords.
During the spring of 2000, eleven girls aged 8 to 16 from a variety of socio-economic backgrounds and two classrooms of middle and high school students were interviewed about their views on media culture and its impact on their lives. Their insightful and provocative responses provide the central theme of the film, a half-hour examination of how the media presents girls. Juxtaposing footage culled from a typical week of TV broadcasting with original interviews, WHAT A GIRL WANTS will provoke debate and, ideally, act as a catalyst for change in media content.
The protagonists of the film are ordinary provincials, they enthusiastically talk about "valor, glory, love", they know how to dream and create around that amazing environment that encourages creativity. For example, one of the protagonists is trying to build an airplane in order to be able to look at his native Pyshma from the sky.
The Atlanta murders of 1979–1981, sometimes called the Atlanta child murders, were a series of murders committed in Atlanta, Georgia, between July 1979 and May 1981. Over the two-year period, at least 28 children, adolescents, and adults were killed. Wayne Williams, an Atlanta native who was 23 years old at the time of the last murder, was arrested, tried, and convicted of two of the adult murders and sentenced to two consecutive life terms.
After ignoring death for most of our history, the medical and scientific communities have begun to focus their attention on how our bodies behave on our journey to the great beyond. Often seen as an event, dying is actually a process, which, in some cases, can be stopped or reversed. Even after someone is clinically dead, life in many parts of our bodies carries on for hours, days, or even weeks.
In a documentary that spans two continents and several generations, acclaimed director John Paskievich delves into the experience of exile and its impact on the human spirit. Almost fifty years after his family fled Ukraine for freedom in Canada, the filmmaker visits his parents' homeland. It's a place both familiar and foreign. Drawing on his years growing up in Winnipeg, Paskievich explores how children of refugees and immigrants are caught between two worlds. While they struggle to put down roots in a new country, they must also preserve traditions of a distant land they have never known. Paskievich's journey through Ukraine is interwoven with stories of displacement from other prominent Ukrainian Canadians--authors George Melnyk and Fran Ponomarenko, filmmaker Bohdana Bashuk, director Halya Kuchmij and dancer Lecia Polujan. A rich tapestry of memory and history, My Mother's Village brings to light the humour, anger, joy and complexity of living between borders.
Samaki wa Dar es Salaam/Fishers of Dar is an ethnographic film about the fishermen and women of downtown Dar es Salaam, Tanzania. It explores the continuity and integrity of traditional fishing practices in new, contemporary settings
Tapa cloth, or ngatu as it is called in Tonga, is cloth made from the bark of the mulberry tree. The inner bark is beaten into fine sheets and painted using traditional designs. After centuries of use, ngatu has literally become the fabric of Tongan society. In Tonga and throughout much of Polynesia, bark cloth has deep symbolic and ceremonial use. At birth, babies are swaddled in it. At marriage, newlyweds line their wedding bed, and at death, the departed are buried wrapped in it. This documentary investigates the highly collaborative process of making ngatu and the organizations of women who carry on with the tradition. While the process continues to be passed on from generation to generation, there are signs of change as a cash economy begins to infiltrate Tongan life. Young people show less interest in such labor intensive endeavor in the face of the older generation's belief that this tradition will never die.
Australia has one of the highest youth suicide rates in the world. The suicide rate in men under 25 has tripled in the last 30 years, and young men in rural and remote communities are particularly vulnerable. This reality has disturbing implications for society. When it affects you directly, it's shattering. In this very personal film, director Jessica Douglas-Henry and her sister Alix explore the impact of their brother’s suicide. In 1996 James Dalmann killed himself. He was found dead in the bathroom of his housing commission unit in Geraldton, Western Australia. James was only twenty. Although this film is about James, it's really Alix's story. It's about the people left behind, whose lives have been changed forever by the suicide of someone they loved. Although Our Brother James focuses on a personal tragedy, it is ultimately a film about survival and growth, about love, strength and hope for the future.
This film offers an exclusive invitation into the secret world of Frank Auerbach. The legendary painter rarely leaves his studio: he works 365 days a year, from sun-up to sun-down in a furious race against time. There is not a minute to waste. His main links with the outside world are the models who’ve sat for him for between ten and forty-two years. They are from diverse backgrounds: acting, academia, filmmaking and business. They talk with insight about being painted and about the man behind the canvas. Auerbach is filmed in his studio, sketching in the National Gallery and around Camden town, talking about his sitters, his routine, his compulsions, strange rituals, his ambitions and his heroes.
Who was Nostradamus? What are his predictions about the future? A documentary about this mysterious man who, according to some investigators, could predict huge events like the Second World War.
This documentary offers rare interviews with over 15 major Asian-Pacific American women poets. Organized in interwoven sections such as Immigration, Language, Family, Memory, and Spirituality, it is a sophisticated merging of Asian-American history and identity with the questions of performance, voice, and image.
"Sol LeWitt: 4 Decades" presents an opportunity to accompany one of the great artists of our time on a tour of his work, from his formative years to the present. Joined by curator Gary Garrels, LeWitt offers context and motive behind his 2000 retrospective exhibition at Chicago's Museum of Contemporary Art. A heavy emphasis is placed on LeWitt's spectacularly large scale wall drawings, for which he is best known. Garrels, who with LeWitt, spent three years on the creation of the exhibition, leads the artist through his breakthroughs of four decades, from the 1960s to the present.