Years of war and ethnic conflict in the Sudan have created a generation of young men, known as the "Lost Boys," who have spent more years in refugee camps than in their home communities. This intimate film recounts the story of Benjamin and William Deng, brothers joined in the struggle of a seemingly never-ending exile, who are then separated when one is accepted into a United States resettlement program while the other remains in a Kenyan refugee camp. It is not only a film about the two brother's dreams and reality, it is also a film about war and suffering in their beloved South Sudan, lost childhood and innocence, the trials of life as a refugee in foreign lands and the existing realities of survival. Real life in the so called "Land of dreams" – America, is not an easy adjustment.
For over a thousand years, the Akha people have inhabited the hills of Asia — mainly Southern China, Burma and Northern Thailand. The Akha Way or Akhazaunh, is the code by which they live. This documentary describes their origins and their culture. It contains extraordinary footage of a shaman healing ceremony; a funeral, with the ritual sacrifice of a water buffalo; the reading of a pig's liver after a new house is built, and more. Today the Akha Way is fast disappearing. Forced migration, Christianity, money and drugs are eroding the cultural heritage of the Akha tribe.
In 1987, after over ten years of work, Werner Tübke (1929-2004), one of East Germany’s most important painters, completed the monumental, oil-on-canvas painting The Early Bourgeois Revolution in Germany. Painted in the Renaissance styles of Albrecht Dürer and Albrecht Altdorfer, the painting—measuring 14 meters high and 123 meters wide—is in the Panorama Museum in Bad Frankenhausen, Thuringia, the site of the last battle of the German Peasants’ War. The museum was specifically built for the painting, one of the most figurative in recent art history.Interspersed with interviews with the artist, the documentary follows the complicated and elaborate creation of the monumental work, from signing the contract in 1976 to the last brush stroke on September 11, 1987. In 2011, the Panorama Museum was awarded the European Seal of Cultural Heritage.
Tapa cloth, or ngatu as it is called in Tonga, is cloth made from the bark of the mulberry tree. The inner bark is beaten into fine sheets and painted using traditional designs. After centuries of use, ngatu has literally become the fabric of Tongan society. In Tonga and throughout much of Polynesia, bark cloth has deep symbolic and ceremonial use. At birth, babies are swaddled in it. At marriage, newlyweds line their wedding bed, and at death, the departed are buried wrapped in it. This documentary investigates the highly collaborative process of making ngatu and the organizations of women who carry on with the tradition. While the process continues to be passed on from generation to generation, there are signs of change as a cash economy begins to infiltrate Tongan life. Young people show less interest in such labor intensive endeavor in the face of the older generation's belief that this tradition will never die.
Filmed in Palestine by Newsreel, WE ARE THE PALESTINIAN PEOPLE shows the refugee camps of the Middle East, the rise of the Palestinian Liberation Movement and Israel's relation ship to the Western imperialism. There is footage of the guerrillas in training, and interviews with Palestinian leaders and militants who work in many programs of the liberation struggle of the time.
For centuries Hmong people have lived in the mountains of China and Southeast Asia. They have in more recent history fled Laos as refugees and resettled in the Americas, Australia, and Europe. This documentary was filmed in Chang Khian, a village in the mountains of Northern Thailand. With the traditional, year-long process of transforming the bark of hemp plants into cloth, the complex relationships of men and women are revealed. Women produce the cloth and clothing as the men perform healing ceremonies, settle marriage agreements, and conduct funeral rights. The ready availability of mass-produced, inexpensive cloth combined with the fact that the cultivation of hemp is now illegal has brought the continuation of this traditional practice into question. This film is of great interest to the study of gender and kinship, textiles, traditional crafts, shamanism, and social change.
A group of longtime Chicago residents born in the Mississippi Delta returns to Greenville, Mississippi, for a reunion with family and friends. Participants talk about their lives and reasons for migrating north as part of "The Great Migration." Archival footage of Mississippi and Chicago is included.
