Nguyet is an orphaned child living with her grandma in a seaside village of devout Catholics. When the village becomes a battlefield, the grandma, enraged by the fact her son died due to Vietcong mine traps, begins throwing grenades against the winning Vietcong soldiers. To ensure a strategical victory, Dung, a young combatant, is deployed to gun down the old woman.
The year is 1945. The final battle for Vienna has begun. Hitler declares the capital of the "Ostmark", as Austria was called then, a stand-off of the Third Reich against the Red Army; a last attempt to turn the tables yet.
A group of Austrian resistance fighters recognize the impossibility and enable the Russians to occupy the city - this action was known as the "Radetzky Operation" - and with it Vienna was saved from complete destruction by the Allies. The operation was headed by Carl Szokoll.
Before the breakout of the Sino-Japanese War, Hong, Wang, and Peng were best friends. Hong and Wang secretly joined the local guerrillas after the Japanese began invading China. Hong ran a small business and Wang worked as a courier for a Japanese trading firm, hiding their true identities in order to collect intelligence on the Japanese for the Eight Route Army, and established a railway guerrilla unit. Wang soon found out that the trading firm he was working for was indeed an intelligence unit of the Japanese. They infiltrated the Japanese special forces and eliminated many Japanese. Suspicions arise from the Japanese as to the real identity of the individuals suspected of being part of the railway guerrilla forces, so called Flying Tigers unit, so the Japanese began to form a counter-spying operation and other under-handed means by recruiting Chinese traitors to uncover and eliminate them all.
In 1943, a group of Italian and Allied soldiers find themselves trapped inside an abandoned villa. When they discover that they are in fact dead and that the villa is the starting point of their journey into afterlife, each character tells his life story, united in the belief that they have died unjustly in a senseless war. The youngest, whose wife is expecting a child, wants to return to the world.
Somewhat autobiographical, the film opens right after the 6 day war, when Israelis euphoric with victory and the kids dress up as the captured Western Wall in Jerusalem. Now it is 1972. The film centers on a young boy, who is failing in school, and grounded from going on Passover trips with his classmates. Instead he must visit private academies (including military school) with his parents, who want him to do better in school. Foreshadowing to the coming war in 1973 and the defeat of euphoria.
In ECLIPSE a child survivor wanders barefoot across a stunningly evocative landscape. Director Jason Ruscio expresses the profound loneliness of a decimated world through richly textured images that bring to mind the films of Andrei Tarkovsky – burned out interiors, hands grasping to hold each other, time-worn photographs and faceless soldiers in the snow. ECLIPSE is a remarkable meditation on the effects of war. Preserved by the Academy Film Archive in partnership with New York University Tisch School of the Arts Graduate Film & Television in 2016.
At the end of the Garabagh war, a young Azeri man, who has been witness to the martyrdom of many people and the dispatch of his friends and relatives to the war front, mounts a white horse and without informing his family sets out for the front, He joins the relief work group in spite of the objections of the commander of the forces, until...
َA father, Daei Ghafur, does not accept his son's death during 1980-1988 conflict between Iran and Iraq, and believes he is alive despite all evidence indicating otherwise. One day he meets a young lady, Shirin, at the airport who has travelled from Europe to Iran looking for his brother, Khosrow, a missing soldier at war. Both start searching their loved ones...
Bolsheviks aim to set their rules on the lands of the Western Ukraine repeatedly occupied by them. UPA - the partisan army - resists their policy. The civilian population becomes a hostage of this war "without rules", and above all – relatives of the insurgents. Invaders and their allies cruelly torture the Ukrainian people, but the struggle continues. Irritated, "bolshevists" start evicting people to Siberia. UPA tries to prevent this action, but the forces are not equal. Insurgents can only take revenge and punish the executioners.
The film documents a debate about early 20th century films, mainly 1910 to 1920, from short news reels to excerpts from full-length movies. At Amsterdam's Film Museum, film directors, students, and film researchers and archivists look at the moving images and discuss their meaning, in the social and technical contexts. Moody live music was added to the edited film.
More than 40 reels of combat footage were used to bring to life the bloodiest conflict in the history of the U.S. Marine Corps in this PBS film about the World War II battle for Iwo Jima. Documenting the fight for the island that 21,000 Japanese soldiers defended to the bitter end, this film marks the first time many of the survivors have spoken on record about the ordeal that was supposed to have been over in days but lasted more than a month.
This haunting film comprises of footage shot during WWI from opposite sides of the conflict: Czarist Russia and the Austro-Hungarian empire. The filmmakers tinted the material with sensual colors from sepia to red, blue, and purple and slowed the footage to analyze the material. The total absence of commentary renders the material eloquent and disturbing. - MoMA