At the Vienna Art Academy in 1994, an unidentified person painted over 27 works by Austrian painter Arnulf Rainer. Rainer had become world-famous for his abstract art and, in particular, for his over-layering of photographs and overpainting of his own and other artists’ works. But who painted over the “overpainter”? Speculation rages: Did he attack his works himself? A year later, an unsigned letter surfaces claiming responsibility for the act directed against Rainer – and modern art in general – and accusing the artist of being complicit with “destructive modernism.” At the same time, Austria is shaken by a series of mail bombs by the Bajuwarian Liberation Army, in response to the supposed threat to Austria’s “German identity.” Are there connections between the overpainting event and the mail bombs? Or is this all just a game? A dream? Or perhaps a hallucination?
Homo Sapiens 1900 is a 1998 documentary directed by Peter Cohen, about various eugenics methods that were in practice in Europe during the first part of the 20th century. Eugenics is to be the scientific credo of the 20th century. The man credited with its invention, Francis Galton, says it is based on the concept that the evolution of man is crippled by the ill-conceived - those unfit to breed. The study of eugenics thus would concern itself with distinguishing the weed from the good flowers.
Edward Said's book Orientalism has been profoundly influential in a diverse range of disciplines since its publication in 1978. In this engaging and lavishly illustrated interview he talks about the context within which the book was conceived, its main themes, and how its original thesis relates to the contemporary understanding of "the Orient" as represented in the mass media. "That's the power of the discourse of Orientalism. If you're thinking about people and Islam, and about that part of the world, those are the words you constantly have to use. To think past it, to go beyond it, not to use it, is virtually impossible, because there is no knowledge that isn't codified in this way about that part of the world." -Edward Said
The hamburger has been an American icon, a popular food product, and now, the subject of this fascinating documentary, BURGER TOWN. Since its origins, this round pattie of beef has been a staple of American food, and soon after became an icon of popular culture. This hour-long video explores the unique history of the hamburger in the United States, focusing on Los Angeles's importance in its popularization, and in the success of fast food in general. Richard McDonald, founder of the food chain, is one of the many hamburger "historians" interviewed in this enticing film.
This film illustrates the life of the film director, Shui-Bo Wang in The People's Republic of China. We learn of the life of the director in his own words and images from a child steeped in the values of Chinese communism exemplified by Chairman Mao, to a young man striving to live up to those ideals both as an artist and a soldier.
The Cola Conquest tells the story of Coca-Cola - the 'sublimated essence' of all that American stands for - and the century-long competition with its rival, Pepsi-Cola. Challenging, fast-paced, irreverent, serious and funny by turns, it explores the delicious paradox at the heart of Coke: How did an innocuous soft drink come to wield such enormous power and assume such significance in so many people's lives? What does it tell us about who we are and what we are becoming?
BRAKHAGE explores the depth and breadth of the filmmaker’s genius, the exquisite splendor of his films, his magic personal charm, his aesthetic fellow travelers, and the influence his work has had on generations of other creators. While touching on significant moments in Brakhage’s biography, the film celebrates Brakhage’s visionary genius, and explores the extraordinary artistic possibilities of cinema, a medium mostly known only for its commercial applications in the form of narratives, cartoons, documentaries, and advertising. BRAKHAGE combines excerpts from Brakhage’s films and films of other avant-garde filmmakers (eg, George Kuchar, Jonas Mekas, Willie Varela, Bruce Elder, and others); interviews with Brakhage, his friends, family, colleagues, and critics; archival footage of Brakhage spanning the past thirty-five years; and location shooting in Boulder, Colorado and New York.
Alaska... Here, in this vast and spectacularly beautiful land teeming with abundant wildlife, discover the "Spirit of the Wild." Experience it in the explosive calving of glaciers, the celestial fires of the Aurora Borealis. Witness it in the thundering stampede of caribou, the beauty of the polar bear and the stealthful, deadly hunt of the wolf pack.
A look at the 1950s muscle men's magazines and the representative industry which were popular supposedly as health and fitness magazines, but were in reality primarily being purchased by the still-underground homosexual community. Chief among the purveyors of this literature was Bob Mizer, who maintained a magazine and developed sexually inexplicit men's films for over 40 years. Aided by his mother, the two maintained a stable of not so innocent studs.
During the time of apartheid Nelson Mandela drove around South Africa in a limousine disguised as a chauffeur while organizing the armed struggle against the apartheid regime. But who was the distinguished looking white man sitting in the back seat? Meet Cecil Williams, an acclaimed gay white theatre director and communist.
A Life Apart: Hasidism in America, is the first in-depth documentary about a distinctive, traditional Eastern European religious community. In an historic migration after World War II, Hasidism found it's most vital center in America. Both challenging and embracing American values, Hasidim seek those things which many Americans find most precious: family, community, and a close relationship to God. Integrating critical and analytical scholarship with a portrait of the daily life, beliefs, and history of contemporary Hasidic Jews in New York City, the film focuses on the conflicts, burdens, and rewards of the Hasidic way of life.
Award-winning filmmaker Byron Hurt explores what it means to be a Black man in America. Traveling to more than fifteen cities and towns across the country, Hurt gathers reflections on Black masculinity from men and women of a variety of socioeconomic backgrounds and a host of leading scholars and cultural critics. What results is an engaging and honest dialogue about race, gender, and identity in America. Features bell hooks, Michael Eric Dyson, John Henrick Clarke, Kevin Powell, Andrew Young, Dr. Alvin Poussaint, MC Hammer, Jackson Katz, and many others.
DIVORCE IRANIAN STYLE unfolds inside an Iranian divorce court, providing a subtle and intimate look at the lives of women in a country stereotypically associated with fanaticism and oppression. Astute and beautifully observed, the film reveals the ingenuity and humour with which Iranian women negotiate the restrictions of their society.
Mark Twain's America interweaves the life and times of Mark Twain with the lives of current day enthusiasts who revel in the inventions and way of life of the 19th century. Utilizing archival stereo-optic photos, powerful images from the past seemingly come alive in a larger-than-life presentation. Archival photos representative of Twain and what he saw and experienced in his time are juxtaposed against scenes of actual present day recreations of that era.