Featuring notable Minimalist artists such as Bride Marden, Claes Oldenburg, and Donald Judd, What is Minimalism: The American Perspective 1958-1968 explores the movement during an explorative exhibit at the Museum of Contemporary Arts in Los Angeles. Exhibition curator, Ann Goldstein, walks us through multiple rooms of the exhibit and offers her insight on Minimalism and its role in our society, stating that "It marked a fundamental, and critical and pivotal and irrevocable change in the course of art history," (Ann Goldstein). This film observes and analyzes the compelling creative choices behind some of the featured artists most applauded works of art.
In 1964, Mariepaul Vermersch and her parents, Maurice and Rose, arrived at the World's Fair site in Queens and set up a booth serving the popular street food from their home in Brussels, Belgium's capital. They wanted to call them Brussels Waffles, but Rose discovered that Americans didn't know where Brussels was. They began calling them Bel-Gems or Belgian Waffles. They were unlike almost every other waffle served in the United States until then: These were light and fluffy but thick; crispy on the outside and sweet; topped with powdered sugar and/or whipped cream and fresh strawberries. For 55 years, only one place in the United States still serves "authentic" Belgian waffles exactly as that treat, Maurice's Belgian Waffles at the New York State Fair.
A compelling study of the Hopi that captures their deep spirituality and reveals their integration of art and daily life. Amidst beautiful images of Hopi land and life, a variety of Hopi — a farmer, a religious elder, a grandmother, a painter, a potter, and a weaver — speak about the preservation of the Hopi way. Their philosophy of living in balance and harmony with nature is a model to the Western world of an environmental ethic in action.
Urban Rez explores the controversial legacy and modern day effects of the federal government’s assimilation policies that relocated American Indians from reservations to urban areas in order to end the Indian Reservation system. Firsthand experiences richly illustrate the Voluntary Relocation Program, which constituted the greatest upheaval of the American Indian population during the 20th century and how different generations from different tribes perceived their new urban landscape.
In 1928, following the murder of a white dingo trapper, central Australia would witness the last known massacre of its Indigenous people. With over one hundred killed during a series of punitive expeditions, those who survived fled far and wide from the massacre sites. Denied a voice at the official inquiry and dislocated from their lands, the survivors passed down the story of this bloody episode to their children and grandchildren.
Racing the Rez reveals the transformative potential of cross-country running at the team level. The story follows two rival high school teams focusing on five teens growing up on the Navajo and Hopi reservations — two distinct cultures but both richly steeped in the legacy of running as a powerful cultural tradition and a sport. Unfolding over two years of careful, patient observation, this documentary offers a rare view into the surprising complexity and diversity of contemporary reservation life, from the point of view of the young runners.
A light-hearted yet deeply moving portrait of the Asian- and Jewish-American women who play this centuries-old Chinese game, shedding light on the common and uncommon experiences of the players that simultaneously define and transcend cultural boundaries. Along the way, it proves again and again to be a bridge connecting seemingly unlike individuals, spanning generations, continents and cultures, and transcending classification as merely a game.
In the Image explores the daily lives of Palestinian women living in the occupied West Bank. The film portrays their stories in a novel and eye-opening manner; through video footage captured by the women themselves.
In the historically most famous ancestral house of the matrilineal Amis tribe in Taiwan, the carved pillars tell legends, such as the great flood, the glowing girl, the descending shaman sent by the Mother Sun, and the father-killing headhunting event. After a strong typhoon toppled the house 40 years ago, the pillars were moved to the Institute of Ethnology Museum. Recently young villagers, with assistance from female shamans, pushed the descendants and village representatives to communicate with ancestors in the pillars. They eventually brought the ancestral souls rather than the pillars back and began reconstructing the house.
Made in 1980, this film explores the contemporary dance scene through the work of seven New York-based choreographers. They discuss the nature of dance and the evolution of their own work. Filmed at rehearsals, performances, and during interviews, the film is a unique primary source. The artistic roots of these seven artists can be found in Martha Graham's concern with modern life as a subject for dance and in Merce Cunningham's emphasis on the nature of movement. In the 1960s, the interaction of art forms generated choreographic innovations. Especially influential was John Cage, whose radical ideas served as a point of departure for much of the new choreography. Each of the choreographers in Making Dances draws inspiration from the Graham/Cunningham tradition, yet each makes a highly distinctive statement. Structure, movement in non-fictive time and space, and the nature of movement itself are recurring themes.
