The film evolves around questions of identity, popular memory and culture. While focusing on aspects of Vietnamese reality as seen through the lives and history of women resistance in Vietnam and in the U.S, it raises questions on the politics of interviewing and documenting.
In the summer of 1995, as every year, the patients and staff of "La Borde" psychiatric clinic rehearse their summer play for a performance on August 15th. The film records the ups and downs of the venture as rehearsals go by. Yet, it also delicately captures the day-to-day existence, the seemingly insignificant details, the loneliness and the fatigue but also the collective joy and the close attention that all these people pay to each other.
The School for the Deaf at the Alabama Institute is organized around a theory of total communication i.e. the use of signs and finger spelling in conjunction with speech, hearing aids, lip reading, gestures and the written word. The film shows sequences dealing with various aspects of this comprehensive training such as teaching students and parents to sign; speech therapy; psychological counseling; regular academic courses; vocational training; disciplinary problems; parents visits; sports and recreational activity; training in living and working independently; and developing skills in home and money management.
HIGH SCHOOL II is a film about Central Park East Secondary School (CPESS), a successful alternative high school in New York's Spanish Harlem, 85-95% of whose graduates go on to four year colleges. The film illustrates the school's emphasis on the “Habits of Mind” program (weighing evidence; awareness of multiple points of view; seeing connections and relationships; speculating on possibilities; and assessing values.) Sequences illustrating the school's approach to learning include: classroom activities in the humanities and sciences; family conferences; discussions of race, class, and gender; faculty meetings; disciplinary problems; sex education; conflict resolution by students; and student council meetings.
A documentary about a political troupe headed by actors Jane Fonda and Donald Sutherland which traveled to towns near military bases in the US in the early 1970s. The group put on shows called "F.T.A.", which stood for "F**k the Army", and was aimed at convincing soldiers to voice their opposition to the Vietnam War, which was raging at the time. Various singers, actors and other entertainers performed antiwar songs and skits during the show.
After documentarian Ross McElwee gets married, a series of misfortunes follow: his grandmother dies, his wife miscarries, and then his father dies less than a week later. Shaken by the sudden string of deaths, McElwee becomes depressed. After spending time with his friend and former high school poetry teacher, Charlene, he goes to meet his brother, a doctor. In a series of interviews, McElwee contemplates his morbid preoccupation with death and tries to figure out how to shake it off.
A complex, insightful look at the Chicano experience as mirrored in the lives and music of the most acclaimed Norteño musicians of the Texas-Mexican border, including Flaco Jimenez and Lydia Mendoza. Video includes bonus feature, Del Mero Corazon.
Robert Mugge filmed jazz great Sun Ra on location in Philadelphia, Baltimore, and Washington, D.C. between 1978 and 1980. The resulting 60-minute film includes multiple public and private performances, poetry readings, a band rehearsal, interviews, and extensive improvisations. Transferred to HD from the original 16mm film and lovingly restored for the best possible viewing experience.
CENTRAL PARK is a film about the famous New York City landmark and the variety of ways in which people make use of it: running, boating, walking, skating, music, theatre, sports, picnics, parades and concerts. The film also illustrates the complex problems the New York City Parks Department deals with in order to maintain and preserve the park and keep it open and accessible to the public.
During risky expeditions in an underwater cave in Mexico, scientists unearth the skeleton of a 13,000-year-old prehistoric teenager to gain insight into the earliest known humans in America.
Discover the process behind Charli XCX’s 2020 quarantine album "how i'm feeling now", created in 40 days during the COVID-19 pandemic, including its semi-collaborative nature with her community of online fans.
Travel is at a tipping point. From Carribean beaches to remote villages in Kenya, forgotten voices reveal the real conditions and consequences of one of the largest industries in the world. The role of the modern tourist is on trial.
In the late 1980s and early 1990s, skateboarding and hip-hop culture collide in downtown Manhattan. Archival footage from the era showcases the fusion of these two forms of expression.
THE LONELIEST WHALE is a cinematic quest to find the “52 Hertz Whale,” which scientists believe has spent its entire life in solitude calling out at a frequency that is different from any other whale. As the film embarks on this engrossing journey, audiences will explore what this whale’s lonely plight can teach us — not just about our changing relationship to the oceans, but to each other. Executive Produced with Leonardo DiCaprio and Adrian Grenier.
An epic journey along Africa's Great Green Wall — an ambitious vision to grow a wall of trees stretching across the entire continent to fight against increasing drought, desertification and climate change.
A portrait of a growing movement amongst Indigenous Americans to reclaim their spiritual and cultural identities through obtaining sovereignty over their ancestral food systems, while battling against the historical trauma brought on by centuries of genocide.
In the 1980s Keith Haring blazed a trail through the galleries and nightclubs of downtown New York's art scene. Rebellious and ingenious, Haring chose to operate both inside and outside the art world. Inspired by the city's graffiti scene, he made New York's subways, tarpaulins and walls his canvas. This new feature documentary blends stunning archive and an edgy soundtrack, with tender and candid first-hand accounts of Haring. It tells the extraordinary story of an artist who lived and created with a boundless energy, throughout the social, cultural and political counter-revolution of the 1980s.