A thought-provoking documentary about the ill-fated Trans World Airline Flight 800 to Paris, France, which exploded on July 17, 1996 just 12 minutes after takeoff from JFK International Airport, killing all 230 people on board. The special features six former members of the official crash investigation breaking their silence to refute the officially proposed cause of the jetliner's demise and reveal how the investigation was systematically undermined.
An entertaining documentary look at dinosaurs with Emmy Award-winning special effects, feature film clips and stills, commentary by leading paleontologists of the time, and an on camera as well as voice-over narrative by Christopher Reeve. Shot on location in Los Angeles and New York at the American Museum of Natural History
Chantal Akerman investigates the American Deep South through the story of a lynching and grisly murder of an African-American man that took place in Texas in 1998.
KJ is a biography of a HK musical genius. At the age of 11, KJ won the Best Pianist price and went to Czech to perform with a professional orchestra. Touching on subjects such as the meaning of life, God and the artistic process, the director’s 6-year-conversations with KJ reveal how a young man inspires by his music teacher, Nancy Loo and how he conflicts with his peers and parents. KJ is not about the victory of a genius, but how he learns to be a "human being".
During World War II, a hand-picked group of American GI's undertook a bizarre mission: create a traveling road show of deception on the battlefields of Europe, with the German Army as their audience. The 23rd Headquarters Special Troops used inflatable rubber tanks, sound trucks, and dazzling performance art to bluff the enemy again and again, often right along the front lines. Many of the men picked to carry out these dangerous deception missions were artists. Some went on to become famous, including fashion designer Bill Blass. In their spare time, they painted and sketched their way across Europe, creating a unique and moving visual record of their war. Their secret mission was kept hushed up for nearly 50 years after the war's end.
A celebration of slasher cinema - from PSYCHO to the present day, with a focus on highlighting many of the genre's forgotten cult classics, deconstructing how to survive a slice and dice movie and meditating upon why it is almost always a final girl and rarely a final guy... this is a documentary which is designed for both the biggest fan of "mad maniac" movies and the person who may only have seen HALLOWEEN and SCREAM. Either way, this is a documentary that proves the SLASHER FILM is truly FOREVER!
“This shows the Fire Department leaving headquarters for an early morning fire. The scene is remarkable for its natural effect. The opening of the engine house doors, the prancing of the horses, and even the startled expression upon the faces of the spectators are all clearly depicted.” -Edison Films, 1897. 150 ft. strip, filmed December 25, 1896 in Harrisburg, Pennsylvania.
The camera shows a water ride at Bergen Beach at Coney Island. A raised track filled with water forms a chute, and a small boat full of park visitors slides down the chute. Alongside, empty boats are hauled back up to the top of the ride.
Documentary filmmaker Zhou Hao examines the complicated relationship between two drug addicts who become dealers over the course of three years. Shot in the city of Guangzhou, the film offers a rare look into China's unknown heroin subculture.
In July 1990, a dispute over a proposed golf course to be built on Kanien’kéhaka (Mohawk) lands in Oka, Quebec, sets the stage for a historic confrontation that would grab international headlines and sear itself into the Canadian consciousness.
An atypical family portrait, directed by 34-year old Stéphanie Argerich, the daughter of pianists Martha Argerich and Stephen Kovacevich. The filmmaker follows her mother in particular, during concerts and in moments of greater intimacy, searching for answers that might shed light on the private spaces of a family that has always lived in the limelight of the international stage, where gaiety and madness rub shoulders with an absolute and overwhelming passion: music.
The film opens on a dressing room set with a mirror, dressing table, and chair center stage and a folded dressing screen on the left. A smiling, dark-haired woman enters through the door on stage right, unbuttoning a full-length polka-dot costume. As she undresses, she frequently looks directly at the camera and smiles. She removes her sash or cummerbund, the top with its trailing sleeves, and her skirt, leaving her clothed only in a sleeveless chemise. Smiling directly at the camera, she mischievously slips a strap of the garment off one shoulder, then ducks behind the screen.