A young boy named Tulga is lost in a yak herd during the migration and raised in a wolf's den. A hunter finds the boy while searching for food from a wolf's den in the spring. As the boy grows up, he learns how to inherit the customs of his Mongolian people and how to improve his way of life.
Based on Nick Deocampo's award-winning book, Cine: Spanish Influences on Early Cinema in the Philippines, this digital documentary traces the beginning of cinema in the Philippines in 1897 when two Spaniards showed the first moving pictures in Escolta. Against the backdrop of war and revolution, film developed to become the emerging Filipinos' dominant form of public entertainment. The documentary further explores the elements of Spanish culture found in Filipino films as evidenced through the classic films made by three National Artists - Eddie Romero, Lino Brocka, and Ishmael Bernal. This is Deocampo's homage both to Philippine cinema and the Filipino nation that is its twin.
For the first time, you will see dramatic moments of WWII that were captured in 3D with stereographs and then shuttered away in secret archives and attics, until now. This stunning collection of color 3D photos includes Allied reconnaissance photos, a trove of images that documents the rise and fall of the Third Reich, and photos secretly taken by a civilian in occupied France. WWII IN 3D also features an actual 3D motion picture film shot by the Nazis in 1943 and creates a fully immersive, three dimensional portrait of history's largest and bloodiest conflict.
A one-hour documentary that tells the story of how Standard Oil magnate Henry Flagler came to Florida in the late 1800s, built a railroad and hotel empire on the last American frontier, and launched a population boom that lasts a hundred years.
Destroyed in a dramatic and highly-publicized implosion, the Pruitt-Igoe public housing complex has become a widespread symbol of failure amongst architects, politicians and policy makers. The Pruitt-Igoe Myth explores the social, economic and legislative issues that led to the decline of conventional public housing in America, and the city centers in which they resided, while tracing the personal and poignant narratives of several of the project's residents. In the post-War years, the American city changed in ways that made it unrecognizable from a generation earlier, privileging some and leaving others in its wake. The next time the city changes, remember Pruitt-Igoe.
The true story of a nun who betrayed a network of Resistance fighters after having a passionate but doomed love affair with a priest during the Second World War.
Under the Khmer Rouge regime, Kaing Guek Eav, known as Duch, directed the M13 prison for four years, before becoming the head of S21, the terrifying death machine that eliminated Khmer Rouge opponents. Some 12,280 Cambodians met their deaths here. In July 2010, Duch was the first Khmer leader to appear before an international court, which sentenced him to 35 years in prison. He appealed the sentence. While Duch waited for his new trial, Rithy Panh questioned him in depth.
Green was the symbol of recognition among the supporters of Iranian presidential candidate Mir-Hossein Mousavi. This documentary-collage illustrates with animated blogs and tweets the story of democracy under fire and the dramatic events before and after the 2009 presidential elections in Iran.
Follow General George Armstrong Custer from his memorable, wild charge at Gettysburg to his lonely, untimely death on the windswept Plains of the West. On June 26, 1876, Custer, a reputation for fearless and often reckless courage ordered his soldiers to drive back a large army of Lakota and Cheyenne warriors. By day's end, Custer and nearly a third of his army were dead.
It is the word "horde" that had meant, for many countries and nations, bloody raids and being under humilating contribution for centuries - a strange and scary world with its own rules and customs. To be or not to be for Rus (Ruthenia), that is the price of the one-man mission as he is departing to this world to accomplish a feat. The film tells the story of how Saint Alexius, the Metropolitan of Moscow and Wonderworker of All Russia, healed the Tatar Queen Taidula, Jani-Beg's mother, from blindness, in 1357.
Girls of the Rain concludes Alida Dimitriou’s filmtrilogy on the contribution of women to political struggles in Greece during the twentieth century. The film is about women imprisoned and tortured during the Colonels’ dictatorship of 1967-1974. At the time, these womenwere in their twenties. Fifty women offer their testimonials. They all share the ethos of the women who took part in the National Resistance, and pursue the establishment of human dignity just as persistently. The “Girls of the Rain” consider themselves successors of those women. One of them said:“...we are their successors, just like the youth of today are our successors”. Remarkably, these are the words of a woman deprived by her torturers of the ability to have children.
Adele Spitzeder, an actress of medium talent, finds the role of her life as a dazzling financial genius, but in truth the operator of a gigantic pyramid scheme. With a brilliant appearance and empty promises, she serves the hopes and greed of her fellow human beings with virtuosity. With the help of a never-ending stream of money, she buys her way out of situations that would have landed others in prison long ago. Her enemies are just waiting for the pyramid to collapse and bury Adele - and countless small investors with her.
Has everything really been said about the Algerian war? Although the archives are opening up, almost fifty years after the signing of the Evian Agreements (March 18, 1962), direct witnesses are beginning to disappear. They are, however, unique bearers of history, often the only ones able to illustrate the harsh reality of a long-hidden period. Gérard Zwang, surgeon of the contingent between May 1956 and June 1958, is one of these essential witnesses who help us discover an original history of the Algerian War. During his service, in charge of treating the most atrocious wounds of his fellow soldiers, he sees the war from the side of its victims. He did not fight with a machine pistol in his hand, but behind the closed doors of an operating room where life gives way to death in a matter of seconds.