Dominated by men in her youth, Belle Starr now out-shoots and out-gambles them as she makes her way around the West. One man who's her equal is Larry Blackie with whom she has an on-again, off-again relationship. Together they become involved in a robbery which goes awry....
To fully appreciate the western comedy The Marshal's Daughter, one must be aware that its star, a zaftig, wide-eyed lass named Laurie Anders, was in 1953 a popular TV personality. A regular on The Ken Murray Show, Anders had risen to fame with the Southern-fried catchphrase "Ah love the wi-i-i-ide open spaces!" Striking while the iron was hot, the entrepreneurial Murray produced this inexpensive oater, which cast Anders as Laurie Dawson, the singing daughter of a U.S. marshal (Hoot Gibson). Teaming with her dad to capture outlaw Trigger Gans (Bob Duncan), Laurie briefly disguises herself as a masked bandit. Amidst much stock footage from earlier westerns and a plethora of lame jokes and dreadful puns, The Marshal's Daughter is a treat for trivia buffs, featuring such virile actors as Preston S. Foster, Johnny Mack Brown, Jimmy Wakely and Buddy Baer as "themselves."
After foiling a good ol' fashioned stickup in the gold bust town of Red Ridge, Texas, the town sheriff jails a mysterious stranger suspected of ties to the gang of outlaws terrorizing residents. But as the sheriff draws closer to unraveling the bandits' identities, ghosts of murdered townspeople begin appearing at his door, leaving him to question whether the spirits are warning him…or seeking vengeance for his own failure to protect them.
Billy the Kid and his pal Jeff help their friend Fuzzy Jones escape from jail, and the trio heads for Paradise Valley, where they find the Paradise Land Development Company, ran by Matt Brawley and Jack Saunders, is somewhat less than honest in their dealings with the homesteaders. They devise a plan to cause a split between Brawley and Saunders.
Cholita, after a long absence in Mexico City, is returning home to take up her duties as head of the rancho and, as everyone expects, to marry her childhood sweetheart José. Expectations are somewhat dashed as she shows up with Fernando to whom she is engaged. This makes José and Cholita's uncle more than a little bit put out as Fernando is not only not a Mexican, he is also a city slicker afraid of the country.
When US Marshal Moses White is called to the Wyoming Territory town of Dogwood Pass he never realized the corruption and deceit that awaited his arrival. Sometimes one small seed of seduction and greed planted in the right situation can cause a whole town to go bad. One bad character leads to another and it all starts with a dead husband in a western town.
In this post-apocalyptic-western, Alexander Dante has lived the past 10 years in exile for the killing of Edwin, his beloved brother. Then one day he's astounded to receive a letter, purportedly from Edwin. The letter states Edwin now lives in the distant village shown on the enclosed map. At first, Alexander dismisses the letter as a hoax but there's something about the letter that rings true. He treks through a hard and hostile land that at long last opens up into a tranquil village. There, he's stunned to confront the impossible: his brother is very much alive. Alexander is overjoyed to see his brother but he is tormented as he knows he has killed him. Now Alexander must root out the truth -- whatever the consequences.
A young ranch hand hunts justice for his sister through the vast landscape of South Dakota. As he wrestles with what he is about to do, Cody crosses paths with a local county sheriff coming to terms with what she has already done.
The Cisco Kid (Gilbert Roland) hears of a land-swindling scheme devised by the police Commandante (Martin Garralaga) and the tax collector (Harry Woods) in a small western town. Cisco's efforts against the plot cause the thieves to fall out, and Cisco is able to return the land to the rightful owners.
Perrin is a cowboy who comes to the aid of local Indians being swindled out of their gold. He signs on as a ranch foreman, but learns the ranch is the home of the crooks.
Joe, a rancher in the mountains of Colorado, has his life of solitude interrupted when his luckless son gets paroled from prison and moves back in with him, bringing his ill-fated ways along.
When miners blast for gold in the 1870's, they accidentally release ancient creatures known as Tommyknockers. The Town of Deer Creek, Nevada is soon under siege with only a handful of survivors held up in the local saloon.
A young brother and sister are abandoned in the vast and lonely landscape of the 19th century American West. Each day, they struggle to keep up the family farm, anxiously waiting for their parents to return. With nowhere to escape, the two siblings are about to discover that they are not entirely alone. As much as they try to deny the truth, something behind the attic door has awakened and they must now face their greatest fear. THE ATTIC DOOR is the story of love, loss, loneliness, and the truth behind childhood fears.
For Robbing the Dead is a story of compassion - compassion toward those who may seem the least deserving of Christian love. It follows the story of Henry Heath, a law officer in 1862 Salt Lake City. Heath finds himself responsible for the well-being of a prisoner whom he despises - an impoverished French immigrant named Jean Baptiste who is convicted of robbing the graves of the recently deceased. Baptiste is exiled to Antelope Island in the Great Salt Lake. With no one willing to look after this man, Henry Heath becomes Baptiste's sole defense against the hostile isolation of Antelope Island and the contempt of an entire community. Through his somewhat reluctant service, Heath's heart softens and his own sorrows find relief.