An experimental short film by John Whitney Sr. which combines animated shapes and colors; Computer graphics as dynamic, swirling art. Preserved by the Academy Film Archive in 2014.
In 1967, New York City is host to the Miss All-American Camp Beauty Pageant. This documentary takes a look behind the scenes, transporting the viewer into rehearsals and dressing rooms as the drag queen subculture prepares for this big national beauty contest. Jack/Sabrina is the mistress of ceremonies, and their protégé, Miss Harlow, is in the competition. But, as the pageant approaches, the glamorous contestants veer from camaraderie to tension.
Above the tip of Cape York, beyond the northernmost point of the Australian continent, are the Torres Strait Islands. The economy here is based on home gardens and pearlshell fishing. The culture, with its basis in music, dancing and ceremony, provides a striking contrast to that of mainland Australia. This film, shot in the late 1960s, shows how strongly old traditions still affect Torres Strait Islander people, even though they also have most of the trappings of modern life.
This film illustrates the field techniques used by a multidisciplinary team of researchers from the University of Michigan in collaboration with their Venezuelan colleagues. The film also includes a brief sketch of Yanomamo culture and society.
Documentary of the Symposium on the Dialectics of Liberation and the Demystification of Violence, held in London, July 1967, organized by R.D.Laing, with Stokely Carmichael, Allen Ginsberg, Paul Goodman, Herbert Marcuse, John Gerassi, and many others. An important record of the spectrum of left-wing politics and personalities during the turbulent Sixties.
A stark and graphic portrayal of the conditions that existed at the State Prison for the Criminally Insane at Bridgewater, Massachusetts, and documents the various ways the inmates are treated by the guards, social workers, and psychiatrists.
Interview with Jason Holliday aka Aaron Payne. House-boy, would-be cabaret performer, and self-proclaimed hustler giving one man's gin-soaked, pill-popped view of what it was like to be black and gay in 1960s United States. Preserved by the Academy Film Archive in partnership with Milestone Films in 2013.
A rare archival short, Queens at Heart follows four shockingly courageous pre-Stonewall trans women, Misty, Vicky, Sonja, and Simone. They go out as women at night, but live as men during the day, take hormones, and dream of “going for a change.” Subjected to a six-month psychological project, and cross-examined by dubious “experts” all four women are incredibly captivating subjects—whether being interrogated or partying at the ball.
Tetzlaff's documentary combines historic film footage and photographs with quotes from Kollwitz's diary and images of her sculptures and graphic works, including The Weavers' Revolt (1893-97), The Peasant War (1902-08), Woman with the Dead Child (1903) and War (1922-23), her famous series of seven woodcuts.
Two Aboriginal families live like their ancestors have for centuries in this anthropological documentary. The gathering of food is the main focus as women harvest grass seeds to make a primitive flour for bread. Grubs, lizards, and fruit are also on the menu, with the only contact with the modern world being their trek to a government compound for much-needed drinking water.
In 1967, Canadian documentarian James Beveridge traveled to Kolkata to film director Satyajit Ray at work. The resulting program, produced for the American public television series “The Creative Person,” features interviews with Ray, several of his actors and crew members, and film critic Chidananda Das Gupta.
Lionel Rogosin's plea for humanity and against war and fascism. For two years, Rogosin traveled to twelve countries to collect footage of war atrocities from their archives. He interspersed these harrowing images with scenes of a London cocktail party's mundane chatter. Good Times, Wonderful Times was released in 1964 at the height of the Vietnam War, and became one of the great anti-war films of the era.
Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.
Sydney's population had just reached three million, and while its skyline was not as tall as it is today, it was already on its way to become a modern city. The film visits all of Sydney's most iconic locations, from its beautiful harbour to Circular Quay, Martin Place, Kings Cross and Bondi beach.