A Navajo Indian has crossed the great desert, and his water bottle has been emptied. He is in a frenzy from thirst and sees mirages of water everywhere. He comes upon Nat Perry, a young settler, who is conveying his household goods across the burning sands. Perry has just taken a drink from his precious canteen when the Indian falls at his feet and implores a little water. The young pioneer heartlessly turns him over with his foot and leaves him to die.
Reuben Ellis and his daughter, Belle, are in hard financial straits. Burdened with debts and pressed by persistent creditors, the old man finds but one way to meet his obligations, and that is mortgaging the ranch. Belle tries to console him, but agrees that they must borrow money. Ellis rides into town and applies to a money-lender for a sum sufficient to meet his debts. Walker, the loan agent, agrees to ride out to the ranch and look it over, but after he has viewed the ramshackle buildings and pitiful collection of household furniture he shakes his head and says the place is not worth a cent.
Tony Valero, a lusty young vaquero, is enamored of Clarita Montes, whose father is fairly well off, as the middle class Mexicans figure. Clarita prefers Tony to her numerous admirers, but the father has selected, for his future son-in-law, a young dandy called Jose Rodreguis, who has a certain amount of money which allows him more ease than his neighbors. Jose trades upon this fact and presses his attentions upon Clarita. He bitterly resents her preference for Tony and does all in his power to belittle his rival.
The scene opens in a backwoods hut, the home of Dave Barlow and his stepdaughter Anna. Barlow is one of a party of timber thieves who have been working stealthily and to good profit in the government forest reserves on which property they live.
It is a beautiful morning in Indian Summer, and White Doe is out in her birch bark canoe, engaged in a fishing expedition for food. She paddles home under the overhanging trees and vines, lights the small fire in front of her tepee and cooks her primitive breakfast. The air is bracing, the birds are singing, life is free and good. Also White Doe is happy for she had caught a gleam of admiration in the eyes of a stalwart cowboy, when she visited a ranch a few days before with her offering of plaited baskets and the famous blankets of her Navajo tribe. She begins her work of basket weaving, dreaming the love dreams of her people and her heart singing with coquetry and the happiness of conquest, for she is also loved by a brave of her tribe, a wealthy son of a chief with a hundred horses.
Jim Sweeney, alias Tom Nolan, and his confederate Ralph Harding are much wanted by the sheriffs of several Arizona counties and particularly by the one in which the two are carrying on their latest depredations.
A frantic child reports to the tribal chief that her father killed her mother. The tribe chases and captures the man, dragging him back for tribal justice.
Hiram Matthews, a western ranchman, owns an apple orchard which borders on the property of Jesse Forsyth. The former and his wife are picking apples in the orchard from a tree, the branches of which droop over the fence of the Forsyth property. Forsyth and Matthews have never been on good terms and when the former, who has brooded long over supposed ills done him by Matthews, finds this latter and his wife trespassing on his property, he orders them off at the point of a shotgun.
Each year the unique surroundings and novel characters of this great and typical American custom is becoming more and more obsolete and in a few short years entirely extinct. Can you imagine a more exciting or sensational picture than a great cattle stampede, curbed by fearless cowboys and dauntless riders of the western range horse?
Herbert Mills, a young chap from the east, with his partner, Walter Daniels, an experienced miner, are about to set out on a prospecting trip through the mountains.
Padre Dominguis, the village priest of a quiet little spot in old Mexico, has been on a visit to the daughter of his dead sister and is about to return to his charges. He is much surprised and more than a little pleased to find that his niece is in love with John Brown, a progressive American, who has settled among them, for the Padre is a broad-minded man and knows that Mexico needs the influx of American energy to make her a great country.
This picture tells the story of Lucy Dane, a Canadian lumberman's daughter, and of Will Harding's love for her. Will is a worthy young surveyor and Lucy feels honored to have his love, and returns it. Jose, a half-breed trapper, adores Lucy and necessarily dislikes Will, whom he correctly counts his successful rival. More, he bears Will a grudge for responding to Lucy's cries for help when he forced his attentions on her in a lonely neck of the woods.
A short Western. Ivi, the beautiful daughter of an Indian chief, has three suitors. A competition will decide who gets to marry her. The winner is not Panther, who was Ivy’s favourite. But after he manages to catch a horse thief, he does wind up marrying her after all.
A captivating young woman arrives in Paradise Gulch and, after charming all the young men of the town into buying her jewelry, proves to be a con artist working for her husband, the jewelry salesman.
Allan Ardmore and his sister, Edith, two young eastern people, pay a visit to their uncle's ranch in Arizona. Young Ardmore has suffered a physical breakdown and is seeking to regain his health. Albert Weston, his uncle, believes in the doctrine of "back to nature" and sees plainly that what the boy needs is fresh air and plenty of rough, hard work.
In the farewell beams of evening the pioneer with his wife and child stop the prairie-schooner and strike stakes for the night. Sounds of the Indian war cry disturb the quiet calm, and seen approaching in the distance is a band of savage red men. Terror-stricken, the settler seizes his gun and stands ready to defend his family. At the first volley from the Indians' rifles he falls dead. The brave wife makes a desperate resistance to protect her child. The poor woman is quickly slain by the hostile savages, leaving the helpless babe to their mercy.
One of a multitude of short Westerns directed by D.W. Griffith in the early days of film has the distinction of being the screen debut of Western star Harry Carey in a minor role.
Ramona, residing on her wealthy Spanish adoptive mother's rancho in California, falls in love with the Indian Alessandro. When Ramona is denied permission to marry Alessandro, the lovers elope, only to find a life of great hardship and unhappiness amidst the greed and injustice of the white landowners.