Lisa Herdahl, a Mississippi mother of six, is forced to sue her public school district in order to have The Bible removed from her childrens' classrooms.
The art of the "pitch" and its role in society, as told by many of the pitch industry's greatest salesmen, including Arnold Morris, Sandy Mason, Lester Morris, Wally Nash and Ed McMahon as well as a look at the Popeil family.
The full story of the 1972 Munich Olympics Massacre and the Israeli revenge operation 'Wrath of God.' The 1972 Munich Olympics were interrupted by Palestinian terrorists taking Israeli athletes hostage. Besides footage taken at the time, we see interviews with the surviving terrorist, Jamal Al Gashey, and various officials detailing exactly how the police, lacking an anti-terrorist squad and turning down help from the Israelis, botched the operation.
In this 1999 documentary, Pete Townshend, Roger Daltrey and John Entwistle discuss the making of what many consider the Who's greatest testament to Townshend's songwriting talent: their classic album "Who's Next." Others close to the group weigh in with insights about the late Keith Moon's importance to the band. The retrospective also features unseen performances of tunes from the platter, including "Won't Get Fooled Again" and "Baba O'Riley."
Aja was the biggest selling album of Steely Dan's illustrious career. It was the first album by Donald Fagen and Walter Becker as a duo. Fagen and Becker recall the history of the album, along with Peg, Deacon Blues and Josie. Michael McDonald, later of the Doobie Brothers did guest backing vocals on Aja, the late British musician Ian Dury, record producer Gary Katz and the legendary session musicians who worked on Aja also contribute. This is a vivd portrait of a 70's record that is still as fresh and as memorable more than two decades after its release.
Explores the bittersweet process of an American artist's frenzied attempt to achieve fame and recognition through manufacturing his own hype and manipulating public perceptions of his constructed persona.
The film chronicles the history and development of "Critical Mass", the leaderless, grassroots bicycle movement from its 1992 beginnings in San Francisco to its spread across the globe to over 200 cities in 14 countries. With traffic congestion, pollution, and road rage on the rise, cyclists are advocating for transportation alternatives. Critical Mass is at the cutting edge of this mindset.
Long before New York Mayor Rudy Giuliani launched his campaign to clean up the city, Times Square was the stage for a slew of religious zealots and fanatics, all preaching their brand of fire and brimstone to anyone who would listen. Filmed between 1993 and 1998, Richard Sandler's documentary gives viewers a glimpse into the not-so-distant past, when 42nd Street was the shared pulpit of the most colorful assortment of ministry imaginable.
It turns out Yuri Gagarin was not the first man in space, but was preceded by another Soviet cosmonaut who crash landed, was severely injured and his identity kept secret -- until now.
Blind blues musician Paul Pena is perhaps best known for his song "Jet Airliner". In 1993, Pena heard Tuvan throat singing over his shortwave radio and subsequently taught himself how to reproduce these extraordinary sounds. This documentary follows him to Tuva, where he takes part in a throat singing competition. Languages featured in the film include English, Russian and Tuvan.
A film that describes the love-hate relationship between Werner Herzog and Klaus Kinski, the deep trust between the director and the actor, and their independently and simultaneously hatched plans to murder one another.
Even as scientists work diligently to authenticate the Dead Sea Scrolls, a historical and momentous find for archaeologists, questions surface about their true origin. Who wrote them? Did they truly know Jesus? And what do the scrolls mean for modern-day Christianity? This riveting documentary aims to find the answers to these and many other questions and shares new information about this important archaeological artifact.
For fans of comedy, Sam Kinison needs no introduction. His scathing comedy tackled tough topics no other comedian dared to touch. Fed up and disenfranchised with his career as a Pentacostal preacher, Sam left the ministry to try his hand at comedy. Almost immediately, and thanks in part to the foresight of Rodney Dangerfield who showcased Sam on an HBO special, his piercing scream, extreme humor and irreverent take on life attracted attention. Containing rare, early footage of Sam preaching and performing stand up at the world famous Comedy Store, the Award Winning "Why Did We Laugh" tells the story of a comedic genius who touched a deeper chord in people than most entertainers. Sadly, Sam was taken from us far too early, yet leaving us with a lasting and unique legacy.
In the 1942 film "This Gun For Hire," he was only a supporting actor. But his portrayal of a cold, ruthless killer with a core of gentle sadness had an impact on audiences everywhere. Teamed with diminutive Veronica Lake, he became an immediately saleable commodity, and in the process helped launch the age of film noir. By 1954, Photoplay Magazine voted him the world's most popular male film star; his fellow award-winner was Marilyn Monroe. But Alan Ladd's fabulous success already contained within it the mechanism to self-destruct.
Hideaki Anno's documentary about the making of Shusuke Kaneko's Gamera 3: Revenge of Iris. From concept to film, the documentary is a video diary of the film's production. Not included in the Arrow Video collection.
Documentarian Richard Morris examines both the onstage and offstage lives of veteran cabaret entertainers John Wallowitch and Bertram Ross. Since 1984, Wallowitch and Ross have been a performing duo, entertaining nightclub audiences with such acid-tongued musical parodies as "If You Don't Love Me, I'll Kill Myself -- Or Maybe I'll Kill You" and "Don't Do To Me What Woody Did To Mia." Wallowitch and Ross have also been lovers for 30 years, who met while while both were active in the New York creative community; Ross spent close to three decades as a dancer with the Martha Graham company and Wallowitch is a Julliard-trained pianist and songwriter with over 1,000 compositions to his credit. Morris exmines Wallowitch and Ross both as artists and members of the gay community without patronizing or exploiting them in the process.