Jarreth Merz, an actor of Swiss and Nigerian origins living in Los Angeles, ends up facing his roots when he is been told that his father is dead. Following the Nigerian tradition, in fact, the eldest son has to take care of the funeral of his father. But who is this unknown father? Why does Jarreth feel a moral obligation towards a family he hardly knows and who has never really been interested in him? Jarreth begins a journey to discover his father through the tales of the people who knew him and a country that doesn’t belong to him even if it is part of his life. Confronting himself with traditions that challenge his beliefs, from Los Angeles to Nigeria Jarreth will face this decisive chapter of his life and the changes that will follow.
With an empathetic and intimate lens, veteran filmmaker Denys Desjardins captures his elderly mother's experience of neglect in Quebec's healthcare system and his sister's fight to secure her an acceptable long-term care solution.
Honey at the Top is a film about the Sengwer forest people of the Cherangani Hills, Kenya, being evicted from their ancestral land in the name of conservation. The film centres around father of two Elias as he works with his community to try and hold onto their culture and resist the evictions. It is an intimate portrait of this community at a crossroads, facing international pressure from organisations like the World Bank, a corrupt Kenya Forest Service who are burning their houses and attempts to turn the forest into a commodity through carbon offsetting schemes.
Viracocha features mestizos and campesinos in the Andean highlands interacting within a near-subsistance economic system. Market days and fiestas provide opportunities for Spanish-speaking mestizos, alternately benign and abusive, to assert their traditional social dominance over the Aymara and Quechua campesinos.
The battle to revive dying tradition comes to life through the young musicians of Southwest Louisiana in this powerful musical documentary. Amidst shuttered rural dance clubs and encroaching globalization, five Grammy award-winning artists lend their voices, examine the discrimination that almost erased their customs, and share the unique sounds created when the forces of fresh talent and deep history collide to fight for cultural survival.
On September 11, 2001, 4 year-old Brook Peters was attending his second day of kindergarten a few blocks from the World Trade Center in New York City when two planes struck the Twin Towers. Completed when he was 14, The Second Day provides a unique and hopeful perspective on 9/11 through the eyes of young people and educators who lived through it.
A portrait of the Mbyá-Guarani people living in Misiones, a subtropical province in Northeast Argentina. The people demonstrate everyday life existing on a geographical as well as a cultural border.
Agnes Martin is one of the most important artists of the twentieth century. Before she died in 2004 at the age of 92, her paintings sold for millions of dollars and were displayed in the world's greatest museums. Through interviews with her friends, lovers, and classmates who knew her well, insight is gained into Agnes Martin's personality and the development of her creative process before she became known for her grid paintings.
A deep look inside a gentrifying community in Denver, where a shooting case involving an activist becomes a window into the political machinations of urban development and the city's gang activity.
This powerful film, produced from a Native perspective, has won many awards in recognition of its exploration of the history and current circumstances of the Sayisi Dene, a people of the ecological and cultural borderlands between tundra and forest in Canada. While specific to the Sayisi Dene, the film provides an excellent introduction to complex issues of politics, land rights, cultural ecology and processes of cultural destruction and rebirth that are of widespread concern in the circumpolar Arctic. It is a well-integrated film using historical photographs, archival material and contemporary film records that, together with the strong testimony of the Sayisi Dene people themselves, combine to provide a positive statement of human potential."
BITTER ROOTS: THE ENDS OF A KALAHARI MYTH is set in Nyae-Nyae, a region of Namibia located in southern Africa's Kalahari desert, traditional home of the Ju/'hoansi. It updates the ethnographic film record begun in the 1950s by John Marshall, whose films documented 50 years of change, and who together with Claire Ritchie, established a grass-roots development foundation, which Adrian Strong (the filmmaker) joined in the late 1980s. Through archival footage and discussions with community members, this film sensitively examines the problems (lions, elephants, conservationists) currently facing the Ju/'hoansi and challenges the myth that they are culturally unable to farm. The film investigates the perpetuation of this myth by showing how tourists and filmmakers still demand to see how people used to live rather than they way they live now, and how the Ju/'hoansi cope with such expectations, while steadfastly continuing to farm against all the odds.
This is one of the few films to document archaeological work on ancient civilizations in Africa. It also deals with an important subject, African iron smelting, and presents convincing evidence for early indigenous technologies far more complex than previously expected. The Tree of Iron is set in Tanzania, East Africa, on the western shores of Lake Victoria, where Haya people have lived for centuries.
For Australian documentary filmmaker John Darling, the tragic events of 12 October 2002 compelled him to re-establish his links with Bali that spanned some 30 years. John had lived, researched and made films in Bali for 17 years from the 1970s to the 1990s, and THE HEALING OF BALI is his observation of the Balinese response to the bombings and the aftermath. His film presents an intimate insight into traditional and modern Balinese methods of grieving and healing. Among those who tell their own stories in the film are Haji Bambang, one of the heroes of the night of the bombings. Many people died in Haji's arms on the night as he worked tirelessly with a group of friends to save the victims or respectfully cover the dead with white cloth.