A very special memory from Academy Award nominee Coralie Fargeat writer, director, and producer of THE SUBSTANCE, debuted by Letterboxd on 17 February 2025. “30 years ago, when I was 17 years old, I made a little Star Wars film. Using my family's camcorder, I animated my toys frame by frame in stop motion, disguised my friends as Ewoks and stormtroopers, and edited on a VHS video recorder (which was the top device at the time!). It was such an amateur endeavor, but everything I loved about making films was already there… It was the place where I felt free, passionate and alive, and able to fully express myself. It’s after I made this little film that I knew that I wanted to be a director... Today as I am nominated for Best Director, I can’t help but remember this little film... Follow your dreams!” —Coralie Fargeat
Julia, Paulinho and Duda are best friends experiencing adolescence. Used to playing RPG together and facing different worlds in the game, one day they find a mysterious book that takes them to truly enter other realities. In the midst of all these adventures, they confront their convictions and fears and understand themselves better.
Ordinary life repeats itself every day. The succession of movements that we repeat over and over again is never the same, and everything changes. The moment we touch something, our consciousness can go to a place that does not exist anywhere in the past, nor in the future. In an uncertain and fluctuating world, only the feeling of the body touching something, which exists only on this present reality, can be recognised as “now”. That moment is lovely.
Being a loving mother and full-time carer for her mentally and physically disabled son is Mary’s daily struggle. The authorities are anything but helpful and she is in danger of drowning in a sea of bureaucracy.
Desperate to lose weight, Chloe stumbles upon an infomercial for "MagicSlim," an all natural herbal supplement that promises effortless weight loss. Ignoring the strange warning about lighting accompanying candles, she eagerly drinks the smoothies, only to wake up dramatically thinner overnight. As the pounds melt away at an alarming rate, an eerie presence begins lurking in the shadows, growing closer each night. Unaware that she is being devoured by a sinister force, Chloe soon realizes too late that her dream body has come at the ultimate price.
a teenage boy falls in love with an amazing but broken girl. he believes he can fix her, but her priorities leave him obsessed with unfulfilled dreams and desires.
Beautiful Men by Nicolas Keppens | In the Shadow of the Cypress by Hossein Molayemi & Shirin Sohani | Magic Candies by Daisuke Nishio | Wander to Wonder by Nina Gantz | Yuck! by Loïc Espuche |
She tries to swipe her way to happiness, but after an exhaustive body count, she resorts to assembling her dream boy from left over parts. Welcome to the Meet Market!
Who we are, who we were, and who we will be are all part of our construction. A decision, a search for experiences, a new place without forgetting our origin. The encounter with the past will awaken sorrows and joys, memories of friendships that leave an everlasting mark. Through music, everything blossoms on the stage of a life creating.
An avant-garde short film accompanied by a "radio edit" of PRPL PPL's free jazz album “Facial Recognition." The album served as the soundtrack for a gallery installation of the same name inspired by David Lynch's "Six Figures Getting Sick," and featured 35mm footage by Beck Simon. This short was produced at the David Lynch Graduate School of Cinematic Arts, and is dedicated to the memory its late namesake.
Guided by the wisdom of Ininew astronomer Wilfred Buck, this immersive experience shares four Cree star stories, exploring the cosmos to teach us how to live a good life with future generations in mind.
It’s the story of a little girl who is different. Her world is Coyoacan, Mexico City. Sparkling, vibrant, everything interests her and when difficulties arise, she faces them with an overflowing imagination. This little girl is called Frida Kahlo.
The Death of Film, spanning 856 hours, explores the eventual demise of cinema. Producers Samuel Felinton, Damien Dennis, and tasked AI with generating a film based on its interpretation of nature while intentionally approaching, but not surpassing, the 857-hour runtime of Logistics (2012), the longest film on record. All funds from this project will be donated to the Animation Guild to support human animators and preserve their craft.