George Carlin celebrates 40 years of comedy and here, he presents 2 new standup bits, comedian Jon Stewart gives an interview with him, and we look at his old comedy work through the last 4 decades.
After starring in a dozen or so HBO Special Presentations, comedian George Carlin has amassed a substantial body of work in the cable channel's vaults. Personal Favorites is a greatest-hits package, a selection of some of Carlin's best moments on HBO from 1977 to 1998 and, not coincidentally, some of his most enduring comic routines from any medium.
This installment of the Classic Albums series follows the making of two Grateful Dead albums, the fiercely experimental Anthem of the Sun and the understated masterwork American Beauty, which spawned melodic gems like "Sugar Magnolia" and "Ripple." Between the archival scenes and contemporary interviews with band members, the DVD shows a band making seismic inroads in pop music--and five young guys coming to terms with artistry, mortality, and, yes, the pursuit of happiness. There is priceless footage of Neal Cassady driving Ken Kesey's bus and of the Dead, surrounded by martini-sipping hipsters, on Playboy After Dark. The best scenes involve band members talking about specific songs (you will never hear Phil Lesh's "Box of Rain" again without thinking of it as a gift to his dying father) or deconstructing a tune by playing each track separately. Intimate and surprisingly cohesive, Anthem to Beauty is a rare glimpse into how the Dead's magic was made.
Laura, a French programmer, inherits the task of creating a game about the World War II Battle of Okinawa. Her research and interviews with Japanese experts and witnesses prompt her to reflect on life, humanity, and the lasting influence of history and memories.
An hour-long documentary about author Laurens van der Post, whose autobiographical novel was the basis for the film "Merry Christmas Mr. Lawrence" directed by Nagisa Oshima.
In the sixteenth century Portuguese Catholic missionaries introduced Christianity to Japan. The religion flourished for about fifty years, but by 1614 the Tokugawa government issued an edict that outlawed Christianity and expelled the missionaries from Japan. About 150,000 believers went underground and continued to practice their religion in secret. These people are known as the "Hidden Christians". Otaiya, meaning "Big Evening" is the Hidden Christian version of Christmas Eve. Through the occasion of this ceremony, the film tells the story of Japan's Hidden Christians. Made with the cooperation of contemporary Hidden Christians on the remote island of Narushima, the film features the only two remaining priests in the Goto Islands.
Filmmaker Ross McElwee trails characters whose stories have been fodder for television news and takes their tales of loss and longing further than the requisite sound bite. In the process, he examines how the medium works and exposes its limitations.
One man loses his son to a cocaine overdose. Grieving, Stan Marsden, a Tsimpsean wood carver decides to create a totem pole in his son's memory and invites the town of Craig, Alaska to help. Before he is done, the pole becomes a communal project, bringing people of diverse backgrounds and ages together.
Paul Young, a teacher of drawing and perspective at the Ontario College of Art of Design, goes from his final classes as a teacher into his first year of retirement. After 33 years of dedication to his students, he strives to become the artist he always dreamed of being.
Robinson is commissioned to investigate the unspecified "problem of England." The narrator describes his seven excursions, with the unseen Robinson, around the country. They mainly concentrate on ports, power stations, prisons, and manufacturing plants, but they also bring in various literary connections, as well as a few conventional landscapes.
Satirical, critical, talented – William Hogarth was one of the most original British artists of the 18th Century. The son of a poor schoolmaster made a name for himself as a portraitist and became best known for his satirical etchings. In strange and graphic tales, such as A Harlot's Progress, he denounced the social and political injustices of his time. Often pirated, Hogarth fought for the first image copyright law. Together with illustrators and writers from today, Andrew Graham-Dixon explores Hogarth's birth city London and recounts the life and work of a man who is regarded as the forerunner of modern caricature.
Pleasures of the eye, David Hockney’s work has shown him to be one of the most versatile and influential artists of our time. The British artist invites the observer to take a visual stroll through his paintings and explore the dimensions of time and space. In communicating a new sense of the spacetime continuum, he injects the medium of photography with entirely new and living components. His sensuous theatre sets make us hear music with our eyes and see colours with our ears. The documentary filmmaker Gero von Böhm paints a memorable portrait of a fascinating artist, whose work allows all of us to see the magic in the small and seemingly insignificant details of everyday life.
Swiss archaeologist Eric Huysecom and cameraman Bernard Augustoni work with 13 master smelters to recreate the building of a traditional furnace for smelting iron in Mali. There has not been any traditional iron smelting in Africa since the 1960's, in part due to the importing of cheaper substitutes. The building of the furnaces and the work involved in the actual production is deeply entwined with ritual, symbolism and gender. This film describes in great detail every aspect of the event, from the selection of the site of the reconstruction - which is the oldest remaining furnace site in the region, last active in 1961 - to the final result.
Weaving the Future is a video portrait of a unique indigenous community living in the Andean highlands of northern Ecuador. The story of the Otavalo Indians is not a stereotypical tale of "isolated people struggling to survive." Just the opposite. The people of Otavalo have successfully adapted their traditions of weaving and crafts to the international marketplace. Selling their textiles in the U.S., Europe and even in Japan, the Otavalos are by any measure the most prosperous Native people in South America. Theirs is a fascinating story of economic success and social change.
For these villagers, giving birth is a family affair; while a young girl is in labor, the birth attendant, mother and mother-in-law alternate between lending a hand and storytelling. Barbara Johnson studied documentary film and photography with Jerry Liebling and Elaine Mayes at Hampshire College from 1970-1974. She began working for the Smithsonian's newly formed National Anthropological Film Center in 1975. She was sent to Nepal to document early childhood socialization and daily life in a large farming village in the Kathmandu Valley.
This acclaimed documentary explores the revolutionary movement fighting for democracy in Burma and depicts how young people, in particular, are affected by the human rights abuses of Burma’s military government. Burma Diary focuses on the story of Tint Aung, a young Burmese man who was actively involved in the protest movement while in college. He is forced to flee from his home and take refuge in the jungles of the Burmese-Thailand border along with his wife and his two young daughters. As the film chronicles four harsh years of Tint Aung’s struggle to survive, it provides a passionate and at times heartbreaking study of the hopes of and the obstacles facing the Burmese democracy movement.
Cultural theorist Stuart Hall offers an extended meditation on representation. Moving beyond the accuracy or inaccuracy of specific representations, Hall argues that the process of representation itself constitutes the very world it aims to represent, and explores how the shared language of a culture, its signs and images, provides a conceptual roadmap that gives meaning to the world rather than simply reflecting it. Hall's concern throughout is the centrality of culture to the shaping of our collective perceptions, and how the dynamics of media representation reproduce forms of symbolic power.
bell hooks is one of America's most accessible public intellectuals. In this two-part video, extensively illustrated with many of the images under analysis, she makes a compelling argument for the transformative power of cultural criticism.