In 1966, Deann Borshay Liem was adopted by an American family and sent from Korea to her new home in California. There, the memory of her birth family was nearly obliterated, until recurring dreams led her to investigate her own past, and she discovered that her Korean mother was very much alive. Bravely uniting her biological and adoptive families, Borshay Liem embarks on a heartfelt journey in this acclaimed film that first premiered on POV in 2000. First Person Plural is a poignant essay on family, loss and the reconciling of two identities.
Cunnamulla, 800 kilometres west of Brisbane, is the end of the railway line. In the months leading up to a scorching Christmas in the bush, there's a lot more going on than the annual lizard race. Here, Aboriginal and white Australians live together but apart. Creativity struggles against indifference, eccentricity against conformity.
Re-enactments illustrate the details of the three principle stages of the battle of Antietam, fought November 17th, 1862. Also features animated tactical maps, dramatic readings of personal papers, and expert narrative commentary.
This documentary, narrated by Academy Award winner Linda Hunt and directed by Jed Riffe, tells the story of how the discovery of a 9,000-year-old skeleton on the banks of the Columbia River near Kennewick, Washington, reignited the conflict between anthropologists and Native peoples over the control of human remains found on ancestral Indigenous lands.
A documentary film released in 2000 about two American families with young deaf children and their conflict over whether or not to give their children cochlear implants, surgically implanted devices that may improve their ability to hear but may threaten their deaf identity.
This film, shot by 100 amateur camera operators, tells the story of the enormous street protests in Seattle, Washington in November 1999, against the World Trade Organization summit being held there. Vowing to oppose, among other faults, the WTO's power to arbitrally overrule nations' environmental, social and labour policies in favour of unbridled corporate greed, protestors from all around came out in force to make their views known and stop the summit. Against them is a brutal police force and a hostile media as well as the stain of a minority of destructively overzealous comrades. Against all odds, the protesters bravely faced fierce opposition to take back the rightful democratic power that the political and corporate elite of the world is determined to deny the little people.
In 1984-85, people at Lake Tahoe fell ill with flu symptoms, but they didn't get better. Medical literature documents similar outbreaks: in 1934 at LA county hospital, in 1948-49 in Iceland, in 1956 in Punta Gorda, Florida. The malady now has a name, chronic fatigue syndrome, and filmmaker Kim Snyder, who suffered from the disease for several years, tells her story and talks to victims and their families, and to physicians and researchers: is it viral, it is psychosomatic, is it one disease or several (a syndrome) ; what's the CDC doing about it; what's it like to have a disease that's not yet understood? Her inquiry takes her to Punta Gorda and to a high-school graduation.
Documentary look at the 1996-97 effort of the dancers and support staff at a San Francisco peep show, The Lusty Lady, to unionize. Angered by arbitrary and race-based wage policies, customers' surreptitious video cameras, and no paid sick days or holidays, the dancers get help from the Service Employees International local and enter protracted bargaining with the union-busting law firm that management hires. We see the women work, sort out their demands, and go through the difficulties of bargaining. The narrator is Julia Query, a dancer and stand-up comedian who is reluctant to tell her mother, a physician who works with prostitutes, that she strips.
This fascinating documentary is based around the Japanese wrestling organisation Gaea's rural training camp, and traces, in the main, the careers of four hopefuls. In charge are two magnificent specimens, the butch champion Chigusa Nagaya, still venting her hurt at the hands of her army father as she tries to whip her surrogate daughters through the pain and commitment barriers; and her sophisticated and slightly menacing Chairman. It's a gruelling, physical film, as you would expect, but the makers don't make heavy weather of it. And it certainly disposes of any idea that the game is faked.
Documentary on the Shackleton Antartic expedition. A retelling of Sir Ernest Shackleton's ill-fated expedition to Antarctica in and the crew of his vessel 'The Endurance', which was trapped in the ice floes and frigid open ocean of the Antarctic in 1914. Shackleton decided, with many of his crew injured and weak from exposure and starvation, to take a team of his fittest men and attempt to find help. Setting out in appalling conditions with hopelessly inadequate equipment, they endured all weather and terrain and finally reached safety. Persuading a local team of his confidence that the abandoned team would still be alive, he set out again to find them. After almost 2 years trapped on the ice, all members of the crew were finally rescued.
Carl-Gustaf Nykvist's documentary about his father, Sven Nykvist. The film is based on Sven's memoirs with Sven himself as narrator. A journey to the place of birth, Moheda, constitutes the hub of the film and during the journey friends and memories emerge. Written by Fredrik Klasson
The house is rockin' and the laughs are rollin' as comedians Steve Harvey (The Steve Harvey Show), D.L. Hughley (The Hughleys), Cedric The Entertainer (The Steve Harvey Show) and Bernie Mac (Life) meet in this riotously comedy summit directed by Spike Lee.
From 1915-1939, Frances Marion was one of the most powerful talents in the movie industry. In one of the most liberating eras for women in film, she wrote more than 200 movies and was the world's highest paid screenwriter - man or woman. Kathy Bates gives voice to Marion's words from her letters, diaries, and memoirs. Includes commentary by silent film historian Kevin Brownlow, critic Leonard Maltin, and Marion's celebrated biographer Cari Beauchamp. Current women filmmakers reflect on the legacy left to them by Marion and the pioneering women of early Hollywood.
A Boy Named Sue chronicles the transformation of a transsexual named Theo from a woman to a man over the course of six years. Following Theo's physiological and psychological changes during the process, as well as their effects on his lesbian lover and community of close friends, A Boy Named Sue tells a story about gender identity, relationships, and how even things that seem permanent can change.
In 1955, as a hotly contested hockey season was coming to an end, the star of the Montreal Canadiens, Maurice "the Rocket" Richard, was suspended for attacking an opponent with a stick and hitting a referee by then president of the NHL Clarence Campbell. This set off a huge riot in the streets of Montreal. The documentary claims, unconvincingly, that this event added to the sparks of the political revolution in Quebec that led to the rise of the separatist movement.