Tommaso, a quiet, thoughtful child of five, lives in a world of his own, conversing daily with three imaginary friends. Seemingly loved by his parents, Tommaso senses that their affections are superficial and he yearns for something more.
A typical experimental film, in which a variety of audiovisual techniques are used to create the sense of polymorphic eroticism as developed by European and Mediterranean cinematography of the 20th century. Combining the methods of “animation” and “live action”, this intricate work embodies the idea of an “ars combinatoria”. The structure is loose, with neither a central axis nor a point where everything converges, contributing greatly to the open-ended character of the film, where rhythm is the key element.
A pretty girl arrives on a small island on a dark and stormy night. She becomes an excuse for the turbulence and evil that occurs when one man forgets his dignity and becomes a beast.
The plot of Marine Express can be described in two parts. The first part focuses on the people boarding the train and the problems they encounter on it. The second part takes place after the train has stopped at its half-way point, an island that used to be home to an ancient civilization millennia ago and has its fair share of secrets.
In order to try to bring together his bickering family, a single father takes his three rebellious teenagers on a vacation trip to the Bahamas. They inadvertently wind up in the Bermuda Triangle, where they are whisked through a time portal and brought to the mythical island of Atlantis. There they are drawn into a fantastical conflict between the peace-loving population and a would-be tyrant determined to take over the island. In their desperate attempts to return home they encounter mythical creatures, evil magicians, and ancient powers.
This blend of comedy and psycho-drama is comprised of two disturbing stories. The first tells the tale of a robot who is set to Earth by his home planet to discover new energy sources. In the second a boy is sent into deep space as part of an inhuman experiment designed to create the perfect human.
'Malo Misto' lives its own life, but not far behind the times. Hotel manager Roko Prč strives to organise tourism, so he introduces the first nudist beach. His wife Anđa brings two of her cousins from the Dalmatian hinterland and demands Roko to hire them. One of them, a young man named Ikan, earns the attention of a beautiful Swedish tourist. From Chile to Malo Misto returned Tonči, nicknamed Servantes, of course, without any money. He fell on the back of his hardworking aunt Keka, who even without him has enough problems of her own. Servantes also experiences an unexpected romance.
The Russian Descendant of the Snow Leopard is based on a famous Kirghizian folktale. Apparently the Kirghizian folks had plenty of time to tell this story: to print a full synopsis would result in a novelette. Essentially, the story involves a proud group of highland hunters called the Snow Leopards, who in order to survive a brutal winter must request help from the Lowland people. The price for this assistance is the hand of the Snow Leopard's daughter, who is promised in marriage to a wealthy Lowland trader. During the Springtime wedding celebration, the trader becomes fascinated by a stranger who wins all the athletic contests. This "male" contestant turns out to be a woman, who has arrived to seek freedom for her imprisoned husband. The subsequent romance between the trader and the beautiful stranger results in disaster and bloodshed for both the Snow Leopards and the Lowlanders.
A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.
Animation, also of a new order in the recent series of short works. Mostly on black space, the figures in blue perform a very compact and jewel-like opera in surreal form, again to Satie’s piano music. Ideally, the film should be projected on a 30" wide white card sitting on a music stand, center stage of a large auditorium or music hall, with sound from the projector piped into the big speaker system. The film is most effective this way, but can be shown normal-size also
Explores the complex relationship between the spirit, body, and mind. The film is a nightmare with closed eyes because it counts among the most terrible moments of my life, my second exile, which lasted a very long time. Inspired by an ancient Hindu legend.
Josh Holman encounters the ghost of a child mine worker with a special warning on the headlands of his Cornish home town, as an old tin mine is about to be re-opened after the discovery of valuable deposits of ore.
A baroque mix of revolutionary politics, pop culture and semiotics loosely based on the play by Pedro Calderón de la Barca. A young prince learns that life is just a dream from which we wake when we die. And that dreams may be as real as life.
After a valiant Thai boy is brutally murdered by a gang of archeological looters, his soul is joined with the Hindu god Hanuman, who teams up with Ultraman and his brethren against familiar Ultra-foes unleashed by a weather control experiment gone awry, in this influential Thai-Japanese co-production.
Kinkón (1971), a silent adaptation of Merian C. Cooper and Ernest B. Schoedsack’s 1933 classic, King Kong. Zulueta re-filmed a television broadcast of the original, and through creative subtraction and manipulation of camera speed, condensed the original’s feature length to an intensified seven minutes. The cathode-ray flicker and flattening that results from the re-filming defamiliarises the original, but its classical continuity mode of address continues to operate on the viewer, and the increase in velocity makes mesmerisingly urgent the dramatic plot of the original. —Senses of Cinema