"An interesting exhibit by Hadji Cheriff, of the original Midway Plaisance. Twirls his rifle over his shoulder, behind back, under leg, both hands and one hand."
Winner of the 2002 Oscar for Best Documentary Short Subject, this film chronicles the aftermath of the terrorist attacks on the World Trade Towers. Filmmakers Bill Guttentag and Robert David Port joined Harlem police as they arrived at the chaotic scene after jet airplanes had struck the two buildings. The film captures the harrowing reality of the attacks as the officers cope with disbelief and fear while remaining focused on saving lives.
While our photographers were crossing the Atlantic Ocean a most wonderful and sensational picture was secured, showing a storm at sea. The picture was secured by lashing the camera to the after bridge of the Kaiserine Maria Theresa, of the North German Lloyd Line, during one of its roughest voyages. The most wonderful storm picture ever photographed. Taken at great risk. (Edison Films, 1901)
"I am far away on a distant journey through my own city", filmmaker Johan van der Keuken says at the end of his four-hour portrait of Amsterdam. The city is presented as a place where people from all corners of the world live, who all exert their cultural influence on the life in the city. With a motor courier as his central figure, the filmmaker introduces the audience to birds of different feathers. We see diverse cultural expressions, like the house scene, the entry of St. Nicholas and a Ghanese mourning ritual. The binding factor in the film is the concept of 'travelling', in other words Amsterdam as a global village. The camera travels through the film in three ways: over land, over water (canals) and through the air.
Gilberto Gil is among Brazil's most famous musicians, having influenced an entire generation in South America and beyond. Now in his seventies, he is serving as Brazil's first black Minister of Culture. Preoccupied with many realities of the modern world, such as racism and poverty, he embarks on a tour through the southern hemisphere— from aboriginal communities in Australia and the townships of South Africa, to the Brazilian Amazon— seeking to promote the power of cultural diversity in a globalized world.
With this publication experience the mysterious mythology of Egypt and be up close during an excavation "live" there. Uncover together with the research team an untouched for centuries tomb and fumble your way bit by bit through her secret with unique 3D shooting.
Structured in visual chapters: the port, anchors, the wind, the spray, the dunes, the North Sea… A series of images that need no anecdote or explanation. Storck offers a glimpse of Ostend, aspects that order its multiple constitutive elements; The water, the sand, the waves, vital cinematic language displayed in simple pictures. A poetic and kinetic shock, without fiction or sound, which relieves film from its narrative obligation and restores it to the world of sensations that it can alone carry.
In the summer of 1924 Claude Friese-Greene, a pioneer of colour cinematography, set out from Cornwall with the aim of recording life on the road between Land’s End and John O’Groats. Entitled The Open Road, his remarkable travelogue was conceived as a series of shorts, 26 episodes in all, to be shown weekly at the cinema. The result is a fascinating portrait of inter-war Britain, in which town and country, people and landscapes are captured as never before, in a truly unique and rich colour palette.
Inflation (1928) is an experimental silent film at eight minutes which is sometimes categorized as a documentary. By now Richter is well beyond playing with light & shadow. Inflation explores the subject of money through photographs & with with stop motion animation techniques, adding faces of people impoverished & enriched by the unpredictability of finance. It functions almost as a political cartoon in motion, building to a chaotic & catastrophic climax.