Mama Bears is an intimate exploration of two “mama bears”—conservative, Christian mothers who have become fierce advocates for LGBTQ+ people—and a young lesbian whose struggle for self-acceptance exemplifies why the mama bears are so important.
With God on Our Side… is an excessive title about Christian church fundamentalism and how, like the Taliban, religious groups feel a God given right to institute a society of specific religious beliefs that not everyone shares.
People who knew R. perceived her as a happy woman. A woman from Brno in her thirties who moved to Sweden together with her Slovak husband, psychiatrist Ivan. In their new home country, the young couple bought a house and had two children. It seemed that R.’s life would continue in a predictable way. As a distraction from the routine, she chose an unusual hobby. She created a male alter-ego and started writing novels for LGBTQ+ audiences. R. was happy but felt empty on the inside. She could only fill it by living out her true self. Things started speeding up and R. began changing. R. is now Marvin. And Marvin is a man.
An intimate journey of a 37-year-old Cristina, as fate brings to her life both a new love and an unbeatable challenge. Determined to pass on a message of hope and a 'live in the now' mentality, Cristina's second cancer takes a toll on her diminishing body, however her love for Bruce only grows. Bruce stands by her side while juggling work and financial strains. The film follows Cristina's journey into her deep AMOUR, one that supports and lifts her up. If she had to choose between finding this deep and pure love and having cancer, or being cancer free but never experiencing true love... what would she choose? Her shocking answers are captured by veteran filmmaker Michèle Ohayon on camera.
'What kind of house does a man who has been imprisoned in a six-foot-by-nine-foot cell for over 30 years dream of?' This film captures the remarkable creative journey and friendship of Herman Wallace, one of the Angola 3, and artist Jackie Sumell while examining the injustice of prolonged solitary confinement.
Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor. The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.
In “The Oratorio,” filmmaker Martin Scorsese helps tell the story of an 1826 performance that forever changed America’s cultural landscape with the introduction of Italian opera to New York City.
THE LAST HAPPY DAY is an experimental documentary portrait of Sandor (Alexander) Lenard, a Hungarian medical doctor and a distant cousin of filmmaker Lynne Sachs. In 1938 Lenard, a writer with a Jewish background, fled the Nazis to a safe haven in Rome. Shortly thereafter, the U.S. Army Graves Registration Service hired Lenard to reconstruct the bones, small and large, of dead American soldiers. Eventually he found himself in remotest Brazil where he embarked on the translation of “Winnie the Pooh” into Latin, an eccentric task that catapulted him to brief world-wide fame. Sachs’ essay film uses personal letters, abstracted war imagery, home movies, interviews and a children’s performance to create an intimate meditation on the destructive power of war.
When the Oglala Sioux Tribe passed an ordinance separating industrial hemp from its illegal cousin, marijuana, Alex White Plume and his family glimpsed a brighter future. Having researched hemp as a sustainable crop that would grow in the inhospitable soil of the South Dakota Badlands, the White Plumes envisioned a new economy that would shrink the 85% unemployment rate on the Pine Ridge Reservation. They never dreamed they would find themselves swept up in a struggle over tribal sovereignty, economic rights, and common sense.
A woman's love for her pet ducks, chickens, geese, and turkeys—all 200 of them—ignites a battle with local animal rescuers and puts her marriage in jeopardy.
Three incredible stories of women who risked everything to tell the truth. Their stories became worldwide scandals and took a personal toll on each of their lives
An intimate conversation between filmmakers, chronicling De Palma’s 55-year career, his life, and his filmmaking process, with revealing anecdotes and, of course, a wealth of film clips.
Exposing the white supremacists and Neo-Nazis involved in the 2017 Charlottesville rally. An investigation with ProPublica shows how some of those behind the racist violence went unpunished and continued to operate around the country.
The film follows the story of Jamie, a struggling butch lesbian actress who gets cast as a man in a film. The main plot is a romantic comedy between Jamie's male alter-ego, "Male Jamie," and Jill, a heterosexual woman on set. The film's subplots include Jamie's bisexual roommate Lola and her cat actor Howard, Lola's abrasive butch German girlfriend Andi, and Jamie's gay Asian friend David.
An attempt to re-contextualize the European migrant crisis and ongoing hostilities in Syria, through eyewitness and participant testimony. Children and parents recount the revolution, civil war, air strikes, atrocities and ongoing humanitarian aid crises, in a portrait of recent history and the consequences of violence.
While investigating the suicide of Las Vegas Teenager Levi Presley, a filmmaker uncovers a story of a city with the highest suicide rate in the country, and a nation scrambling to bury decades of nuclear excess in a nearby mountain.
The true story of Wanda Rutkiewicz, the first woman in the world and the first person from Poland to climb the highest peaks on earth, told by herself.