The Limey follows Wilson, a tough English ex-con who travels to Los Angeles to avenge his daughter's death. Upon arrival, Wilson goes to task battling Valentine and an army of L.A.'s toughest criminals, hoping to find clues and piece together what happened. After surviving a near-death beating, getting thrown from a building and being chased down a dangerous mountain road, the Englishman decides to dole out some bodily harm of his own.
He's a big red engine with a siren, a horn, a tank full of water, and a whole lotta hose! He's a good-lookin' fire truck — and he's brave, too — but when the alarm sounds, he's gotta drive through smoke and heat, straight to a blazing fire!
Annie is stuck in a long-term relationship with Duncan – an obsessive fan of obscure rocker Tucker Crowe. When the acoustic demo of Tucker's hit record from 25 years ago surfaces, its discovery leads to a life-changing encounter with the elusive rocker himself.
Emily Hagins is making a zombie movie. It's feature-length, it's bloody, and the zombies don't run. Just like it should be. But there's just one difference between her film and every other zombie movie you've ever seen. Emily is twelve.
Eight-year-old Evlin characterizes the resilience of Kobane's resistance against ISIS forces through her experience in a refugee camp on the Turkish-Syrian border.
After her father is killed by an outlaw, Dolores marries Peter. While they're at sea in the Arctic, Dolores meets the ship's captain, who is the man who killed her father. The captain causes an 'accident' to happen to Peter, so Dolores is all alone and defenceless as they drop anchor in a remote harbour.
This film illustrates the life of the film director, Shui-Bo Wang in The People's Republic of China. We learn of the life of the director in his own words and images from a child steeped in the values of Chinese communism exemplified by Chairman Mao, to a young man striving to live up to those ideals both as an artist and a soldier.
Reza, residing in the wilderness with his wife and son, lives a retired life and devotes himself to freshwater fish farming. A private company that has targets on his land is ready to do anything to force him to sell.
Blues and folk singer Karen Dalton was a prominent figure in 1960s New York. Idolized by Bob Dylan and Nick Cave, Karen discarded the traditional trappings of success and led an unconventional life until her early death. Since most images of Karen have been lost or destroyed, the film uses Karen's dulcet melodies and interviews with loved ones to build a rich portrait of this singular woman and her hauntingly beautiful voice.
In this documentary companion to CHARLIE'S COUNTRY, Australian actor David Gulpilil tells the story of when his people's way of life was derailed by ours.
In 1986, Ross McElwee (Sherman's March) and Marilyn Levine were making a film about the 25th anniversary of the Berlin Wall, when the imposing structure was still very much intact as the world’s most visible symbol of hardline Communism and Cold War lore. They thought they were making a documentary on the community of tourists, soldiers, and West Berliners who lived in the seemingly eternal presence of the graffiti emblazoned eyesore. But in 1989, as the original film neared completion, the Wall came down, and McElwee and Levine returned to Berlin, this time to capture the radically different atmosphere of the reunified city.
In a country where bella figura is a national pastime, Prime Minister Silvio Berlusconi is the maestro of media manipulation. Having risen to political primacy with the aid of his Mediaset empire, he now controls 90% of the bel paese’s television channels including the state-run RAI network. Quantity, it seems, does not equal quality. Fed on a diet of semi-naked dancing girls, inane competitions and rickety reality shows built around the most ridiculous of premises, is it any wonder that Italians are becoming a nation of fame-hungry wannabes?
Explores the history of the Afrikaners and Afrikaner nationalism, and the development of apartheid and its relevance to South Africa's political situation today.
About Aborigines and Australian politics. On 13 March 1978 the Queensland Government announced its intention to take over management of the Aurukun Aboriginal Reserve from the Uniting Church. The people of Aurukun complained bitterly, believing that the Church was more sympathetic to their aims and fearing that the State was merely seeking easier access to the rich bauxite deposits on their Reserve. When the Federal Government took the side of the Aborigines the stage was set for national confrontation. Shows the situation at Aurukun during those crucial three weeks.
A lemonade stand in winter? Yes, that's exactly what Pauline and John-John intend to have. With a catchy refrain, plus simple math concepts throughout, here is a read-aloud that's great for both storytime and classroom use.
Capturing CO2 to recycle it, brightening clouds to better intercept sunlight, massive reforestation: here's an overview of scientific solutions to combat global warming that offer a glimmer of hope.
Elliot Page brings attention to the injustices and injuries caused by environmental racism in his home province, in this urgent documentary on Indigenous and African Nova Scotian women fighting to protect their communities, their land, and their futures.
An investigation of Boeing’s flawed 737 Max jet and the crashes that killed 346 people. With the New York Times, revealing the commercial pressures, flawed design, and failed oversight behind the creation of Boeing’s fastest-selling plane.
This is the story of Puhi, an aged Maori woman and Niki, her fully grown but wholly dependent son. The world they occupy is not a world of large events but the rituals of everyday life, traditions and interdependence. “In Spring One Plants Alone” documents the minutiae of their very enclosed existence. Filmed over a period of one and a half years, it emerges as a rare, haunting and powerful portrayal of their life together. This is the story of their rituals and of their survival. The small and disconnected instances that we encounter form a lone vision of the rifts and the bond between an old woman and her disturbed son.