Jode MacWilliams, a cowboy working on the Circle O ranch, has a crush on the boss's daughter, Peg. After his friend writes a love letter for him, an Indian steals and delivers it to Peg. Meanwhile, word of Jode's affection reaches Peg's father, who has a decidedly less romantic view of this young couple.
Bob Carson and sidekick Grizzly take a job driving a stage for a line that is being repeatedly robbed. The culprits place a large box on the stage in which Runt can hide and steal the gold without the driver or guard knowing it. When Bob realizes what is happening, he replaces Runt in the box in hope of catching the outlaws.
Julius is out for a ride on his horse; he does some rope tricks. Some bad guys rob a stagecoach; one of the passengers is Alice, who finds herself stuck between the head bad guy and a cactus. Julius rides in and saves most of the passengers, but the bad guy rides off with Alice. After a short chase, he ends up battling Julius on top of a tall rock outcropping. A piece eventually breaks off, sending both of them into a boulder field. They play hide-and-seek a while. Julius then takes off his fur and sends it out as a decoy while he sneaks up behind the bad guy with a club and beats him into the ground. Alice comes up to thank him; ashamed by his nakedness, he hides behind a rock and puts his fur back on, then accepts her thanks.
Judge Curry is selling Austin's land to nesters and his men are rustling his cattle to provide beef. When the Sheriff accuses butcher Gore of possessing stolen beef, Gore kills him. Curry then holds a quick election to change the county seat so he can preside at the trial. But Brill gets the Governor to change it back and this leads to the big shootout between Curry's men and Brill and the ranchers.
The year is 4000, the year for lasergunslingers, aliens and scoundrels.
DISCLAIMER: may also include revenge, greed, explosions, hologram poker and NO DAMN LAW! (Or horses.) Your typical space western, produced 2002 in Sweden.
In this his penultimate Western for low-budget company Monogram, Jack Randall assumed the identity of a murdered ranger in order to track down the killer. In the lawless town of Brimstone, the citizens are being terrorized by a gang of outlaws headed by Mason (Tom London), who, to no one's great surprise, proves to be the very man Jack has been trailing. The relieved citizens of Brimstone then elect Jack as their new sheriff. The murdered ranger's sister was played by Margaret Roach, the 19-year-old daughter of comedy producer Hal Roach. Ernie Adams replaced Glenn Strange (who himself had replaced Frank Yaconelli) as Randall's sidekick, Manny, and Nelson McDowell provided additional comic relief as Brimstone's busy undertaker.
Reina of the West is a western drama that chronicles the life of a black woman, Reina, who is forced to find a path of survival after her family abandons her. Finding other women with similar fates as her own, abandoned or outcast, Reina starts a ranch under the guise of a man's name but when a group of men in town get jealous of her ranch's success they devise a plan to shut down the ranch. Reina and her female ranch hands set out on a path to save their ranch but it also leads Reina down a road that forces her to face parts of her past that she hasn't truly come to terms with.
Billy Carter and two Mexicans, Cuteo and Estaban, are smugglers of opium which they bring across the border from Mexico into the United States. The authorities are unable to apprehend them, so "Pinnacle" Bill and "Cheyenne" Harry of the Arizona Ranger Service are sent to assist the sheriff, Dan Beckham, and the inspectors in their search.
Esther Lee, a western girl, attending a college in the east, becomes engaged to Harold Shaw, a young collegian. She goes home to spend her vacation on the ranch, and arrives just after the election which has made her father the county sheriff.
Western book writer, Eugenio is going through a difficult phase. He is famous for the novels starring the Jesus Kid, but his sales have been going from bad to worse for some time. The light at the end of the tunnel seems to be a film director's invitation: he wants Eugenio to write a film script. However, to write this script, Eugênio must spend three months isolated in a luxury hotel, without being able to go out or have contact with the world he knows. Based on this premise, Mutarelli builds a scathing critique of the publishing market and the film market — where he has been circulating for years. Bringing to Eugênio much of his own personality, the author shows how the commercial part of culture can be perverse to those who work in it.
With clear stylistic references to the spaghetti western, the film tells a story set in the Chilean countryside in a bygone era. The script, which tries to offer a folkloric costumbrista picture through an anecdote of love and revenge, is primary and unsubstantial. In many moments the film turns out to be comic when it is supposed to be dramatic and vice versa.