A Mexican-American teenage farmworker dreams of graduating high school, when ICE raids in her community threaten to separate her family and force her to become her family’s breadwinner.
This documentary offers rare interviews with over 15 major Asian-Pacific American women poets. Organized in interwoven sections such as Immigration, Language, Family, Memory, and Spirituality, it is a sophisticated merging of Asian-American history and identity with the questions of performance, voice, and image.
An exploration of Native American-based mascots, especially the Washington R*dskins, and their impact on real-life attitudes, issues, and policies. Through interviews with scholars, tribal leaders, lawyers, policy experts, activists, and Washington R*dskins fans, the film explores the history of the slanderous term "r*dskin," and delves into cultural stereotypes of Native Americans and their relationship to history. Ultimately, the film argues for representations that honor and celebrate the humanity of Indigenous people.
They Ain't Ready For Me is the story of Tamar Manasseh, the black rabbinical student who leads the fight against gun violence on the south side of Chicago. Tamar's identity and personality combine to make her a force to be reckoned with.
Framing Lesbian Fashion looks at the evolution of lesbian attire and identity – butch/femme, flannel, androgyny, cross-dressing and drag, queer fluorescent, S/M and leather, lipstick and more.
A video essay set in the Mexican-U.S. border town of Ciudad Juarez, where U.S. multinational corporations assemble electronic and digital equipment just across from El Paso, Texas. This imaginative, experimental work investigates the growing feminization of the global economy and its impact on Mexican women living and working in the area. Looking at the border as both a discursive and material space, the video explores the sexualization of the border region through labor division, prostitution, the expression of female desires in the entertainment industry, and sexual violence in the public sphere.
It won't take long to fall in love with the subject of Painted Nails, Van Hoang, a Vietnamese nail salon owner who serves an ethnically diverse group of working class women with acrylic nails and intricate airbrush designs. Through the course of the film, Van unintentionally becomes a contemporary Norma Rae or Erin Brockovich. Painted Nails brings us unprecedented insight into the personal nature of the political movement to regulate one of the fastest growing industries in the U.S. Major loopholes in the federal law dating back to 1938 allow the 50-billion-dollar cosmetics industry to put unlimited amounts of chemicals into personal care products with no required testing, monitoring of health effects, or labeling requirements. (via Kanopy)
A story about democracy, human rights, and what it means to stand up for your values in America today. On January 21, 2017, hundreds of thousands of women marched on Washington, DC. That same day, hundreds of sister marches took place across the country and around the world.
Spanish scientist Tomeo L'Amo bought a painting in 1989 that he believed to be an original Dalí. After 25 years of searching for the truth, an art expert in Paris changes his life.
After 18 years living in Italy, the Cuban Barbara Ramos returns to live in her homeland. In the town of Santa Clara, she discovers through the projects of family and friends what has changed in Cuba but also what has not and will likely never change. Shot over a period of three years - the time it took Barbara to build her dream house - RETURN TO CUBA chronicles her life in the wake of Raul Castro's liberal reforms and reconciliation with the United States of America. A light-hearted yet energetic movie positively demonstrating that finding happiness is possible in today's Cuba!
'El Canto del Colibrí' is a story of Latino fathers dealing with issues of immigration, faith, marriage equality, machismo, culture, and the process of their LGBTQ+ children coming out.
From Paris to Beijing, atmospheric pollution is already killing millions every year. A major documentary, which charts its greatest harmful effects across the world.
Since announcing his candidacy, Donald Trump is everywhere. To him, it seems that nothing is taboo and no policy too outlandish to embrace. Somehow, this billionaire candidate has become the champion of ordinary America, with supporters travelling hundreds of miles just to see him.
A video essay exploring the frequency and meaning of that particular prop in a wide variety of Sirk movies. Is it a device that traps and keeps women in an artificial world with a limited point of view? Or is it a gateway to the past and the future, and a distorted but nevertheless real vision of the roles that woman are forced to play in society? It's an exploration of the texts and subtexts of commercial films and the subterranean and complicated ways that they affect us and can be read.
To commemorate the life and time of Australia's twenty-first prime minister, Gough Whitlam, SBS will pay tribute by airing his final ever TV interview. In this documentary, at 86 years of age, Gough shares his revelatory views on 50 years of public life in an in-depth conversation with John Faulkner. Looks at Whitlam's early parliamentary life and his role in the 1960s and the 1970s as Labor's Deputy Leader and then Leader, taking the ALP to power after a record 23 years of Liberal government.
Explore the tradition of figurative art at the heart of Islam with host Rageh Omaar. Muslim belief and tradition specifies that there should be no depictions of God or the Prophet Muhammad. In religious contexts, this constraint on what artists can depict extends to human figures and other living creatures as well. These prohibitions have inspired a rich visual culture based on calligraphy, Arabesque floral designs, and geometry, all of which feature strongly in the art and design found throughout Islam, including in mosques and the Koran. With the help of fine art and religion experts, host Rageh Omaar (The Life of Muhammad) traces the effect of these beliefs over the centuries on the art and artists of the Islamic world and considers why depictions of pilgrims taking part in the Hajj pilgrimage have become part of the accepted tradition of Islamic art, including in work exhibited at the British Museum.
A Ukrainian couple become refugees during and after World War Two, and they end up as Displaced Persons (DPs) in a camp in Germany, before they are eventually accepted for resettlement in Australia.