The sixth and last animation by Stefan Schabenbeck before emigrating to Germany in the early seventies. Alien life form seen from the other side of the telescope. A robot arrives on an unknown planet, whose task is to get to know and try to colonize a new world.
Dr. Karloff prisons an alien from the Leguminous Planet and calls his friend Dr. Marins to help him in his experiences, because the Leguminous Monster is an anarchist intellectual full of hate against the human beings. While the scientists discuss about the monster, Caquinha is convinced for him to let him go. Done that, the Monster kills the scientists and kills everyone he finds in his way.
A surfer abandoned in the middle of the Australian Outback encounters an alien who time-travels in a ship that looks like a 1950s greasy spoon restaurant and embroils the hero in a chase that involves him sorting out a time paradox so that he can wind back time to prevent the Japanese winning World War II.
The heroes of futuropolis are Captain Garth, Spud, Liutenant Luna and Cosmo. These four space cadets are sent to investigate series of mutations and destructions of peaceful worlds. The brain behind this chaos is Lord Egghead, the inventor of the "mutation ray".
Softcore anthology film containing stories: "Brush Strokes"; "Shrink Rap"; "Doubletalk"; "The Leda"; "My Secret Moments"; "Life Is For The Taking"; "The Diaries"; "Love The One You're With"; and "My Better Half".
An ordinary family is a faithful wife, a walking husband. One night, Victor tells his wife that he is an alien and disappears. For a long time, the inconsolable Lucy waited for the return of the faithful, until one day she met a man in the subway who, like two peas in a pod, looked like Victor.
Polosa vezeniya (literally) 'Streak of Luck' is the fifth film in a Mosfilm "youth" anthology series and comprises three short stories. The first story, 'Vizit' (The Visit) directed by film maker turned politician Yevgeni Gerasimov tells the story of a rural boy visiting his former village girlfriend, now living in Moscow. Next comes a short film by Aleksandr Majorov called 'Zolotye rybki' (Goldfishes) which is based on a story of a magical goldfish brought from a provincial pet store by the late Russian historian and science-fiction and fantasy writer Kir Bulychyov. The final segment and the title of the film, 'Polosa vezeniya' (Streak of Luck) tells the story of a member of staff at a research institute who is offered the job of the department head, but has second thoughts when he discovers the previous boss was unfairly dismissed.
The film is essentially a feature-length commercial for an exhibition to mark the 40th anniversary of the nationalisation of the Czechoslovak film industry, to be held at the Prague U Hybernu venue. The protagonists of the piece are comedians Oldrich Kaiser and Jirí Lábus, who are set to accept an award from Japanese television representatives at the exhibition. At the same time, five gangsters plot to seize a revolutionary invention devised by professor Suzuki - a super holograph, which enables any figure from television to be transported in the flesh into the real world, and vice-versa.
In the circus of the city Zurbagan a mysterious stranger with the ability to fly. Many present at this performance, however, few people think about what is happening.
The film in a metaphorical form demonstrates a model of self-devouring in a closed spiritual system, it explores intermediate state between a human and a non-human: a subhuman deprived of a divine spark.
Régime sans pain, influenced by (Ruiz's) friend Jean Baudrillard (and calling) to mind grade-Z SF, grew out of a commission to direct a music video (featuring French cult rock duo of Angèle/Maimone). Ruiz offered a counterproposal that he direct several music videos rather than one; once this deal was made, he shot enough material to interconnect the various videos until he arrived at a feature.
Former UNIT luminary Liz Shaw and her assistant Bayliss are investigating a series of bizarre murders, all committed near a soon-to-be-closed psychiatric hospital. When the hospital is unexpectedly reprieved by rich Industrialist Peter Russell events seem to move out of Liz's control. Are the incumbent director of the clinic, Doctor Dove and his predecessor Doctor O'Kane harboring the killer? What is the centuries-old horror hidden in the grounds? And what exactly is the secret of room zero?
Komori Chiaki is a budding tennis student. However, one day while training, her coach hits a ball into her eye on accident. At the hospital, the news that she will never regain the sight in her eye leaves her heartbroken. As a last resort, she undergoes a costly surgery from the mysterious doctor known as Black Jack, where after a successful operation, a mysterious figure starts to emerge in her vision, and only she can see it.
A UFO lands at night in a typical Masovian village. The villagers feel honored and want to be as hospitable as possible for the unexpected alien guests.
Zillionair playboy Terry has built a spaceship so that he can see the galaxy together with his girlfriend Ferma. Along comes a spaced-out alien who needs to find back to his planet. The trio brings along Little Orbit the Astrodog to assist in the search. On their fantastical journey they battle a phantom space-bird, asparagus monsters (with Bronx accents) that want them for lunch, and a race of space-robots on a machine planet.
Akio Jissoji's Ultraman is a 1979 Japanese tokusatsu kaiju film directed by Akio Jissoji. It is a compilation film made up of scenes from Jissoji's episodes of the original Ultraman TV series.
Said to be the first science-fiction film produced in China (and perhaps having its North American theatrical premiere in Future Imperfect?), Death Ray on Coral Island spares no bile, camp, or latent envy in portraying America as the cunning archenemy that will stop at nothing—industrial espionage, assassinations, even ballroom dancing—to steal China’s futuristic weaponry. The film occupies a pivotal moment in China’s modern history, representing a legacy of the Great Cultural Revolution and a harbinger of the nation’s ascension on the global economic stage. Courtesy of the China Film Archive and Shanghai Film Group.
Penn Jillette and Teller are called upon to display their unique brand of humor to save civilization from strange extraterrestrial beings who have invaded Earth and who, disgruntled and bored with the mundane nature of human life, threaten to blow up the planet unless someone gives them a good reason not to.
A man dies in a foreign land. On his deathbed he asks his son to bury his bones in his fatherland, a country of brave and honest people, a country of tragic but heroic past. His son wonders the world unsuccessfully looking for his father's home. He eventually finds the country in which people speak in his father's language, but everything else is absurd and unbelievable and does not fit his father's stories.