Jeanne La Roche lives alone with her brother in the great northwestern country. Jacques is a ne'er-do-well and has fallen under the suspicion of the mounted police, two of whom are dispatched to arrest him for robbery. The stolen goods are found in his home. Jeanne is too young to be left in their lonely cabin, so she is taken to the post, where the wife of the proprietor welcomes her and gives her a home. Several years later, Donald McLean wins her for his wife. Meantime Jacques escapes from prison, eludes his pursuers and takes refuge in McLean's home.
Rex Allen and Slim Pickens are sent from Washington, D.C. to California in 1850 to speed up deliveries of mail to the goldfields, and find a destructive feud raging between two stage-line owners, Sam Sawyer and John Brockway. In their attempts to have their stages and drivers first on the dock to get the mail brought East by ship, the two have damaged each other's equipment and schedules to the point that no consignment of mail reaches the goldfields intact or on time.
Before he was murdered Grandpa Martin found a gold mine. He failed to record it and now everyone is looking for Martin's old horse that can lead them to it. When under-cover Texas Ranger Autry arrives to investigate, he is accused of the murder and finds the Sheriff after him.
When two of their Marshal friends are killed, the Rough Riders are sent to investigate. They have to find the killers in a ghost town where the houses and an old mine are interconnected by secret passages and tunnels.
In TV's pioneer days when kids idolized the Lone Ranger, the Texas Kid was a knight errant of the frontier leading the fight for law and order alongside his Mexican companion Pepe. In this rarely-seen TV pilot, the Kid and Pepe intercede on behalf of the murdered rancher's daughter, openly defying the landgrabbers in a cow town so lawless that rustlers operate in broad daylight!
Shot at the Corrigan Ranch in 1950, TEXAS KID co-starred Mercury Records recording artist John Laurenz as Pepe and stuntman Hugh Hooker as the Kid. Hooker, a specialist in stunts involving horses and stagecoaches, often doubled Gene Autry and even produced a few movies, including the low-budget gem . That movie's star was Hugh's teenage son Buddy Joe Hooker, whose own subsequent, stellar stunt career inspired HOOPER (1978), Burt Reynolds' hit comedy tribute to movie stuntmen.
After the death of his wife the baby was all the sheriff had left, the promise of hope in the future, and the reflection of all that was dear in the past. But a sheriff has no time to tread a cradle rocker, so the baby started off on the long journey to relatives across the desert. Then the sheriff was called away to hunt the "bad men" of the desert, and found there a deserted prairie schooner, the occupants dead and his baby gone.
Broncho Billy and his pals hold up a stagecoach. In rifling the mail bag, Broncho discovers a letter from his mother in which she begs him to come back home, as she is dying. Before he can comply, he and his band are captured. He is placed in charge of a young man, who hopes to get enough money from the reward for the capture of the bandits to marry his sweetheart.
The feature-length pilot episode follows Brisco County Jr. is hired by the attorney of a group of robber barons to track down and apprehend the infamous John Bly and his gang, a job that was previously entrusted to his late father Brisco County Sr.
Barr Messenger escapes to Mexico after a frame-up. He is in love with Betty Brownlee, who disappears after $10,000 is stolen from the firm she works for. It is thought she took the money. In Mexico, In Mexico, Barr finds Betty working in a saloon for "Red" McGee, the chief henchman of "Bull" Keeler's (the Kingfish) Kingfisher gang.
Cowboy is hired by an archaeologist to help find "Hidden Valley", where an Indian gold treasure is supposed to be buried. Just when he finds it, the archaeologist is killed, and the cowboy his charged with his murder.
Pavo 90 is a medium-length film whose extravagant characters (Robbie, Darret and Luisda) take the viewer by the hand during a nostalgic trip through the Marabina (lol) society of the nineties, a trip during which our festive protagonists consume stuff, enjoy and spank next to a cassette new kids on the block in the repro of their Sierra Safiro, they pass daddy's American Express and venture into the vibrant Zuliana nightlife in the incessant search for a cuquita in which to wet their unruly glans