Volksbühne am Rosa-Luxemburg-Platz 1992-2017. The end of the GDR gave rise to new artistic freedoms in reunited Berlin. Shortly after the fall of the Wall, rebel director Frank Castorf was appointed artistic director of the Volksbühne. His way of working altered the public’s perception of this theater. The chronological history of the Castorf era between 1992 and 2017 is told here in excerpts from the productions and in a series of conversations conducted on the long sofa in the theater's foyer.
Japanese dance and musical film presenting Toshihiko Tahara, a singer then noted for his abilities as a dancer, with a large supporting cast of singers and dancers – mainly drawn from the roster of the Johnny & Associates talent agency of Johnny Kitagawa. The film was shot in the Tokyo Takarazuka Theatre Tokyo and Yurakucho on January 29–30.
Jack Taylor of Beverly Hills examines the dying art of men's custom tailoring through the eyes of one its most colorful characters on the eve of his retirement.
“Let’s see if you gained any weight. 26,3 kilogram. Ahmet, you need to eat more. Double meals.” Like other boys their age, Baran, Ahmet and their classmates wrestle with the desire for recognition, with homesickness and with their target weights. Most of all though, they wrestle with, and against, one another. They are comrades and competitors, united by one and the same dream: Olympic gold! In their wrestling academy in the Turkish province of Amasya, which is well known for this traditional form of combat sport, they undergo strength and endurance training, they learn lifts and throws, they urge each other on and they console one another. Always responding to the boys’ needs, the trainers give the boys tough love, sometimes fatherly, sometimes strict and disciplinary. The film’s intimate documental camera bears close witness to the fine line between friendship and competition, victory and the lesson of how to lose.
Parody of The Disney Channel's "Going Home" music series. Features "Weird Al" Yankovic in concert from Vancouver's Orpheum Theatre performing spoofs of many popular songs, Al travelling on the bus with his band and in their hotel room as well as tongue-in-cheek interviews with Al and his family.
After the coup of 1964, the media conglomerate Diários Associados organized a campaign called "Gold for Brazil," exhorting the people to donate wealth to the military government. The symbol of the campaign was the wedding ring, sealing the union between the people and the State. The film picks up the trail of the millions collected, but never channeled back into society.
Berlin is a metropolis, a big city with international flair and at the same time the habitat of countless raccoons, foxes, bats, squirrels, hedgehogs and beavers. There is at least one pair of birds for every human inhabitant of Berlin, and nowhere else are there so many sparrows and nightingales. Swarms of bees harvest honey from almost half a million city trees, a badger roams through a backyard, and praying mantises lurk for prey in railroad tracks.
How did your body become the complicated, quirky, amazing machine it is today? Anatomist Neil Shubin uncovers the answers in this 3-part science series that looks at human evolution. Using fossils, embryos and genes, he reveals how our bodies are the legacy of ancient fish, reptiles and primates — the ancestors you never knew were in your family tree.
1969. Man lands on the moon. Half a million strong at Woodstock....and Led Zeppelin perform in the gym of the Wheaton Youth Center in front of 50 confused teenagers. Or did they? Filmmaker Jeff Krulik chronicles an enduring Maryland legend, of the very night this concert was alleged to have taken place, January 20, 1969, during the first Presidential Inauguration of Richard Nixon. Led Zeppelin Played Here presents a mid-Atlantic version of what was happening nationwide as the rock concert industry took shape. Featuring interviews with rock writers, musicians, and fans, and several who claim they were witnessing history that night.
To understand eighteenth-century America through a woman's eyes, historian and author Laurel Thatcher Ulrich spent eight years working through Martha Ballard's massive but cryptic diary. "A Midwife's Tale" chronicles the interwoven stories of two remarkable women: an eighteenth-century midwife and healer and the twentieth-century historian who brought her words to light.
Rugby Union has long been viewed in South Africa as a game for the white population, and the country’s success in the sport has been a true source of Afrikaner pride. When the 50-year-old policies and entrenched injustices of apartheid were finally overthrown in 1994, Nelson Mandela’s new government began rebuilding a nation badly in need of racial unity. So the world was watching when South Africa played host to the 1995 Rugby World Cup. Though they had only one non-white player, the South African Springboks gained supporters of all colors as they made an improbable run into the final match where they beat the heavily favored New Zealand team. When Mandela himself marched to the center of the pitch cloaked in a Springbok jersey and shook hands with the captain of the South African team, two nations became one. Oscar winner Morgan Freeman and director Cliff Bestall will tell the emotional story of that cornerstone moment and what it meant to South Africa’s healing process.
The gritty elements of urban crime and violence have always had an influence on hip hop culture and rap music. More and more, the trappings of street life have landed popular rap artists behind bars - and not just for a music video shoot. What happens when a rapper who has everything suddenly has his freedom stripped away and is forced to deal with the harsh realities of prison? "Rhyme and Punishment" takes an in-depth look at the role of prison in hip hop culture, and reveals the side of the story that is not being covered by the news and popular media. The true and personal stories of hip hop artists who are, have been, or are soon to be incarcerated, in their own words. Featuring intimate and compelling interviews with convicted rappers Beanie Sigel, Prodigy, Cassidy, Project Pat, Immortal Technique, Slick Rick and many more.
Explores the landscape and stories within the community of Krabi, Southern Thailand. A major tourist destination in Thailand, the filmmakers want to capture the town in this specific moment where the pre-historic, the more recent past and the contemporary world collide, sometimes uneasily.
A documentary-narrative film which looks at real events and personal phenomena of artist Zarko Lausevic. "Laush" above all tells a story of an evil time we've all been through, represents both sides and is made with empathy and respect towards everyone involved in the tragic incident. Through recreations, narration, memories of colleagues and quotes from the book "A Year Passes, a Day Will Never Pass" which the artist wrote during the hardest stage of his life, the weight of his fate is presented. The aim of this project is to portray the life of brilliant actor, who in the midst of great fame, disappeared from the scene through the cruelty of dubious times.
After an absence of five years, six times Mr. Olympia winner Arnold Schwarzenegger makes a comeback and attempts to take the World Body Building Championship for the 7th time.
Is there such a thing as strictly feminine cinema? Is it more difficult for a woman than for a man to direct a film? Is gender parity necessary in the industry? Actress and producer Julie GAYET and actor and director Mathieu BUSSON ask these questions to twenty French woman filmmakers, who face a camera together for the first time. After over an hour of lively, informal, spontaneous and funny interviews, it becomes obvious that these issues are still problematic and definitely worthy of a documentary. As Mia HANSEN-LØVE remarks, “In the eyes of the people, a woman’s film is always a woman’s film, while a man’s movie is simply… a movie”.
A subjective portrait of the famous Lithuanian filmmaker. The film combines interviews of Bartas, talking about his films, his creative intentions, reminiscing about the beginning of his career as a filmmaker, and Coudray’s personal opinion on the director.