The film documents the last performance of the ritual for the fertility goddess Amb Kor, in the Western Highlands Province of Papua New Guinea. Shot over a period of approximately 15 years, the anthropologists and filmmakers have been participant-observers during a time of pivotal change for the clans of the Kavelka tribal group.
This multi-faceted film, photographed in both 1969 and in Paris in 1982, illustrates an anthropologist's actual fieldwork methods and personal relationships among the Baruya, and provides an in-depth view of the Baruya's traditional salt-based economic system. The film follows Dr. Godelier as he explores the complexities of food production and the effects of new technologies. He comments: "I have to find and bring together the different pieces of Baruya culture... That's my job, to find the story."
In 1955, filmmaker Chauvel debuted Jedda. His star was a young Arrernte woman from Alice Springs named Ngarla Kunoth, or Rosalie. Her story, the story of what happened before and after Chauvel's film, is told in Rosalie's Journey.
After overcoming the loss of his wife of fifty years, a 95-year-old singer-songwriter places an ad in the personals and goes ballroom dancing. He soon finds himself singing and dancing his way into the hearts (and bedrooms) of the women in his life.
In the Highlands of Papua New Guinea, a grassroots family makes a precarious living by trading in betelnut, one of the world's most widely used narcotics. This is the story of resilient people who have few material possessions but who face each day with dignity and quiet determination. As they go about their daily work, the film presents us with a vivid portrait of present-day life in Papua New Guinea.
Kurtal – Snake Spirit tells the story of Spider, a sprightly 80 year old Aboriginal elder who travels from Fitzroy Crossing into the Great Sandy Desert of Western Australia to visit a jila - a sacred waterhole. Spider is one of the main custodians responsible for the practices that take place there. For the first time, he is taking his family and community elders back to his birthplace, where he will communicate with their ancestors through Kurtal, the Snake Spirit in an ancient ritual. This unique documentary examines the ongoing change faced by a remote Aboriginal community and their determination to maintain their close links to birthplace and country. It shows the passing on of traditional knowledge from father to son and grandson, and the vital and sustained connection to ancestry and customs. It is a celebration of strong tradition and culture thriving through the spirit and willingness of the next generation.
Captured over two years, Take It From Me is a feature-length documentary about four women struggling against great odds to raise themselves and their families out of poverty in New York City.
Made by Oomera (Coral) Edwards on Super 8mm film as a training exercise at the (then) Australian Institute of Aboriginal Studies in Canberra. The film surveys the New South Wales policy of taking Aboriginal children from their families and putting them in institutions run by the Aborigines Welfare Board. From 1883 to 1969, this policy deprived generations of children of their Aboriginal identity. Oomera was one of these children, and she discusses her own struggle to regain her Aboriginality.
For much of the 20th century, successive Australian governments pursued a policy of deporting and barring entry to any race of people they considered undesirable. This was known as the White Australia policy. Admission Impossible is the true story of the behind-the-scenes political forces and the propaganda campaigns that attempted to populate Australia with “pure white” migrants.
For the people of Mandak region, New Ireland,the most dramatic and complex ceremonial events are those surrounding death. The creation and presentation of the Malangan Labadama with its carved figures, masked dancers and feasting is the final tribute by three brothers to a deceased clansman and former leader.
The Hadhramaut region in the south east of Yemen is well known for its mud brick architecture. Throughout the centuries, the population has developed very sophisticated building techniques and created a unique architectural environment. Spectacular structures such as ten-story mud brick tower houses rise up from the valley's floor. In interviews throughout the documentary, the masons describe their working techniques and the challenges they face with the introduction of new, imported building materials. The Architecture of Mud documents the vernacular architecture, the building craft and the society they belong to.
This documentary follows a group of Yemeni masons as they restore the 16th century Amiriya Madrasa using ancient—and uniquely Yemeni—techniques. Through this project they not only renovate and protect a revered landmark, but also ensure that their rare craft will not be lost.