"We'll Never Turn Back" was filmed in Mississippi in 1963 during the dangerous voter registration drives of that era. Amzie Moore, a Mississippi NAACP activist escorted the film maker through rural Mississippi interviewing share croppers and activists in the voter registration campaign. Appearing in the film are Student Non-Violent Coordinating Committee (SNCC) leaders Julian Bond, Bob Moses, Fannie Lou Hamer, Charles McLaurin as well as other local civil rights leaders Curtis Hayes and Hollis Watkins. There are interviews with black farmers and share croppers on their experiences (often bloody) trying to register to vote.
This documentary depicts Johnson at work and the importance of the architectural act, the actual construction, and how the buildings interact with their environment — in this case, the autumn leaves or snow of New Canaan.
A concentrated look at one of America's early Pop artists, the film was made during Dine's 4-year residency in London. Actively at work in his studio on several large collages, one can clearly see Dine's masterful balance of artistic freedom and control, as he adds and modifies illusionistic images, written words and real life objects to his compositions. The artist talks about his connections to literature and about his frequent collaboration with poets; he also discusses his own poetry, some of which he reads for the camera. The parks and streets of London are the setting for Dine's frank comments about his voluntary exile in that city. On one walk, Dine encounters Gilbert and George as they endlessly repeat "Underneath the Arches" in bronze make-up, their earliest performance piece.
This moving documentary recounts the two months leading to Martin Luther King Jr.'s death in 1968, coinciding with the 65-day strike of 1300 Memphis sanitation workers.
A troupe of American actors travels to the former Soviet Ukraine to participate in the first cultural exchange theatre project in history and find themselves trapped at the epicenter of a political revolution.
On February 1, 1960, four college students changed American history. Ezell Blair, Jr., David Richmond, Franklin McCain and Joseph McNeil began a sit-in at a white only lunch counter in Greensboro. This act of bravery is noted as one of the vital moments in the American Civil Rights Movement. Offering a portrait of how four young men whose courage at led other non-violent protests through the '60s.
A Ukrainian couple become refugees during and after World War Two, and they end up as Displaced Persons (DPs) in a camp in Germany, before they are eventually accepted for resettlement in Australia.
Exploring individual responses to rapid social change, Cowboy and Maria in town follows the parallel lives of its two central characters. Cowboy and Maria have independently landed in Port Moresby, negotiating ways to survive urban life in a city ranked as one of the most dangerous in the world. Cowboy is an ex-raskol (urban bandit) and Maria an inhabitant of a squatter settlement. Unemployed and with a jail record, Cowboy has constructed an electric guitar out of scrap materials and plays on street corners. Maria lives an equally precarious existence, cultivating a seasonal garden in an urban settlement inflamed by frustration and intertribal conflicts. Far from being third world victims, they go about their daily lives with humour and imagination, rising to the challenge of enormous cultural upheaval.
This documentary follows an Ethical and Environmental expert from Nokia as she travels to China to inspect the facilities under contract to her company.
The Victorian era is often cited for its lack of sexuality, but as this documentary reveals, the period's artists created a strong tradition surrounding the classical nude figure, which spread from the fine arts to more common forms of expression. The film explains how 19th-century artists were inspired by ancient Greek and Roman works to highlight the naked form, and how that was reflected in the evolving cultural attitudes toward sex.
Deep Hearts is a film about the Bororo Fulani, a nomadic society located in central Niger Republic and the title is a reference to an important aspect of these people’s thought and demeanor.
John Bishop and Naomi Bishop present a portrait a peculiar life style of the Himalayan indigenous Sherpa people in their documentary , the Himalayan Herders. The 76 minutes long film is about the diverse culture and life style of herders community near Mt. Everest region of Nepal.The film was made in 1997 as a part of Case Studies in Cultural Anthropology Series.
The artist J.M.W. Turner is widely recognised as England’s greatest painter. Tate has the world’s finest and most extensive collection of his work. Turner at Tate explores Turner’s art through many of his best-known canvases and exquisite sketches and watercolours, all newly and exceptionally filmed in HDTV from the original artworks. Incorporating the landscapes and places that inspired the works, the film provides an overview of Turner’s life and - in an accessible and engrossing way - of critical approaches to his art. The film’s focus is Turner and England, and his work is considered against the radical social and political changes of the early nineteenth century. Turner at Tate is a film about ideas and history and landscape, a film about colour and light. Contributors include Tate curators Ian Warrell and David Blayney Brown, and art historians Sam Smiles and Barry Venning. Also featured on the DVD are ten additional short films, each of which considers in detail a major work.
Not much is known about Jan Vermeer. He only produced around 35 works of art, yet they made him immortal. He was born in Delft and never left the town; he married there, worked as an art-dealer and died in debt. Michael Gill delves into the master's world and talks about the camera obscura and Vermeer's interest in science and cartography. Together with experts, he explores Vermeer's secrets of perspective, space, allegory and symbolic relationships in his works.
Documentary - CASTING ABOUT is a lyrical, feature documentary that explores the captivating experience of casting actors. From the point of view of a filmmaker, we see and hear many of the 350 actresses who audition for three roles in a dramatic film. CASTING ABOUT includes footage from audition sessions held in Berlin, Boston, Chicago, London, and Los Angeles - weaving together actor interviews, monologues, and scene work to create an impressionistic collage of the casting experience. - Wendy Elizabeth Abraham, Mädchen Amick, Jeannette Arndt
In the last thirty years global demand for food has doubled. In a race to feed the planet, scientists have discovered how to manipulate DNA, the blueprint of life, and produce what they claim are stronger, more disease-resistant crops. However, fears that genetically modified food many not be safe for humans or the environment has sparked violent protest.
Documentary - Oktoberfest and chic set; high tech museums and lederhosen. The Capital of Bavaria is both modern and old fashioned, busy and relaxed. A true local shows you the musts. Take 45 minutes time for 11 strolls. Next time you visit Munich you might want to follow one or the other of them on your own.
In New York City, a distraught activist confronts the mayor with a story of a friend who languished on a cot in an emergency room hallway for nine days, only to die 48 hours after leaving the hospital. In 1988, thousands of activists hold the Food and Drug Administration under siege, demanding speedier drug approval. In 1990 AIDS activists converge on the National Institute of Health, calling for a more equitable clinical trial system and expanded research into new drugs and treatment. Voices From the Front, the first feature-length documentary on AIDS activism in America, makes clear the emotional and political effects of community activism using the voices of those directly engaged. It is a powerful distillation of pictures and words from events organized to change public consciousness, expose the failure of the health care systems, and challenge government inaction and neglect concerning AIDS.
Cartoneros follows the paper recycling process in Buenos Aires from the trash pickers who collect paper informally through middlemen in warehouses, to executives in large corporate mills. The process exploded into a multimillion dollar industry after Argentina's latest economic collapse. The film is both a record of an economic and social crisis and an invitation to audiences to rethink the value of trash.