The Bloodhunter spider learns he Has a few clones of himself who have Mutated from the virus they were very weak until the virus corrupted them altering they're DNA and giving them more power than any of the infected it's up to spider to stop them
Lucy Raven's Demolition of a Wall (Album 1) is the second film in her trilogy of "Westerns." In American cinema, the Western has traditionally celebrated the expansionist myth that the region is somehow primal or untouched. Raven, by contrast, engages with a West that–while still dramatic in its natural beauty–has been industrialized, militarized, and colonized. She filmed this work at an explosives range in New Mexico that is typically employed as a test site by the US Departments of Defense and Energy and private munitions companies. Notably, it is close to Los Alamos, a national laboratory known for its role in the development of the nuclear bomb. Using a variety of cameras and imaging techniques, Raven captures the trajectory of the pressure-blast shockwaves that move through the atmosphere in the wake of an explosion. [Overview courtesy of the Whitney Museum of American Art]
Dean extrapolated landscape images from 1920s Ford advertisements, leaving out the cars to focus on their representations of place and nature. She made the animation using a digital version of a multiplane camera technique employed in early Disney films to create an immersive and 3D illusion by separating two-dimensional images. This technique was itself inspired by Ford’s assembly line; Dean uses it to explore historical depictions of the American dream, exaggerating the subject matter’s fantastical style. [Overview courtesy of the Whitney Museum of American Art]
The Thomas family are the owners of a large horse ranch, on the borders of New Mexico. A neighboring band of Apaches, under the famous Geronimo, had for several years been at peace, consequently the Thomas ranch was in a flourishing condition. Tom, the foreman, and Jerry, one of his trusted lieutenants, are rivals for the hand of Jess, the ranch owner's daughter.
Cletus Abernathy, a profiteering, washed-up, sheriff must call upon his past training as a deputy in order to face a man named Crenshaw later in the morning.
The city girl decides to turn over a new leaf and go west where she can start life anew. Several years later finds her the wife of a minister in a small western town and extremely happy. One day she and her husband find Broncho Billy, an outlaw, lying in the road suffering from a wound. They take him to their home, and while the minister hastens for a doctor, his wife dresses the wound. She steps into an adjoining room, where she is confronted by the man who had been so cruel to her years before. He threatens to expose her if she refuses to give him money.
Tom Harper, a young sheepman, lately arrived in the country with his mother, is warned by an unsigned note that "this is a cattleman's country, and not good for a sheepman's health." Tom goes to the sheriff, armed with the note, and a revolver, and tells this officer that he is not looking for trouble, but they had better let him alone.
Dorothy Sloane, the daughter of a white settler in the west, leaves her home one day for a ride on horseback to the village, but on the way in intercepted by a party of Indians who, after a hard chase, capture her and taking her to the village, bring her before the chief.