Chronicles Stephen C. Apostolof's rise from Eastern-European fugitive to producer and director of sexploitation films in the 60's and 70's, his turbulent relationship with infamous Ed Wood and his downfall in the late 70's with advent of hardcore pornography.
A young, jobless woman stays in bed, reads, talks on the phone, smokes cigarettes, makes fresh coffee, and tries on some clothes from a large wardrobe.
From Amos 'n' Andy to Nat King Cole, from Roots to The Cosby Show, black people have played many roles on primetime television. Brilliantly weaving clips from classic TV shows with commentary from TV producers, black actors and scholars, Marlon Riggs blends humor, insight, and thoughtful analysis to explore the evolution of black/white relations as reflected by America's favorite addiction.
A 16 mm film, featuring Yoko Ono's own eye slowly blinking, shot by Peter Moore with a high-speed camera at 2,000 frames per second, which is projected at normal speed, 24 frames per second, thus creating a slow-motion effect.
The film is a sort of presentation of Franco Fortini's book 'I Cani del Sinai'. Fortini, an Italian Jew, reads excerpts from the book about his alienation from Judaism and from the social relations around him, the rise of Fascism in Italy, the anti-Arab attitude of European culture. The images, mostly a series of Italian landscape shots, provide a backdrop that highlights the meaning of the text. - Fabrizio Sabidussi
Through dialogues with the owners of penthouses in Rio de Janeiro, São Paulo and Recife, High-Rise explores the social and cultural mindset of the elite, and the phenomenon of the 'verticalisation' of the Brazilian cityscape. This is a film about height, status and power.
Banksy’s work now reportedly changes hands for millions. But he puts up his street art for free. Have you ever wondered what would happen if you got your hands on one of these? Does it mean you’ve found a winning lottery ticket or just scraped some worthless crap off a wall? Going up against the Art Establishment, Critics, Auction Houses, Gallery Owners and Authentication Boards in a quest for the elusive meal ticket, two filmmakers unwittingly gatecrash the murky and protective world of Banksy. “HOW TO SELL A BANKSY” raises questions of ownership, authentication and the true value of art itself. Through all the chaos and incompetence comes a modern-day, true-story, crime-theft, comedy-caper.
A re-examination of the events that led to the Piper Alpha oil-drilling platform—at the time the largest and oldest in the North Sea oilfield—exploding on the night of 6 July 1988, killing 167 men. The documentary includes testimonies from rescuers and some of the 61 survivors, many of whom were forced to jump hundreds of feet into a flaming, oil-covered sea, and discovers what the physical and psychological legacy of the disaster has meant for those involved.
A remote village in the Northwest of Russia. A mental asylum is located in an old wooden house. The place and its inhabitants seem to be untouched by civilization. In this pristine setting, no articulate human voice is heard, and pain is muted. The landscapes and buildings are not so much inhabited as lightly entwined and then passed through by their anonymous residents, like some creeping mist. Phantoms half stuck, half undone in a phantom world—lost persons from a lost society?
Once a vibrant part of American culture, drive-ins reached their peak in the late 1950s with almost 5,000 dotting the nation. Although drive-ins are experiencing a resurgence, today less than 400 remain. In a nation that loves cars and movies, why haven't they survived? April Wright's lovingly made documentary, filled with archival images of hundreds of open and closed drive-in theaters, interviews with theater owners, operators and cinema luminaries attempts to answer that question.
A revolutionary film about the cinematic genius of North Korea's late Dear Leader Kim Jung-IL, with a groundbreaking experiment at its heart - a propaganda film, made according to the rules of his 1987 manifesto. Through the shared love of cinema, AIM HIGH IN CREATION! forges an astonishing new bond between the hidden filmmakers of North Korea and their Free World collaborators. Revealing an unexpected truth about the most isolated nation on earth: filmmakers, no matter where they live, are family.
At the end of the 1950s, French documentarian François Reichenbach spent eighteen months traveling the United States, documenting its diverse regions, their inhabitants, and their pastimes. The result is a journey through a multitude of different Americas, filtered through a French sensibility.
Geologist Ian Stewart explain in three stages of natural history the crucial interaction of our very planet's physiology and its unique wildlife. Biological evolution is largely driven bu adaptation to conditions such as climate, soil and irrigation, but biotopes were also shaped by wildlife changing earth's surface and climate significantly, even disregarding human activity.
A feature-length documentary that explores the immense changes that occurred for gays, lesbians and transgender people living in the Global South. In the last decade of the 20th Century, a new heightened visibility began spreading throughout the developing world and the battles between families, fundamentalist religions, and governments around sexual and gender identity had begun. But in the West, few people knew about this historic social upheaval, until 52 men on Cairo’s Queen Boat discothèque were arrested for crimes of debauchery. That explosive story focused attention to the lives and trials of gay people coming out in the developing world and the film chronicles those events.
After the audience is instructed how to use the 3-D glasses they received, demonstrations of three-dimensional films are presented. Various objects move towards the camera, including a ladder being shoved out a window, the slide on a trombone, a woman on a swing, and a thrown baseball.
This Danish film shows us a young woman doing a dance, which translates to tarantula. According to the brief bio over at the Europa Film Treasures site, this dance was "influenced" by the delirium caused by the bite of a tarantula.
The single camera position is from the top of a building identified as the Trocadero Palace; The camera is pointed toward the Eiffel Tower. The film shows only up to the first arch of the Eiffel Tower.
Filmed from the Brooklyn tower of the bridge, this is a panorama starting at Manhattan's Battery and then panning northward along the East River shoreline. Reportedly filmed somewhere between 1897 - 1899, though not copyrighted until 1903.