Consumer capitalism dominates our economy, our politics, and our culture, even though a growing body of research suggests it may be well past its sell-by date. In this illustrated presentation based on his latest critically acclaimed book, media scholar Justin Lewis makes a compelling case that consumer capitalism can no longer deliver on its promise of enhancing quality of life, and argues that changing direction will require changing our media system and our cultural environment. After showing how consumer capitalism has become economically and environmentally unsustainable, Lewis explores how our cultural and information industries make it difficult to envision other forms of human progress by limiting critical thinking and keeping us locked in a cycle of consumption. And he argues that change will only be possible if we take culture seriously and transform the very way we organize our media and communications systems.
A poetic short featuring the voice of an undocumented young Latina woman who was brought to the U.S. as a child. The film introduces viewers to a personal voice on the immigration debate: DACA, the Dream Act, and other immigration reform, speaking about what it's like to grow up and face an uncertain future as a young undocumented person in America.
Peter Proctor is New Zealand's father of biodynamic agriculture. Peter has been gardening and making compost for over 65 years. "Biodymanics makes organics work." Compost is the fundamental element in all gardening & farming. This master class takes you through the biodynamic compost making process from gathering and assembling your materials to creating the perfect compost heap. Rudolf Steiner believed biodynamic compoast was the foundation of humanity and the vital link between the cosmos and the earth. In Perfect Compost, Peter Proctor walks you through every step to building perfect compost.
In Southern India, family disputes are settled by Jamaats—all male bodies which apply Islamic Sharia law to cases without allowing women to be present, even to defend themselves. Recognizing this fundamental inequity, a group of women in 2004 established a women’s Jamaat, which soon became a network of 12,000 members spread over 12 districts. Despite enormous resistance, they have been able to settle more than 8,000 cases to date, ranging from divorce to wife beating to brutal murders and more. Deepa Dhanraj follows several cases, shining a light on how the women’s Jamaat has acquired power through both communal education and the leaders’ persistent, tenacious and compassionate investigation of the crimes. In astonishing scenes we watch the Jamaat meetings, where women often shout over each other about the most difficult facets of their personal lives.
Filmed during a rehearsal and performance of Beethoven's Quartet in B Flat Major, Opus 130, "The Juilliard String Quartet: Keeping Beethoven Contemporary" is an exciting portrait that explores the creation and history of the famed Quartet, offering a glimpse inside the world of its four current members. Founded in 1946 by Juilliard School president William Schuman and violinist Robert Mann, with the intent of pursuing the brilliant musicianship of the classical genre, the Quartet continued well beyond its original membership, bringing the music along into a new era. Opening up their dialogue to us, the members of the Quartet, Joseph Lin, Joel Krosnick, Ronald Copes and Samuel Rhodes, speak in detail about the string quartet as a musical genre, its vibrant history, and the significant contributions of Beethoven
In an effort to work without the distractions of the city, artist Carroll Dunham moved his studio from Manhattan to a small village in Connecticut, not far from where he grew up. Finding himself to be more at peace in the calm, rural setting, Dunham feels the freedom to create wildly bold and visually stimulating work, painting his way through expression and sexuality. Continuously holding a mirror up to society, Dunham aims to examine the ways in which we interpret images and ideas surrounding the physical human form and our contrived notions of appropriate depictions of it through art and media. Dunham's large canvas works are flooded with vivid color and striking imagery that grabs the attention of its audience and encourages a reconsideration of form and gaze. "The Artist's Studio: Carroll Dunham" documents a visit with critic Roberta Smith as she observes his new captivating work: a series entitled "In the Flowers" and a large canvas "The Beach".
Greg Lynn, one of the leading figures in computer-aided architectural design, visits the first in a series of exhibitions initiated by the Canadian Centre for Architecture for which he is the curator. The exhibitions, which will travel to the Yale School of Architecture Gallery, are meant to explore the role of digital technologies in the design process since its beginnings. The first exhibition, entitled "Archaeology of the Digital", features four individuals who are pioneers in applying new technologies to architectural design: Peter Eisenman, Frank Gehry, Chuck Hoberman, and Shoei Yoh. At the exhibition Lynn is joined by three of the four practitioners: Eisenman, Gehry and Hoberman, who each explain their path to the digital at the time.
Following the debate over California's Proposition 8, this short film is an exploration of how modern American families are constructed, not only those within the LGBTQ community.