In 1968, Elsa and Richard Marley founded an alternative-living community, named Black Bear, in the remote Northern California wilderness with the motto "Free Land for Free People." This film tells the story of that intended utopia. Through archival footage and interviews with former residents, director Jonathan Berman explores the problems and realities of communal living and the evolution of a community that endured FBI harassment, cult leadership and more.
Melvin Van Peebles was one of the first black directors to challenge the white establishment in his films, which include "Watermelon Man" and "Sweet Sweetback's Baadasssss Song." In this documentary, the life of Van Peebles is discussed, including his work not only in film, but also as a novelist, actor, musician, stock trader and even Air Force pilot. Interview subjects include Gil Scott-Heron, Spike Lee and Melvin's son and fellow filmmaker, Mario Van Peebles.
Story of the fight to clear activist Judi Bari's name after her car was bombed and she was arrested as a terrorist by the Oakland police. Convinced the FBI conspired to discredit her and her organization, Judi decided to sue.
Is it ever rational to choose death? On Independence Day at Stern Ranch, 77-year-old solar energy pioneer Bob Stern finds out he’s seriously ill – possibly dying. Meanwhile, an elderly in-law is dying on artificial life support. Bob decides to cheat that fate and take his own life. His family tries to stop him. Bob sets up a video camera. Daughter Susan Stern explores “rational suicide,” the “right-to-die” and the difficult end-of-life choices faced by an aging population.
A troupe of American actors travels to the former Soviet Ukraine to participate in the first cultural exchange theatre project in history and find themselves trapped at the epicenter of a political revolution.
Why is it that some young, independent, progressive women in today's society feel uncomfortable identifying with the F-word? Join filmmaker Therese Shechter as she takes a funny, moving and very personal journey into the heart of feminism. Armed with a video camera and an irreverent sense of humor, Shechter talks with feminist superstars, rowdy frat boys, liberated Cosmo girls and Radical Cheerleaders, all in her quest to find out whether feminism can still be a source of personal and political power.
Three years in the making, this documentary takes an intimate and emotional look into the lives of three Latinas who work as nannies and housekeepers in Los Angeles, three of the nearly 100,000 domestic workers living in that city today.
Underneath the din of politicians posturing about "life" and "choice" and beyond the shouted slogans about murder and rights, there are real stories of real women who have had abortions. Each year in the US, 1.3 million abortions occur, but the topic is still so stigmatized it's never discussed in polite company. Powerful, poignant, and fiercely honest, I HAD AN ABORTION tackles this taboo, featuring 10 women - including famed feminist Gloria Steinem - who candidly describe experiences spanning seven decades, from the years before Roe v. Wade to the present day.
54 years after being stolen from her traditional Aboriginal family under Australian Government policy, Zita Wallace is coming home. Guided by her childhood friend Aggie, a traditional woman who was hidden from authorities when Zita was taken, the two women embark on an intimate and confronting journey into the heart of reconciliation.
A recovering alcoholic and recently converted Mormon, Arthur "Killer" Kane, of the rock band The New York Dolls, is given a chance at reuniting with his band after 30 years.
Amidst the political upheavals of a nation and the world, the filmmaker navigates cultural, geographical and linguistic distances in search of wisdom and hope from her 100 year-old Taiwanese activist grandmother (Ama).
This film examines the Egyptian rural craft of making a sieve called ghurbal (from the Arabic ghurbal meaning “to winnow” which is used to both “winnow” babies on their seventh day of life and to winnow grains for making ceremonial dishes, particularly kouskousi. Embedded in this material culture artifact are layered meanings of creative regeneration of the cosmic and human worlds. We visually follow the material process from tree log cutting to making the tara (ghurbal frame), to ghurbal crafting, through the voice and image of two key persons: Na’ima, the craftswoman and owner of the frame shop, and Hoksha, the rural ghurbal craftsman. The ethnographer/filmmaker engages them to speak and we are drawn into their lives by their stories as we view self-confident mastery of their craft. While Hoksha relates how he has kept this child from his father, we see his son next to him making a modern flour sieve, having never learned the family tradition.
Ed Ruscha made his very first art in his native Oklahoma, but soon became attracted to Los Angeles . Curator Margit Rowell has examined his extensive body of work and created a brilliant exhibition of his seldom seen drawings. Rowell visits Ruscha in his studio, looking at new paintings with the artist, discussing his progress over the decades and asking him to comment on the many milestones in his large retrospective exhibition at MoCA in Los Angeles.
What is culture? Does the culture of its roots in ancient traditions? What role do geographical features of a country play in the history of its culture?