Pat Tillman never thought of himself as a hero. His choice to leave a multimillion-dollar football contract and join the military wasn't done for any reason other than he felt it was the right thing to do. The fact that the military manipulated his tragic death in the line of duty into a propaganda tool is unfathomable and thoroughly explored in Amir Bar-Lev's riveting and enraging documentary.
LAW & ORDER surveys the wide range of work the police are asked to perform: enforcing the law, maintaining order, and providing general social services. The incidents shown illustrate how training, community expectations, socio-economic status of the subject, the threat of violence, and discretion affect police behavior.
At the request of a dying Tiwi man and his family on Melville Island, this film was made of the pukumani (bereavement) ceremony to follow his death. The film observes the family through the long period of preparation for the ceremony, following age-old traditions. Dancing and face-painting are rehearsed, to the family’s satisfaction, and because “things should be right for this film”. For the two days of ceremony, the community moves to Carslake Beach where a smoking ritual is held to protect the participants from spirits. The cemetery poles are erected, traditional dances are performed along with personal dances by family members. Facial and body decoration is elaborate and spectacular. After saying a final farewell to the old man, the community and the family leave the Beach and return to the village where routine life resumes.
Thirty years after a forgotten massacre that occurred during the Guatemalan civil war, a forensic scientist and prosecutor search for Oscar, a young boy who survived the horror.
The Divide tells the story of 7 individuals striving for a better life in modern day US and UK - where the top 0.1% owns as much wealth as the bottom 90%. By plotting these tales together, we uncover how virtually every aspect of our lives is controlled by one factor: the size of the gap between rich and poor.The film is inspired by "The Spirit Level" by Richard Wilkinson and Kate Pickett.
Chronicles the history, ideology and aesthetic of Norwegian black metal, a musical subculture infamous as much for a series of murders and church arsons as it is for its unique musical and visual aesthetics. This is the first film to truly shed light on a movement that has heretofore been shrouded by rumor and obscured by inaccurate and shallow depictions. Featuring exclusive interviews with the musicians themselves, Until the Light Takes Us explores every aspect of the controversial movement that has captured the attention of the world.
In Torre del Lago, by Lake Massaciuccoli, Puccini is writing "The Girl of the Golden West" when his wife Elvira accuses him of a dalliance with their maid, Doria Manfredi, a young women from town. Although the maestro is frequently unfaithful, he denies the affair; Elvira insists she's right and publicly hounds Doria. Between scenes in this domestic drama that turns tragic, we watch a Scottish company rehearse and stage "Turandot," Puccini's last opera. The film finds parallels between the two stories and suggests that in the opera, Puccini expresses love for his wife and guilt in Doria's fate. Three local gentlemen provide a spoken chorus as Puccini's score plays throughout.
Mamie Lang Kirkland still remembers the night in 1915 when panic filled her home in Ellisville, Mississippi. Her family was forced to flee in darkness from a growing mob of men determined to lynch her father and his friend. Mamie’s family escaped, but her father’s friend, John Hartfield, did not. He suffered one of the most horrific lynchings of the era. Mamie vowed to never return to Mississippi – until now. After one hundred years, Mamie’s youngest child, filmmaker, Tarabu Betserai Kirkland, takes his mother back to Ellisville to tell her story, honor those who succumbed to the terror of racial violence, and give testimony to the courage and hope epitomized by many of her generation
This film is a gripping documentary exploration that humanizes the United States' tragically flawed immigration policy. The film follows the story of 3 Cambodian-American immigrants living in Seattle (who came as children in the early 80s, when a multitude of Cambodian refugees were given housing in the city's projects) whose teenage rebellions catch up with them in a horrific way.
A journey through the 1980s and beyond; the story of a band, an era and how one small gathering of outsiders in London shaped the entire world’s view of music and fashion. The film is not only a fascinating, often hard-hitting social and cultural document of the time, but a brutally honest story of how friendships can be won, lost and ultimately regained.
Sue Klebold attempts to reconcile how the son she affectionately referred to as "Sunshine Boy" became a school shooter. "If love could have stopped Columbine," she says, "Columbine would never have happened."
A video essay where the author presumes motivations and insights in a fictionalized biography regarding Debra Paget, a contract player for 20th-Century Fox whom they groomed and coached for stardom.
With the original intention of empowering a citizenry's ability to defend themselves against a corrupt or tyrannical government, the concept today may seem farfetched or the makings of a Hollywood blockbuster. However, it has happened throughout U.S. history. And long before gun control was positioned as a "common sense measure" to combat violence, it was used as a means to oppress certain minority groups. Presently, the growing trend in gun control favors the wealthy and privileged, who leverage their connections to ensure their Second Amendment rights and safety, while those of lesser means struggle. Informative and emotionally charged, "Assaulted: Civil Rights Under Fire" is an eye-opening look at the genesis of the Second Amendment to the Constitution, leading the audience to rethink the issues surrounding gun control, and the effect on civil rights and liberty. After all, what you don't know can kill you.
Shari Lewis was a dancer, singer, and magician but is best known as the ventriloquist behind sock puppets Charlie Horse, Hush Puppy and, of course, Lamb Chop. This lively doc charts the life, loves, and career hits and misses of this spunky perfectionist, who forever changed the face of children’s television.
PUBLIC ENEMY NUMBER ONE looks at the war on drugs from 1968 until today and looks at trigger points in history that took cannabis from being a somewhat benign criminal activity into a self-perpetuating constantly expanding policy disaster.
For more than forty years, British journalist Robert Fisk has reported on some of the most violent conflicts in the world, from Northern Ireland to the Middle East, always with his feet on the ground and a notebook in hand, travelling into landscapes devastated by war, ferreting out the facts and sending reports to the media he works for with the ambition of catching the interest of an audience of millions.
Pushing at the limits of non-fiction cinema, A Man Imagined is a bracingly intimate and hallucinatory portrait of a man with schizophrenia surviving amidst urban detritus and decay. Made in close collaboration with 67-year-old Lloyd, this immersive documentary fable follows the jagged path of a decades-long street survivor, across harsh winters and blistering summers, as he sells discarded items to motorists, sleeps in junkyards and lapses into near-psychedelic reveries.
Acid Horizon follows marine ecologist Dr. Erik Cordes on a harrowing deep-sea expedition to track down the "supercoral", a strain of the deep-water coral Lophelia pertusa that seems to possess the unique genetic capability to thrive in a low-pH ocean.
Mavis Beacon Teaches Typing taught millions globally, but the software's Haitian-born cover model vanished decades ago. Two DIY detectives search for the model while posing questions about identity and artificial intelligence.