America's favorite singing cowboy Gene Autry stars in this vintage tale as an up-and-coming rodeo singer caught in the middle of two rival companies, both angling to ride the talented crooner to riches. Featuring several memorable musical performances from Autry, including renditions of "Forgive Me" and "In Old Capistrano," this rousing Western co-stars Smiley Burnette, Virginia Grey and Lucien Littlefield.
Bad guys plot to trick a newly arrived Eastern girl out of a ranch which belongs to her infant ward. Roy, of course, saves the ranch for the girl. Songs include "I'm Headin's for the Home Corral," "He's a No Good Son of a Gun," "Sandman Lullaby," "Song of the San Joaquin," and "I'm a Cowboy Rockefeller."
In the midst of some friendly horseplay on their "Flying R" ranch, the Range Busters, Crash Corrigan, Dusty King and Alibi Terhune, are sobered by the arrival of a buckboard bearing their old friend Larry Meadows and his niece Dorrie Willard. Meadows seeks their aid against a gang of outlaws terrorizing his town. Ernie Willard, Dorrie's brother, has been taken in by Tex Laughlin who is using the Willard ranch as an undercover for his real occupation as a member of a gang of outlaws led by Tim Douglas, a supposed friend of the Willards.
Billy and his pals, on the run from the law again, travel to Sage Valley where Billy is made Sheriff. The local outlaw gang is run by Kansas Ed who closely resembles Billy. Ed captures Billy and changing clothes with him, now plans to run the town as Sheriff.
The brother of a notorious outlaw is put in a charge of a stagecoach line way station in dangerous Apache territory. A stagecoach arrives at the station with a valuable box of cargo, and the outlaw brother soon shows up, though denying that he's planning to take the cargo box. Soon, however, rampaging Apaches attack the station, and the station manager, his brother and a disparate group of passengers and employees must fight them off.
Shadows on the Sage is a 1942 American Western "Three Mesquiteers" B-movie directed by Lester Orlebeck. The Three Mesquiteers, Tucson, Stony, and Lullaby arrive to help Sheriff Lippy fight the outlaws. But when the gang leader Curly Joe captures Tucson and notices the resemblance, he assumes Tucson's identity.
It is now an accepted fact that the best of Johnny Mack Brown's Universal westerns were directed by the talented Joseph H. Lewis. Boss of Hangtown Mesa may not be in the same league as the Brown-Lewis classic Arizona Cyclone, but it comes awfully close. This time around, hero Steve Collins (Brown) comes to the aid of Betty Wilkins (Helen Deverell), who has taken over the telegraph-line business established by her uncle John (Henry Hall). The latter was murdered by outlaws who don't cotton to having the territory linked up electronically with the rest of the world.
Billy the Kid and his pals Jeff Travis and Fuzzy Jones are arrested and brought to Fort Culver, where Billy is amazed to discover that he and the post commander Lieutenant Ted Morrison, are exact doubles.
Ma Turner of Red Bluff sends for U.S.Marshal Buck Roberts to investigate a series of wide-spread rustling in the area. Town banker Miller, saloon-owner Duke Mason and the crooked sheriff are in cahoots with rancher John Holt, but they double-cross and kill him. His son Steve witnesses the murder and kills the sheriff. Buck arrives and arrests Steve. Marshal Tim McCall, posing as an outlaw, gains the confidence of the gang and engineers the escape, with Buck's knowledge, of Steve from the jail. Sandy Hopkins, the third Marshal of the trio, poses as a peddler and learns that the gang intends to do away with Buck and rides to the Turner ranch to warn him. Red, a Turner ranch hand but also a member of the gang, overhears Buck telling Ma that Tim is really a U.S. Marshal, and he has Miller and Mason informed. Written by Les Adams
Anita Morell arrives by stagecoach in a small California town to find her father murdered and his property being stolen by two unscrupulous townsmen. She receives help from a sympathetic lawman and from a masked rider known as "the Black Shadow" whose whip-scarred back is evidence of his own grudge against the townsmen.
A well-acted, well-paced entry in the Don "Red" Barry Western series from Republic Pictures, The Sombrero Kid featured the diminutive Barry as Jerry Holden, the apparent son and heir of veteran lawman Tom Holden (Robert Homans). But when Holden Sr. is killed by one of Banker Martin's (Joel Friedkin) gang of claim jumpers, Jerry learns that his real father was Bart Clanton, a notorious bandit killed by Marshal Holden, who then raised the orphaned boy as his own.
To win possession of the ranches he holds mortgages on, crooked banker Jim Kelton has his henchmen raid the ranches and stampede the cattle herds thereby ensuring the ranchers can't meet their notes. U. S. Marshal Wild Bill Hickok arrives...