Mountie Matt O'Brien is assigned to escort Miss Owens to a remote outpost. But when he finds an illegal mining operation there that is smuggling gold across the border, his superior Sgt. Means orders him to leave.
Jim Stewart comes to Mesa City and buys a ranch from publisher Matt Edwards, who is confined to a wheelchair. The area is terrorized by an outlaw gang known as The Phantoms. When Jim's cattle herd is rustled and his ranch foreman Pop Evans killed, he takes an active hand against the gang in his guise as the Durango Kid.
Mexican families are being forced off their land by the Saxon's who come to colonize this underpopulated state. Two Mexican families, the Iturraldes and the Villareals, find their peaceful existence shattered when they refuse to sell their ranches to the Mackenzies, an Irish family who will stop at nothing to get what they want. And what they want, lies deep in this extensive and fertile land... oil.
Sheep raisers, resentful of old injuries from the cattlemen, bar the way to water when dry ranges force the cattle ranchers to drive their herds into the lowlands.
Lone gunman Johnny West and his dog, Gypsy, fall foul of twin bad men who have designs on a gold mine. After having his gun hand crushed Johnny is joined by 2 feuding ex boxers and their explosive expert sidekick as they all take on the villains, restore the mine to it's rightful inheritor and face down the twins, one of whom attempts to outwit them using a clever coffin trick.
Captain Porter's scheme is to buy livestock and then have his men show up later to kill the buyer and retrieve the money. When his men kill the next victim, he frames the Arizonian for the murder. The Arizonian escapes the law and joins up with the outlaw Vasquez. Knowing Porter's scheme, he plans to trap him by using Vasquez as the next buyer.
The Pony Express is finished as the Post Office plans to award the mail contract to a stage line. Bill and his father put in a bid for the mail, however there are three bids close together. The officials will run a race to pick the winner, and the Banton Brothers sabotage Bill's stage. Mary still believes in Bill until they try to get rid of him by holding up the regular stage with his well-known horse. Bill needs proof to clear himself and expose the bad guys.
Two talent scouts for a New York-based country music TV show called "Square Dance Jubilee" are sent out West to get authentic western singing acts. They find what they're looking for, but also get mixed up in cattle rustling and murder.
CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.
After successfully eluding the London police, David Goodwin, an embezzler, sails for America and locates in the west. At the opening of our story, he is married and has several little children, and has become a thoroughly respectable and honorable citizen. One day he is reminded of the past by a newspaper item which states that the London embezzler has been located
When his ranch falls on hard times, Cowboy Roy Roger has trouble making his mortgage payment and he takes his song and dance to Wall Street to try to raise cash fast.
In the beginning of the 20th. century Italian actor Guido Guidi, more enthusiastic than talented, and his ensemble tour Texas. The mysterious and obviously rich Peppino Garibaldi gives them an offer, they can’t deny: For a large amount of dough they should play “Richard III.” in the Mexican town Vera Cruz.
But Peppino is not really interested in cultural affairs: He supports “La Revolución” and “General” Carasco, who utilizes the feastful premiere of “Richard III.” to raid Vera Cruz for Comandante Zapata. But shortly after the Mexican Army shows up with some canons in tow to sort things out.
Guidi and Padre Albino, Italian like him, succeed to flee and save Carasco accidentially from the firing squad. Whereas the latter coninues his revolutionary fight, Guidi and Albino start an odyssey through the struggling Mexico, which lets them fall one time in the hands of Carasco the other time in those of Herrera or even in the clutches of “hand-taking&rdq