Lives intertwine around Green Lake as a girl learns to sail, a boy fights for first chair, two sisters operate a bed-and-breakfast, and a fisherman is after the catch of his life.
Rosa is a mature police officer with both a gambling and a drinking problem. She lives with her daughter Sheila, who has a little baby. One day, after a big fight between them, Sheila steals her mother's savings and storms out of the house leaving her baby behind. Rosa is forced to spend some time with her grandson. Something changes inside her heart of stone. However, everything takes a wrong turn one night. Only a miracle can save her.
"Twenty Pearls" tells a powerful story of sisterhood. In 1908, nine Black women enrolled at Howard University made one decision that would change the course of history. These college students created Alpha Kappa Alpha Sorority, Incorporated.
Gritty and powerful Screen One film that takes an unflinching look at drug addiction. Lenny Henry plays a dealer convinced he is untouchable, Robbie Coltrane the ex-gangster turned drug counsellor who is determined to break him. Writer Al Hunter (The Firm) was inspired by the true story of a football team founded to help drug addicts kick their habit.
A look at the life and work of American publisher Barney Rosset, who struggled to bring controversial works like "Tropic of Cancer" and "Naked Lunch" to publication.
A woman born in 1949, the year the GDR was founded, talks about her life based on 35 images in her family album that each represent one year. This short was to premiere on the occasion of the 35th anniversary of East Germany. Officials rejected it, however, as an ostensibly negative portrait of GDR family life presented by an atypical woman. It was released under a different title a year later.
For Prism, Belgian filmmaker An van. Dienderen invited Brussels-based Rosine Mbakam from Cameroon and Paris-based Eléonore Yameogo from Burkina Faso to work together on a film in which the differences in their skin color serves as a departure to explore their experiences with the biased limitations of the medium. Photographic media are technologically and ideologically biased, favoring Caucasian skin. Such white-centricity means that the photographic media assume, privilege and construct whiteness.
The sensational follow-up to "London in the Raw," "Primitive London" sets out to reflect society's decay through a sideshow spectacle of 1960s London depravity—and manages to outdo its predecessor. Here, we confront mods, rockers and beatniks at the Ace Café, cut some rug with obscure beat band The Zephyrs, smirk at flabby men in the sauna and goggle at sordid wife-swapping parties as we discover a pre-permissive Britain still trying to move on from the post-war depression of the 1950s.
Baptista has two daughters: Kate and Bianca. Everyone wants to wed the fair Bianca, but nobody's much interested in problem child, Kate. Baptista declares that he won't give Bianca away in a marriage until he's found a husband for Kate, so all the suitors begin busily hunting out a madman who's willing to do it, and they find Petruchio: a man who's come to wive it wealthily in Padua. And Petruchio marries Kate with a plan to tame her, while everybody else begins scheming to win Bianca's hand.
A shocking surprise awaits a man during a date with a seemingly perfect woman he met online and discovers that she is not only transgender but the woman his best friend is in love with.
On August 4th, 2020, the catastrophic explosion at the port of Beirut leaves a large part of the Lebanese capital in ruins. In the midst of the chaos, a troubled film crew face an overwhelming decision: to continue the production of their movie or abandon it? As they face the aftermath of the catastrophe, they are torn between their firm belief in the transformative power of cinema and a deep sense of cynicism about its ability to effect change in a nation plagued by economic turmoil and societal collapse. Dancing on the Edge of a Volcano chronicles their struggles and highlights the crew's resilience as they strive to find meaning and purpose in their work amidst the devastation.
This luminous, visionary opera tells the story of how Mahatma Gandhi developed the philosophy of satyagraha, nonviolent active resistance, as a political revolutionary tool to fight oppression, connecting his lifework to three historical figures who advanced his philosophy: the celebrated Russian writer Leo Tolstoy, the great Indian poet and philosopher Rabindranath Tagore and the heroic American civil rights leader Martin Luther King. The libretto is comprised of passages from “The Bhagavad-Gita,” India’s greatest philosophical epic, and perfectly complements Glass’ ravishing score, mysteriously transporting the audience with a serene power and an all-encompassing sense of peace.
"Explores the 400-year era of the transatlantic slave trade, when millions of Africans were kidnapped and shipped to the Americas. Features interviews with scholars, oral histories and a dramatic recreation of the Middle Passage" (The History Channel).
For over two centuries, African-American funeral homes have passed down an untold, elaborate tradition of burying the dead in grand flair. Carry Me Home, a short documentary, witnesses this tradition touch one widow's life and transforms her grief into celebration. After the loss of her husband, Lessie Thompson surrounds herself with her family and prepares for the funeral, opening a window into the rich, vivid history of African-American funeral traditions that span from segregation and slavery all the way back to West Africa. Horse drawn carriages carrying the coffin, brightly colored funeral garments and open expressions of grief and celebration color many African-American funeral services. These stylish and celebratory ceremonies have been passed down through generations old family-run funeral homes, and continue today.
In 1999, filmmakers Joe Brewster and Michèle Stephenson turned the camera on themselves and began filming their five-year-old son, Idris, and his best friend, Seun, as they started kindergarten at the prestigious Dalton School just as the private institution was committing to diversify its student body. Their cameras continued to follow both families for another 12 years as the paths of the two boys diverged—one continued private school while the other pursued a very different route through the public education system.
Intimate vérité, archival footage, and visually innovative treatments of poetry take us on a journey through the dreamscape of legendary queer poet Nikki Giovanni as she reflects on her life and legacy.