Four Ikpeng children introduce us to life in their village. They show their families, their toys, and their celebrations with grace and lightheartedness. We meet the characters that make up their everyday world - from baby chickens to the village chief - and we see the children helping with chores, learning to hunt, going to school and playing games. Often comparing and contrasting themselves to earlier generations, they are aware of their cultural heritage and how it has changed since their grandparents' time. Engaging and candid, the Ikpeng children are full of curiosity and ask that people of other cultures send their own video-letters.
Home to some of the most majestic scenery in the United States, Yellowstone National Park contains nearly 9,000 square miles of forests, geysers and other natural wonders. This documentary explores the park's history and its most well-known sites -- including Yellowstone Falls and Old Faithful -- and includes a short film on the wolves that call the park home, as well as clips from the 1930s drama "Yellowstone." This video is part of a DVD set entitled America's National Park Collection and is DVD 3 out of 6.
The Victorian era is often cited for its lack of sexuality, but as this documentary reveals, the period's artists created a strong tradition surrounding the classical nude figure, which spread from the fine arts to more common forms of expression. The film explains how 19th-century artists were inspired by ancient Greek and Roman works to highlight the naked form, and how that was reflected in the evolving cultural attitudes toward sex.
Top Hat and Tales chronicles the early years of The New Yorker, from its fledging beginnings under its legendary creator and editor Harold Ross, to its rise as an indispensable American institution. - Roy Blount Jr., Stuart Hemple, John Updike
In 1966, Deann Borshay Liem was adopted by an American family and sent from Korea to her new home in California. There, the memory of her birth family was nearly obliterated, until recurring dreams led her to investigate her own past, and she discovered that her Korean mother was very much alive. Bravely uniting her biological and adoptive families, Borshay Liem embarks on a heartfelt journey in this acclaimed film that first premiered on POV in 2000. First Person Plural is a poignant essay on family, loss and the reconciling of two identities.
Cunnamulla, 800 kilometres west of Brisbane, is the end of the railway line. In the months leading up to a scorching Christmas in the bush, there's a lot more going on than the annual lizard race. Here, Aboriginal and white Australians live together but apart. Creativity struggles against indifference, eccentricity against conformity.
Re-enactments illustrate the details of the three principle stages of the battle of Antietam, fought November 17th, 1862. Also features animated tactical maps, dramatic readings of personal papers, and expert narrative commentary.
This documentary, narrated by Academy Award winner Linda Hunt and directed by Jed Riffe, tells the story of how the discovery of a 9,000-year-old skeleton on the banks of the Columbia River near Kennewick, Washington, reignited the conflict between anthropologists and Native peoples over the control of human remains found on ancestral Indigenous lands.
British mod rocker Steve Marriott had great stage presence, a unique voice and plenty of angst -- all on display in this docu-concert featuring clips from Marriott's days in bands the Small Faces and Humble Pie. Though Marriott remained a lesser-known musician throughout his abbreviated life, performance selections here, such as "Paradise Lost" "Black Coffee" and "Lazy Sunday," bring it all back for his fans.
Five New York divas close up. The thing that in addition to their friendship links these gifted, confident and beautiful women; a painter, an actress and three musicians, is their shared homeland, former Yugoslavia.
Retrospective piece that features the director reflecting on several aspects of the film a quarter-century after the fact, including the performances of the actors, the development of the sound effects and music, the special effects.
Documentary on the legendary martial artist Bruce Lee, with a focus on the production of his unfinished film Game of Death. Using interviews and behind-the-scenes footage, Lee aficionado John Little paints a portrait of the world's most famous action hero, concluding with a new cut of Game of Death's action finale, reconstructed from Lee's notes and recently-recovered footage.
This film, shot by 100 amateur camera operators, tells the story of the enormous street protests in Seattle, Washington in November 1999, against the World Trade Organization summit being held there. Vowing to oppose, among other faults, the WTO's power to arbitrally overrule nations' environmental, social and labour policies in favour of unbridled corporate greed, protestors from all around came out in force to make their views known and stop the summit. Against them is a brutal police force and a hostile media as well as the stain of a minority of destructively overzealous comrades. Against all odds, the protesters bravely faced fierce opposition to take back the rightful democratic power that the political and corporate elite of the world is determined to deny the little people.
In 1984-85, people at Lake Tahoe fell ill with flu symptoms, but they didn't get better. Medical literature documents similar outbreaks: in 1934 at LA county hospital, in 1948-49 in Iceland, in 1956 in Punta Gorda, Florida. The malady now has a name, chronic fatigue syndrome, and filmmaker Kim Snyder, who suffered from the disease for several years, tells her story and talks to victims and their families, and to physicians and researchers: is it viral, it is psychosomatic, is it one disease or several (a syndrome) ; what's the CDC doing about it; what's it like to have a disease that's not yet understood? Her inquiry takes her to Punta Gorda and to a high-school graduation.
Documentary look at the 1996-97 effort of the dancers and support staff at a San Francisco peep show, The Lusty Lady, to unionize. Angered by arbitrary and race-based wage policies, customers' surreptitious video cameras, and no paid sick days or holidays, the dancers get help from the Service Employees International local and enter protracted bargaining with the union-busting law firm that management hires. We see the women work, sort out their demands, and go through the difficulties of bargaining. The narrator is Julia Query, a dancer and stand-up comedian who is reluctant to tell her mother, a physician who works with prostitutes, that she strips.