This series tells the epic story of the rise of Christianity. The series explore the life and death of Jesus, and the men and women whose belief, conviction, and martyrdom created the religion we now know as Christianity. Drawing upon historical evidence, the series challenges familiar assumptions and conventional notions about Christian origins. Archaeological finds have yielded new understandings of Jesus' class and social status; fresh interpretations have transformed earlier ideas about the identity of the early Christians and their communities. Interviews with twelve scholars New Testament theologians, archaeologists, and historians. The scholars together represent a range of viewpoints and diversity of faiths and a shared commitment to bring new ways of thinking about Christianity to a public audience. They discuss the value in a historical approach to Jesus and the Bible and whether Christian faith can be reconciled with such an approach.
This video follows the life of the martyred theologian as vividly recalled by those closest to him: his friends, family, and students. Included are Bonhoeffer family photographs that have never been shown before.
Che: Rise and Fall, was entirely shot in Cuba at the time the remains of the legendary warrior were being airlifted from Bolivia to his final resting place in Santa Clara. The documentary brings out, for the first time, the voice of his brothers in arms in Sierra Maestra, Congo and Bolivia. But above all, that of Alberto Granados with whom the young CHE Guevara rode on a motorcycle out of Argentina on a trip that will end, tragically, sixteen years later in the jungles of Bolivia.
Visual Acoustics celebrates the life and career of Julius Shulman, the world's greatest architectural photographer, whose images brought modern architecture to the American mainstream. Shulman, who passed away this year, captured the work of nearly every modern and progressive architect since the 1930s including Frank Lloyd Wright, Richard Neutra, John Lautner and Frank Gehry. His images epitomized the singular beauty of Southern California's modernist movement and brought its iconic structures to the attention of the general public. This unique film is both a testament to the evolution of modern architecture and a joyful portrait of the magnetic, whip-smart gentleman who chronicled it with his unforgettable images.
Trisha Morton-Thomas teams up with Elaine Crombie and Steven Oliver to bite back at negative social media comments and steer the conversation towards the historical context of the fortunes and misfortunes of Indigenous Australians – from social security, citizenship and equal wages to nuclear bombs and civil actions.
In 1999, Colorado mother Jessica Gonzales experienced every parent’s worst nightmare when her three young daughters were killed after being abducted by their father in violation of a domestic violence restraining order. Devastated, Jessica sued her local police department for failing to adequately enforce her domestic violence restraining order despite her repeated calls for help that night. Determined to make sure her daughters did not die in vain, Jessica pursues her case to the US Supreme Court and an international human rights tribunal, seeking to strengthen legal rights for domestic violence victims. Meanwhile, her relationship with her one surviving child, her son Jessie, suffers, as he struggles with the tragedy in his own way. Shot over the course of nine years, Home Truth chronicles one family’s incredible pursuit of justice, shedding light on how our society responds to domestic violence and how the trauma from domestic violence can linger through generations.
BRAKHAGE explores the depth and breadth of the filmmaker’s genius, the exquisite splendor of his films, his magic personal charm, his aesthetic fellow travelers, and the influence his work has had on generations of other creators. While touching on significant moments in Brakhage’s biography, the film celebrates Brakhage’s visionary genius, and explores the extraordinary artistic possibilities of cinema, a medium mostly known only for its commercial applications in the form of narratives, cartoons, documentaries, and advertising. BRAKHAGE combines excerpts from Brakhage’s films and films of other avant-garde filmmakers (eg, George Kuchar, Jonas Mekas, Willie Varela, Bruce Elder, and others); interviews with Brakhage, his friends, family, colleagues, and critics; archival footage of Brakhage spanning the past thirty-five years; and location shooting in Boulder, Colorado and New York.
The decade that began with peace and love was shattered in the late 1960s amidst riots, assassinations and a war that wouldn't end. The Rolling Stones became the voice of this new era, which came to a horrific end at the Altamont festival.
A documentary chronicling the rise of art as a response to political change that defined the 1980s. A mixed media documentary incorporating art, music, animation, and spoken work Let Fury Have the Hour is told through the voices of the artists of the day.
Rosine Mbakam is invited to step in Sabine’s small hairdresser’s because it is dangerous in the street. She accepts and pushes in with her camera. Sabine’s stories and the customers’ joys, worries, problems and fears bring depth and life into the premises. At times, it feels like the entire African quarter of Brussels had squeezed in. Laughter abounds, anecdotes and life stories elicit emotions, and a male visitor brings a touch of flirt into the salon.
In 1963 at Michigan State University, Head Coach Duffy Daugherty chose 23 black men to play on the college team. From this move came legends Gene Washington, Bubba Smith, George Webster and Clinton Jones. Director Maya Washington, Gene Washington’s daughter, charts the legacy of her father’s career and influence, along with the impact the events of 1963 have shown in the present day.
Accomplished documentarians Rob Epstein and Jeff Friedman take a trip across the American South and Southwest, asking people about their hopes and fears.
A contemporary fairy tale about a 14-year-old influencer from Berlin and her biggest fan. But life as a social media star has a shadow side that the adrenaline, fame and free sneakers can’t make up for.
Who runs the world? With the recent surge of women in politics, director Chloe Sosa-Sims's timely feature debut focuses on three political stars in three countries. For Jess Phillips of the UK, Pramila Jayapal of the US and Canada's Conservative MP Michelle Rempel Garner, politics is a deep and committed passion. Positioned on different points along the political spectrum, they take on their jobs in government with bold determination, advocating for their individual agendas. Phillips is focused on combating domestic violence, while Jayapal has set her sights on a new bill to expand American health care and Rempel Garner is looking for ways to create jobs for oil workers in her home province of Alberta. With elections looming in all three countries, the women are working hard on reforming patriarchal political institutions from the inside, and despite their differences they each fight to rise to the occasion.
In the ’70s and ’80s, photographer William Yang captured Sydney’s emerging artistic, literary, theatrical and queer circles; as well as his friendships with artists, writers and fashion designers such as Brett Whiteley, Patrick White, Linda Jackson and Jenny Kee. With myriad images and his trademark candid narration, Yang leads us though this beguilingly decadent and creative era.
As their bodies give way to Parkinson's disease, two New York actors put their hearts into one final Off-Broadway production of Beckett's "Endgame," the play that posits, "there's nothing funnier than unhappiness."