Drawn to unorthodox materials and themes, Mochi Lin works with diaphanous stockings and acetate to depict courtship in the insect world. Her musical composition provides the soundtrack for a startling pas de deux. Stop-motion haiku on the themes of coupledom, confinement and decapitation!
Cameron Kletke depicts an in utero skirmish between twins with spacious hand-drawn animation, employing watercolours and pastel to plunge us into an intimate watery universe where the umbilical cord becomes a prop in a comic battle of wills. Those little elbows can be sharp.
Emmet Zabor's senior film at CCS and most noteworthy animation thus far. "I want to make an animated series one day, and this is a taste of what I want it to be."
For people living with structural dissociation, falling asleep can be a challenge—a time when multiple contradictory thoughts conspire to keep you awake. Drawing on her experience with somatic healing, Michelle Ku puts these thoughts to rest in a few vivid minutes of hand-painted animation.
A choir of tropical frogs performs infectious pop in delightfully unsettling animation from Costa Rican-Canadian artist Bianca Shonee Arroyo-Kreimes. Riffing on karaoke companion videos and the swipe-n-scroll conventions of handheld media, she infuses candy-coloured digital animation with the spectre of ecological collapse.
Don’t Let the Sun Catch You Crying is a short meditation on love, grief, and imagination. The hand-drawn animated documentary was created through a collaboration between mother, elder and narrator Edith Almadi and filmmakers Natalie Baird and Toby Gillies. This poetic piece celebrates life and the transformative ability of art to elevate and transcend us. Through vivid drawings and Edith’s simple yet magical words, the film explores our enduring bond with loved ones who have passed. In honouring her son’s life within the cosmos, Edith’s artworks embody colours, shapes and metaphors that remind us of the timeless power of love, gravity, and grace until our final breaths.
One dancer, one body, one phone. In a time of collective alienation and technological mass control, one woman rediscovers her soul and reclaims her mind. A short, experimental self-portrait composed of 100 video screens, Corpus and the Wandering transcends the walls of a fragmented grid system to uncover the shared humanity in each of us, and our place in the cosmos.
Utilising the Alexeïeff-Parker pinscreen technique, this visually poetic non-narrative film revisits Diego Vélasquez’s 1652 portrait of Queen Mariana of Austria with genuine feeling.